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Drag flicking stages with
foot work diagrams and
biomechanics
Derek Pappas
Learning to score
• Lets talk about the goal of the drag flick first before
talking about biomechanics. Scoring goals. And
what players and coaches should keep in mind
during practice and when developing drag flickers
• After learning the drag flick the drag flicker needs
to learn how to make the goalie go the wrong way.
• Learn how to place the ball low and high in the
corners.
• The drag flicker must also learn how to deal with
the suicide runner.
Derek E. Pappas Copyright © 2016
The ball travels in a straight line to
the goal
•Remember the ball travels in a straight line to the goal
•The stick moves away from the player's feet as the
hands are lowered (watch the drills in the Lehnn
Aiyyapa video in the video below).
•The end of the stick does not travel in a stick line to
the goal
•Note his point about the angle of the stick after tha
hands are lowered
Derek E. Pappas Copyright © 2016
The path of the ball during
the drag flick
• The ball travels in a straight line towards the
target. During training put a piece of tape on the
ground along the line that the ball should travel
towards the goal
• The end of the stick does not travel down a
straight line since the stick is extended past the
ball during the drag phase and the ball in effect
“rolls” up the face of the stick
Derek E. Pappas Copyright © 2016
Reasons for loss of power
•A failure to "roll" the ball 6-12"'s up the stick results
in a major loss of power-see below.
• The biggest mistake with the drag flick is to fail to
stay in a drag position after pickup until the
middle of the final step. This results in a big loss
of power
Derek E. Pappas Copyright © 2016
Setup for practice
• Cones diagonal outside the top of the D
• A line on the ground perpendicular to the
baseline (tape)
• Mark the spots for the steps and ball with a small
X (5 cm’s long) made with tape
Derek E. Pappas Copyright © 2016
Line on the ground
•The best drag flickers in the world put tape on the
ground as a guide when drag flicking (from a
Spanish national team drag flicker)
Derek E. Pappas Copyright © 2016
Practice your steps prior to
ball pickup
• Practice the steps prior to ball pickup and don’t
do anything else.
• Don’t move the ball
• Concentrate on the steps and right rotation
Derek E. Pappas Copyright © 2016
Practice movement from ball
pickup to the release point
• Start at the ball and just practice the crossover
• Don’t move the ball!
• Move into the crossover
• After you have mastered the cross over the add
the big step
• Delay moving the ball (the stick should be angled
45 degrees over the ball-covering the ball)
Derek E. Pappas Copyright © 2016
Drag flicking
broken down by
stage
Derek E. Pappas Copyright © 2016
Drag flicking stages
•Break the drag flick down into stages.
•Practice each of these movements in slow motion in your
living room or somewhere with a fast carpet or surface
that is fast and won’t scratch.
•It takes a long time to train the muscle memory how to
drag flick.
•The motion is counter intuitive.
Derek E. Pappas Copyright © 2015
2. Body rotates right to set up
the crossover.
Right foot foot parallel to the
baseline.
right foot
left foot
Drag flick footwork
1. Short step to adjust to the point
where the ball will be stopped
3. Left foot parallel to the
baseline and close to the ball4. Crossover by right
foot.
Both knees bent 90
degrees. 5. Big step towards the ball
but not too big
6. Left foot rotates left and the right
foot rotates around left foot along
with the body, which routes 180
degrees to the left. The body ends
up facing away from the line of the
ball.
2. continued
Right knee 90 bent degrees
Ready to push off into crossover step
Derek E. Pappas Copyright © 2016
3 Steps to the ball
• 1 short so that the flicker can make an
adjustment when the ball is pushed
• A normal step
• Then a step with the right foot so that the right
foot is parallel to the baseline to begin the 45
degree turn right
• Then a step with the left foot parallel to the ball
Derek E. Pappas Copyright © 2016
Left hand touching the
bottom of the right forearm
• At ball pickup the top of the left hand should
touching the bottom of the right forearm
• The left hand should not touch the front of the
right forearm
Derek E. Pappas Copyright © 2016
Approach the ball with the
stick on the ground
• The stick should be at or near an angle of 45
degrees to the ground
Derek E. Pappas Copyright © 2016
The right step before the ball
• When the player steps with the right foot 90%
weight should be on the right foot. The player
must lean a little to their right to get their head
over the right foot. The player explodes off of their
right foot to create momentum into the circle.
• Why? The player MUST push off of the right foot
behind the left foot. This is a rotation to the left of
the running line. The direction of the run is
changed 45 degrees or less to the left.
Derek E. Pappas Copyright © 2016
Setup prior to the crossover
•The the counter rotation prior to the crossover step
and the placement of the left foot next to the ball in the
correct position are critical to setting up the drag
stage of the drag flick.
•You will hear a lot coaches talking about placing the
left foot next to the ball. That is a minor point
compared to the phase before.
•Learn the right foot placement and the counter
rotation prior to the left foot next to the ball placement.
Derek E. Pappas Copyright © 2016
Ball pickup stick and body
position
• The stick should be at or near an angle of 45
degrees to the ground and 45 degrees to the
baseline
• The right forearm and stick form a straight line
• The face of the stick is 45 degrees to the
baseline
• Left hand is rotated left
Derek E. Pappas Copyright © 2016
Left foot next to the ball
• Then a big cross over step
• bend the left and right knees up to 90 degrees
• Create a spring to push off
• step behind the left foot
• Keep the body and head moving down the line
during and after the cross over
Derek E. Pappas Copyright © 2015
right foot
left foot
Drag flick footwork and stick angle
right foot
left foot
stick
Derek E. Pappas Copyright © 2016
Big left step
• Use the spring created in the right leg (by
bending the right knee 90 degrees during the
crossover step a spring is created) to push off
and make a big step to the left
• Point the left foot at the target, perpendicular to
the baseline
Derek E. Pappas Copyright © 2016
The ball rolls up the stick
•The ball travels in a straight line and the the hands push
down, pushing the stick end of the stick away from the
feet, 90 degrees to the path of the ball
•This causes the ball to start rolling up the stick
Derek E. Pappas Copyright © 2016
Head level
• The head should be level during the drag flick
and not moving up and down
• Use a stick to make the flicker get lower
Derek E. Pappas Copyright © 2015
right foot
left foot
Drag flick footwork and stick angle
stick
Derek E. Pappas Copyright © 2016
Right hand moves towards the ground
when the big left step is initiated after the
crossover step
Derek E. Pappas Copyright © 2016
The hands travel down at an angle and
then up prior to release to lift the ball
• After the ball pickup the right hand drops down
• After the the hands continue to drop down
Derek E. Pappas Copyright © 2016
The stick is angled down/rotated
left after the hands drop down
Derek E. Pappas Copyright © 2016
Hands pull back/push
forwards before the release
• The right and left hands must pull against each
other and the stick must be angled to the right of
the target prior to the release
• There should be tension in the hands and arms
• This motion sets up the release for the drag flick
Derek E. Pappas Copyright © 2016
Derek E. Pappas Copyright © 2016
Derek E. Pappas Copyright © 2016
The shoulder rotation to the right
is maintained up to the release
• Top drag flickers have their left shoulder lower
than their right shoulder during the drag phase,
up to the release
Derek E. Pappas Copyright © 2016
Derek E. Pappas Copyright © 2015
right foot
left foot
Drag flick footwork and stick angle
right forearm
right upper arm
stick
Derek E. Pappas Copyright © 2016
The left shoulder is near the
left knee at release
• Right forearm is near to parallel to the ground
• Right wrist is cocked 90 degrees to the stick
waiting for the release
Derek E. Pappas Copyright © 2016
Rotate the body after
release
• After the release of the ball and the rotation of
the body, stick, … the feet should rotate 180
degrees to prevent any injuries and to continue
the rotation
Derek E. Pappas Copyright © 2016
Left hand close to the left leg/side
during the follow through rotation
https://youtu.be/H5p2ROiRw60
Derek E. Pappas Copyright © 2015
Drag flick stick rotation on the follow
through
Think about a circle.
The left foot is at the center of the circle.
Derek E. Pappas Copyright © 2015
Drag flick stick rotation on the follow
through
During the follow through the stick rotates
around the center of the circle.
Drag flicking with footwork and stick diagrams and biomechanics

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Drag flicking with footwork and stick diagrams and biomechanics

  • 1. Drag flicking stages with foot work diagrams and biomechanics Derek Pappas
  • 2. Learning to score • Lets talk about the goal of the drag flick first before talking about biomechanics. Scoring goals. And what players and coaches should keep in mind during practice and when developing drag flickers • After learning the drag flick the drag flicker needs to learn how to make the goalie go the wrong way. • Learn how to place the ball low and high in the corners. • The drag flicker must also learn how to deal with the suicide runner.
  • 3. Derek E. Pappas Copyright © 2016 The ball travels in a straight line to the goal •Remember the ball travels in a straight line to the goal •The stick moves away from the player's feet as the hands are lowered (watch the drills in the Lehnn Aiyyapa video in the video below). •The end of the stick does not travel in a stick line to the goal •Note his point about the angle of the stick after tha hands are lowered
  • 4. Derek E. Pappas Copyright © 2016 The path of the ball during the drag flick • The ball travels in a straight line towards the target. During training put a piece of tape on the ground along the line that the ball should travel towards the goal • The end of the stick does not travel down a straight line since the stick is extended past the ball during the drag phase and the ball in effect “rolls” up the face of the stick
  • 5. Derek E. Pappas Copyright © 2016 Reasons for loss of power •A failure to "roll" the ball 6-12"'s up the stick results in a major loss of power-see below. • The biggest mistake with the drag flick is to fail to stay in a drag position after pickup until the middle of the final step. This results in a big loss of power
  • 6. Derek E. Pappas Copyright © 2016 Setup for practice • Cones diagonal outside the top of the D • A line on the ground perpendicular to the baseline (tape) • Mark the spots for the steps and ball with a small X (5 cm’s long) made with tape
  • 7. Derek E. Pappas Copyright © 2016 Line on the ground •The best drag flickers in the world put tape on the ground as a guide when drag flicking (from a Spanish national team drag flicker)
  • 8. Derek E. Pappas Copyright © 2016 Practice your steps prior to ball pickup • Practice the steps prior to ball pickup and don’t do anything else. • Don’t move the ball • Concentrate on the steps and right rotation
  • 9. Derek E. Pappas Copyright © 2016 Practice movement from ball pickup to the release point • Start at the ball and just practice the crossover • Don’t move the ball! • Move into the crossover • After you have mastered the cross over the add the big step • Delay moving the ball (the stick should be angled 45 degrees over the ball-covering the ball)
  • 10. Derek E. Pappas Copyright © 2016 Drag flicking broken down by stage
  • 11. Derek E. Pappas Copyright © 2016 Drag flicking stages •Break the drag flick down into stages. •Practice each of these movements in slow motion in your living room or somewhere with a fast carpet or surface that is fast and won’t scratch. •It takes a long time to train the muscle memory how to drag flick. •The motion is counter intuitive.
  • 12. Derek E. Pappas Copyright © 2015 2. Body rotates right to set up the crossover. Right foot foot parallel to the baseline. right foot left foot Drag flick footwork 1. Short step to adjust to the point where the ball will be stopped 3. Left foot parallel to the baseline and close to the ball4. Crossover by right foot. Both knees bent 90 degrees. 5. Big step towards the ball but not too big 6. Left foot rotates left and the right foot rotates around left foot along with the body, which routes 180 degrees to the left. The body ends up facing away from the line of the ball. 2. continued Right knee 90 bent degrees Ready to push off into crossover step
  • 13. Derek E. Pappas Copyright © 2016 3 Steps to the ball • 1 short so that the flicker can make an adjustment when the ball is pushed • A normal step • Then a step with the right foot so that the right foot is parallel to the baseline to begin the 45 degree turn right • Then a step with the left foot parallel to the ball
  • 14. Derek E. Pappas Copyright © 2016 Left hand touching the bottom of the right forearm • At ball pickup the top of the left hand should touching the bottom of the right forearm • The left hand should not touch the front of the right forearm
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  • 16. Derek E. Pappas Copyright © 2016 Approach the ball with the stick on the ground • The stick should be at or near an angle of 45 degrees to the ground
  • 17. Derek E. Pappas Copyright © 2016 The right step before the ball • When the player steps with the right foot 90% weight should be on the right foot. The player must lean a little to their right to get their head over the right foot. The player explodes off of their right foot to create momentum into the circle. • Why? The player MUST push off of the right foot behind the left foot. This is a rotation to the left of the running line. The direction of the run is changed 45 degrees or less to the left.
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  • 19. Derek E. Pappas Copyright © 2016 Setup prior to the crossover •The the counter rotation prior to the crossover step and the placement of the left foot next to the ball in the correct position are critical to setting up the drag stage of the drag flick. •You will hear a lot coaches talking about placing the left foot next to the ball. That is a minor point compared to the phase before. •Learn the right foot placement and the counter rotation prior to the left foot next to the ball placement.
  • 20. Derek E. Pappas Copyright © 2016 Ball pickup stick and body position • The stick should be at or near an angle of 45 degrees to the ground and 45 degrees to the baseline • The right forearm and stick form a straight line • The face of the stick is 45 degrees to the baseline • Left hand is rotated left
  • 21. Derek E. Pappas Copyright © 2016 Left foot next to the ball • Then a big cross over step • bend the left and right knees up to 90 degrees • Create a spring to push off • step behind the left foot • Keep the body and head moving down the line during and after the cross over
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  • 26. Derek E. Pappas Copyright © 2015 right foot left foot Drag flick footwork and stick angle right foot left foot stick
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  • 28. Derek E. Pappas Copyright © 2016 Big left step • Use the spring created in the right leg (by bending the right knee 90 degrees during the crossover step a spring is created) to push off and make a big step to the left • Point the left foot at the target, perpendicular to the baseline
  • 29. Derek E. Pappas Copyright © 2016 The ball rolls up the stick •The ball travels in a straight line and the the hands push down, pushing the stick end of the stick away from the feet, 90 degrees to the path of the ball •This causes the ball to start rolling up the stick
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  • 34. Derek E. Pappas Copyright © 2016 Head level • The head should be level during the drag flick and not moving up and down • Use a stick to make the flicker get lower
  • 35. Derek E. Pappas Copyright © 2015 right foot left foot Drag flick footwork and stick angle stick
  • 36. Derek E. Pappas Copyright © 2016 Right hand moves towards the ground when the big left step is initiated after the crossover step
  • 37. Derek E. Pappas Copyright © 2016 The hands travel down at an angle and then up prior to release to lift the ball • After the ball pickup the right hand drops down • After the the hands continue to drop down
  • 38. Derek E. Pappas Copyright © 2016 The stick is angled down/rotated left after the hands drop down
  • 39. Derek E. Pappas Copyright © 2016 Hands pull back/push forwards before the release • The right and left hands must pull against each other and the stick must be angled to the right of the target prior to the release • There should be tension in the hands and arms • This motion sets up the release for the drag flick
  • 40. Derek E. Pappas Copyright © 2016
  • 41. Derek E. Pappas Copyright © 2016
  • 42. Derek E. Pappas Copyright © 2016 The shoulder rotation to the right is maintained up to the release • Top drag flickers have their left shoulder lower than their right shoulder during the drag phase, up to the release
  • 43. Derek E. Pappas Copyright © 2016
  • 44. Derek E. Pappas Copyright © 2015 right foot left foot Drag flick footwork and stick angle right forearm right upper arm stick
  • 45. Derek E. Pappas Copyright © 2016 The left shoulder is near the left knee at release • Right forearm is near to parallel to the ground • Right wrist is cocked 90 degrees to the stick waiting for the release
  • 46. Derek E. Pappas Copyright © 2016 Rotate the body after release • After the release of the ball and the rotation of the body, stick, … the feet should rotate 180 degrees to prevent any injuries and to continue the rotation
  • 47. Derek E. Pappas Copyright © 2016 Left hand close to the left leg/side during the follow through rotation https://youtu.be/H5p2ROiRw60
  • 48. Derek E. Pappas Copyright © 2015 Drag flick stick rotation on the follow through Think about a circle. The left foot is at the center of the circle.
  • 49. Derek E. Pappas Copyright © 2015 Drag flick stick rotation on the follow through During the follow through the stick rotates around the center of the circle.