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SCULPTURE 
ARTS 1301.51007 
T, R, 1:30PM-2:50PM 
Professor Paige Prater
Sculpture 
• Free-standing: in the round 
• Relief: bas-relief OR high relief
Sculpture Methods: Subtractive OR 
Additive 
• Casting 
– Lost-wax 
– patina 
• Carving 
• Modeling 
• Earthworks 
– Monumental 
• Construction 
– Constructivist movement, Soviet Union 
• Readymade 
• Kinetic 
• Light 
• Installation
Bronze Casting: Lost-Wax 
• http://www.youtube.com/watch?v=gVe3VeQfyzw 
• Additive 
• 7 steps!
Bronze Casting: Ancient 
Greek 
• Discovered in 
1972 by scuba 
divers 
• Perfection ideal 
Riace Warrior A, c. 450 BCE. Bronze, 
6’6” high. National Museum, Reggio 
Calabria, Italy
Carving: Stone, wood, etc. 
• Drill, chip, whittle, or saw away 
material; sand, polish… 
• Position 
• Granite block 
• Sculpture of the Lady Sennuwy, 1971–1926 BCE. 
Granite, 67 x 45¾ x 18½”. Museum of Fine Arts, 
Boston. Harvard University–Boston Museum of Fine 
Arts Expedition
Carving: in 
the round 
Giambologna, Rape of a 
Sabine, 1583. Marble, 
13’6” high. Loggia 
dei Lanzi, Piazza della 
Signoria, Florence, Italy
Carving: Bas-Relief 
• Shallow 
• One-sided 
Dying Lioness, limestone relief from the North Palace of 
Ashurbanipal, Nineveh, Assyrian period, c. 650 BCE. 
British Museum, London, England
Carving: High-Relief 
• DEEP 
incisions 
• One-sided 
Susan Durant, Memorial to King Leopold of the Belgians, 1867, in Christ Church, Esher, 
England
Sculpture: Modeling 
• Additive 
• Clay 
• plasticity 
• Armature 
sometimes 
• 4 separate 
pieces 
Sarcophagus from Cerveteri, c. 520 BCE. Painted terracotta, 3’9½” x 6’7”. Museo 
Nazionale di Villa Giulia, Rome, Italy
Sculpture: Kinetic 
• Theo Jansen’s Strandbeests 
• http://www.youtube.com/watch?v=HSKyHmjy 
rkA 
• Ted Talk with Theo Jansen 
• http://www.youtube.com/watch?v=b694exl_o 
Zo
Sculpture: Earthworks 
Great Serpent Mound, c. 800 BCE–100 CE, 1330 x 3’, Locust Grove, Adams County, Ohio. SUMMER SOLSTICE
Sculpture: Earthworks 
• Collaborative 
• Monumental 
• Ancient Americas 
• Robert Smithson, 
Spiral Jetty (1970) 
– http://www.youtube.com/watch?v 
=NUu0_Zn55yM
Sculpture: Readymade 
• Found objects 
• artifacts 
Marcel Duchamp, Fountain, 1917. Replica 
(original lost). Porcelain urinal, 12 x 15 x 
18”. Philadelphia Museum of Art, Louise 
and Walter Arensberg Collection
Sculpture: Construction 
• Standardized, engineered materials 
• Concept: http://www.youtube.com/watch?v=uDuzy-t7GDA&list=PL42AF5A9C1415F64D&index=19 
Damien Hirst, The 
Physical Impossibility 
of Death in the Mind 
of Someone Living, 
1991. Glass, steel, 
silicon, formaldehyde 
solution, and shark, 
7’1½” x 17’9⅜” x 
5’10⅞”
Sculpture: Constructivism 
• Constructivists 
saw art as a 
scientific 
investigation of 
social needs at 
the time 
Naum Gabo, Constructed Head No. 
2, 1916. Cor-ten steel, 69 × 52¾ × 
48¼”. Tate, London, England
Sculpture: Light 
• Adela Andea 
http://www.adelaandea.com/index.html 
• Lazlo Maholy-Nagy: merged 
light, performance, and 
movement 
Olafur Eliasson, Remagine, 2002. Spotlights, 
tripods, or wall mounts, control unit, 
dimensions variable. Installation at 
Kunstmuseum Wolfsburg, Germany, 2004
Sculpture: Installation 
• Assembled objects 
• environment 
Antony Gormley, Asian Field, 2003. 210,000 hand-sized clay elements, 
installation view, warehouse of former Shanghai 
No. 10 Steelworks, China

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Art Appreciation: Sculpture

  • 1. SCULPTURE ARTS 1301.51007 T, R, 1:30PM-2:50PM Professor Paige Prater
  • 2. Sculpture • Free-standing: in the round • Relief: bas-relief OR high relief
  • 3. Sculpture Methods: Subtractive OR Additive • Casting – Lost-wax – patina • Carving • Modeling • Earthworks – Monumental • Construction – Constructivist movement, Soviet Union • Readymade • Kinetic • Light • Installation
  • 4. Bronze Casting: Lost-Wax • http://www.youtube.com/watch?v=gVe3VeQfyzw • Additive • 7 steps!
  • 5. Bronze Casting: Ancient Greek • Discovered in 1972 by scuba divers • Perfection ideal Riace Warrior A, c. 450 BCE. Bronze, 6’6” high. National Museum, Reggio Calabria, Italy
  • 6. Carving: Stone, wood, etc. • Drill, chip, whittle, or saw away material; sand, polish… • Position • Granite block • Sculpture of the Lady Sennuwy, 1971–1926 BCE. Granite, 67 x 45¾ x 18½”. Museum of Fine Arts, Boston. Harvard University–Boston Museum of Fine Arts Expedition
  • 7. Carving: in the round Giambologna, Rape of a Sabine, 1583. Marble, 13’6” high. Loggia dei Lanzi, Piazza della Signoria, Florence, Italy
  • 8. Carving: Bas-Relief • Shallow • One-sided Dying Lioness, limestone relief from the North Palace of Ashurbanipal, Nineveh, Assyrian period, c. 650 BCE. British Museum, London, England
  • 9. Carving: High-Relief • DEEP incisions • One-sided Susan Durant, Memorial to King Leopold of the Belgians, 1867, in Christ Church, Esher, England
  • 10. Sculpture: Modeling • Additive • Clay • plasticity • Armature sometimes • 4 separate pieces Sarcophagus from Cerveteri, c. 520 BCE. Painted terracotta, 3’9½” x 6’7”. Museo Nazionale di Villa Giulia, Rome, Italy
  • 11. Sculpture: Kinetic • Theo Jansen’s Strandbeests • http://www.youtube.com/watch?v=HSKyHmjy rkA • Ted Talk with Theo Jansen • http://www.youtube.com/watch?v=b694exl_o Zo
  • 12. Sculpture: Earthworks Great Serpent Mound, c. 800 BCE–100 CE, 1330 x 3’, Locust Grove, Adams County, Ohio. SUMMER SOLSTICE
  • 13. Sculpture: Earthworks • Collaborative • Monumental • Ancient Americas • Robert Smithson, Spiral Jetty (1970) – http://www.youtube.com/watch?v =NUu0_Zn55yM
  • 14. Sculpture: Readymade • Found objects • artifacts Marcel Duchamp, Fountain, 1917. Replica (original lost). Porcelain urinal, 12 x 15 x 18”. Philadelphia Museum of Art, Louise and Walter Arensberg Collection
  • 15. Sculpture: Construction • Standardized, engineered materials • Concept: http://www.youtube.com/watch?v=uDuzy-t7GDA&list=PL42AF5A9C1415F64D&index=19 Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991. Glass, steel, silicon, formaldehyde solution, and shark, 7’1½” x 17’9⅜” x 5’10⅞”
  • 16. Sculpture: Constructivism • Constructivists saw art as a scientific investigation of social needs at the time Naum Gabo, Constructed Head No. 2, 1916. Cor-ten steel, 69 × 52¾ × 48¼”. Tate, London, England
  • 17. Sculpture: Light • Adela Andea http://www.adelaandea.com/index.html • Lazlo Maholy-Nagy: merged light, performance, and movement Olafur Eliasson, Remagine, 2002. Spotlights, tripods, or wall mounts, control unit, dimensions variable. Installation at Kunstmuseum Wolfsburg, Germany, 2004
  • 18. Sculpture: Installation • Assembled objects • environment Antony Gormley, Asian Field, 2003. 210,000 hand-sized clay elements, installation view, warehouse of former Shanghai No. 10 Steelworks, China