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The rise of music science
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Alistair Croll
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Early look at an upcoming report I'm writing on how data is changing the face of data.
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The rise of music science
1.
SOLVEfor INTERESTING OTHERWISE LIFE IS
DULL. MUSIC SCIENCE
2.
Part one: How
we got here
3.
Sheet music
4.
Mozart's flourishes
5.
Recorded sounds
6.
Physical goods
7.
Broadcast
8.
Advertising
9.
Arbitron and radio data
10.
Consumer recording
11.
SOCAM & analog
12.
Digital music & Internets
13.
DRM, Gracenote, and
interestingness
14.
DRM, Gracenote, and
interestingness
15.
Streaming
16.
Choice constraints (program vs.
on-demand)
17.
The economics of fickleness http://www.hypebot.com/hypebot/2014/05/music-adhd-users-love-the-skip-button-says-spotify-data-scientist.html
18.
Part two: When
you listen to music, it listens back.
19.
We know what
you did. All of it. http://i.imgur.com/pzfcYnh.jpg
20.
We know you’re getting
old. http://skynetandebert.com/2015/04/22/music-was-better-back-then-when-do-we-stop-keeping-up-with-popular-music/
21.
We know music’s getting stupid. http://consequenceofsound.net/2015/05/the-lyrics-of-recent-no-1-singles-average-at-a-third-grade-reading-level/
22.
We know music’s getting stupid. http://consequenceofsound.net/2015/05/the-lyrics-of-recent-no-1-singles-average-at-a-third-grade-reading-level/
23.
IWe know how we
got here. https://medium.com/the-physics-arxiv-blog/genetic-data-tools-reveal-how- pop-music-evolved-in-the-us-48ad60bf495b
24.
Arbitron and radio
data
25.
Times a song
in “heavy rotation” is played daily 0 15 30 2007 2012 266
26.
Part three: The
Turing Problems of Music Science
27.
Saccading versus hearing
28.
Overfitting recommendations
29.
Detecting copies and
covers
30.
Collaboration and latency
31.
Prediction breaks the
bank
32.
Blockbusters and long
tails
33.
The tension between creativity
and optimization
34.
Should we expose
the API?
35.
Part four: Where
we're headed
36.
From albums to
stubs
37.
Human/ machine hybrids
38.
http://www.musicbusinessworldwide.com/the-inventor-of-google-maps-wants-to-change-the-way-you-listen-to-music/ From player to
composer
39.
Feedback loops and biometrics
40.
The perfect drone
41.
Ultimately, digital isn’t
about copying. It’s about feedback loops.
42.
An engine, not
a camera
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