7. + FIBER ARTS SEWING WEAVING OR JOINING FIBROUS MATERIALS *TRADITIONALLY, FIBER ARTS WERE DONE BY WOMEN Can you think of any examples?
8. + FIBER ARTS BASKET WEAVING – WEAVING ORGANIC MATERIALS FROM THE WEAVER'S OWN ENVIRONMENT NEEDLEWORK (EMBROIDERY)- DECORATION OF CLOTH WITH NEEDLEWORK QUILTING - “ PIECEWORK”, JOINING FABRICS TOGETHER IN PATTERNS BY SEWING TAPESTRY – FABRIC WALLCOVERING WOVEN FROM THREAD
9. + FIBER ARTS Mary Jane & Mary Morrell Smith Log Cabin Quilt, Barn Raising Variation
16. + CERAMICS - One of the oldest craft forms - Made of clay - Modeled into the desired shape by wheel-throwing or hand-building - Fired in a kiln - allows particles to meld into one another - Glazes applied after first firing, then it is fired again
17. + CERAMICS - Low-fired pottery is called earthenware . - Increased heat and more refined clay produce stoneware . - Highly refined clay containing kaolin and fired at the highest temperature produces porcelain .
20. + ARTS AND CRAFTS MOVEMENT - REACTION AGAINST MASS-PRODUCED, MACHINE-MADE GOODS - BELIEVED PRODUCTS MADE BY HAND REVEALED THE PERSONALITY AND SKILL OF MAKER
21. + ARTS AND CRAFTS MOVEMENT The Trellis Wallpaper designed by William Morris’s design firm
22. + ARTS AND CRAFTS MOVEMENT Gustav Stickley mission style
23. + ARTS AND CRAFTS MOVEMENT Wendell Castle’s Desk
24. + INDUSTRIAL DESIGN INDUSTRIAL DESIGN -CREATION OF PRODUCTS WITH INCREASED USEFULNESS AND EFFICIENCY -APPEAL TO THE MASS MARKET -INDUSTRIAL DESIGNERS DESIGN THE PRODUCT -MACHINES, OR OTHERS MANUFACTURE WHO IS THE ARTIST?
25. + INDUSTRIAL DESIGN INDUSTRIAL DESIGN AROSE FROM: -INCREASE IN DEMAND FOR CONSUMER GOODS -DESIRE TO HAVE STYLISH, INEXPENSIVE PRODUCTS THEREFORE, DESIGNERS HAVE TO CREATE PRODUCTS WITH GOOD STYLE, QUALITY, & LOW COST TO MANUFACTURE
29. + GRAPHIC DESIGN - COMMUNICATIG MESSAGES IN VISUAL LANGUAGE TO IDENTIFY, INFORM, AND PERSUADE - CATCH THE ATTENTION OF THE VIEWER & COMMUNICATE MESSAGE - MOST COMMON FORM IS ADVERTISING i.e. JELLY HELM FOR NIKE
30. + GRAPHIC DESIGN -ART FORM WITH COMMERCIAL & MASS MARKETING APPEAL -ALLOWS DESIGN TO BECOME HIGHLY ACCESSIBLE = CAN REACH A WIDE RANGING AUDIENCE
31. + TYPOGRAPHY - VISUAL APPEARANCE OF LETTERS AND NUMBERS FOUR TYPES : Script SIMILAR TO CURSIVE HAND-WRITING ITALIC SLANTED LETTERS ROMAN CONTAINING SERIFS SAN-SERIF NO FINISHING STROKES
32. + TYPOGRAPHY TYPEFACE = STYLE AND SIZE OF LETTERING PICTOGRAPH = CONVEY MESSAGES IN PICTORIAL SYMBOLS
33. + PRODUCT PACKAGING - 3-D CONCERN - LOGOS PACKAGING: - INDENTIFIES A PRODUCT -SYMBOLIZES PRESTIGE, QUALITY, & STATUS
34. + PRINT MEDIA & VIDEO GRAPHIC DESIGNERS CREATE ADVERTISEMENTS-- CD COVER ART COMPUTER GRAPHIC LEAD-INS FOR TELEVISION/VIDEO GAMES TARGET'S ADVERTISING CAMPAIGN-- WE RECOGNIZE THE SYMBOL AND COLORS (RED AND WHITE)
35. + POSTERS POSTER DESIGN WAS FIRST INTRODUCED IN THE LATE 1800S -HENRI TOLOUSE-LAUTREC AND THE MOULIN ROUGE -PRESENTLY POSTERS ARE BEING REPLACED BY TELEVISION ADVERTISING -POSTERS NOW VIEWED AS A COLLECTIBLE ART FORM
36. + POSTERS JULIUS FRIEDMAN “ A GOOD POSTER NEEDS AN ARRESTING IMAGE”