1. LINE SHAPE/FORM PRINCIPLES 3-DIMENSIONAL
blurred amorphous balance bronze
broken biomorphic contrast clay
controlled closed emphasis fibers
curved distorted harmony found materials
diagonal flat pattern marble
freehand free-form repetition metal
horizontal full of spaces rhythm mixed media
interrupted geometric unity papier-mâché
geometric heavy variety plaster
meandering light stone
ruled linear THEMES wood
short massive adoration
straight nebulous children TECHNIQUE/FORM
thick open circus architecture
thin organic cityscape batik
vertical earth, air, fire, water carving
wide COLORS farming festivals ceramics
brash gardens collage
TEXTURE bright grief crafts
actual calm history glassblowing
bumpy clear hunting jewelry making
corrugated cool landscape metalwork
flat dull love modeling
furry exciting music mosaics
gooey garish mythology painting
leathery grayed of historic occasions photography
prickly multicolored portraiture printmaking
rough muted processions sculpture
sandy pale religion weaving
shiny poly-chromed seascape
simulated primary storytelling STYLE OR PERIOD
smooth saccharine theater abstract
soft secondary war classical
sticky subdued genre
tacky sweet 2-DIMENSIONAL historical
velvet warm chalk literary
wet charcoal naive
SPACE colored pencil narrative
VALUE ambiguous found materials nonobjective
dark deep ink primitive
light flat oil realistic
medium negative/positive pastel romantic
open pencil Renaissance
shallow photograph
print
tempera
watercolor