3. EPHESIANS 3:7-11
7 I became a servant of this gospel by
the gift of God’s grace given me through
the working of his power. 8 Although I
am less than the least of all the Lord’s
people, this grace was given me: to
preach to the Gentiles the boundless
riches of Christ,
4. EPHESIANS 3:7-11
9 and to make plain to everyone the
administration of this mystery, which for
ages past was kept hidden in God, who
created all things. 10 His intent was that
now, through the church, the manifold
wisdom of God should be made known
to the rulers and authorities in the
heavenly realms,
15. MISDEFINING WORSHIP THROUGH
EXTERNAL CIRCUMSTANCES
• God is more pleased with our purity than
our professionalism.
• God is more pleased with our attitude
than our appearance.
• God is more with our substance than our
style.
16. REDEFINING WORSHIP THROUGH
INTERNAL CIRCUMSTANCES
• The reality of His presence.
• The responses of our hearts.
• Jesus desires to cover our sin.
• Jesus desires to comfort us in sorrow
25. THE POINT OF
COMMUNITY WORSHIP
• We encourage each other.
• We express our unity.
• We establish continuity with the church
throughout history.
• We engage together in spiritual battle.
35. FANNY J. CROSBY
Tune composer Phoebe Palmer
Knapp (1839-1908) played a
melody to Fanny Crosby and
asked, "What does the melody
say to you?" Crosby replied that
the tune said, "Blessed
assurance, Jesus is mine!" and
proceeded to recite the entire
first stanza of the now-famous
hymn.
36. FANNY J. CROSBY
Knapp was one of several tune
writers that worked with Fanny
Crosby. It was not unusual for
one of her texts to be inspired
by a preexisting tune. Knapp
was the composer of more than
five hundred gospel hymns and
tunes.
37. FANNY J. CROSBY
Fanny Crosby (1820-1915),
blind at the age of six weeks,
was a lifelong Methodist who
began composing hymns at age
six. She became a student at
the New York Institute of the
Blind at age 15 and joined the
faculty of the Institute at 22,
teaching rhetoric and history.
38. FANNY J. CROSBY
In 1885, Crosby married
Alexander Van Alstyne, also a
student at the Institute and later
a member of the faculty. He was
a fine musician and, like Fanny,
a lover of literature.
39. FANNY J. CROSBY
Middle class women in
nineteenth-century United
States had little voice in
worship, however. One of the
only ways for a woman to claim
the authority to be heard was by
direct personal revelation from
God.
40. FANNY J. CROSBY
Fanny Crosby readily claimed
God's personal revelation as a
source for her hymns; her
personal revelation then
became a communal inspiration
as Christians throughout the
world sang her hymns and
confirmed her faith experience
as their own.