11. Tudor’s model of communication (p. 31)
Tudor, A. (1974). Image And Influence. London:
George Allen & Unwin Ltd.
Storytelling
12. Chatman’s model for narrative structure (p. 26)
Chatman, S. (1978). Story and Discourse: Narrative Structure in
Fiction and Film. Cornell University Press
Story content and structure
13. Story content and structure
Theme
The central topic the narrative treats
General human emotions
love, grief, lust, guilt
Conflict
society vs. individual
human vs. technology
Motif
Any recurring element that has
symbolic significance in a story
Light, poison, etc.
Genre
a loose set of criteria for a category of
composition
Epic, tragedy, comedy, novel, short
story, drama, documentary, etc.
Hardgood, C. (2011) Semiotic Term Expansion as the Basis
for Thematic Models in Narrative Systems. PhD thesis –
University of Southampton, UK.
14. Narration – Character development
Vogler, C. (1998) The Writer’s journey. 2nd edition. Michael Wiese
Productions.
http://www.thewritersjourney.com/hero%27s_journey.htm
Base on the Monomyth cycle in
Campbell, Joseph. The Hero with a Thousand Faces. Princeton:
Princeton University Press, 1949.
Also:
http://www.dramatica.com/theory
Wardrip-Fruin, N. and Harrigan, P. (2004). First Person – New
Media as Story, Performance, and Game, MIT Press
McCloud, S. (1993). Understanding Comics – The Invisible Art.
Harper Perennial
Schell, J. (2008). The Art of Game Design, Elsevier
15. Storytelling Context
Freytag’s model for drama structure
G. Freytag. Technique of the Drama. S.C. Griggs
and Company, Chicago, sixth edition, 1895.
Translated by Elias J. MacEwan
18. Event presentations
Frame
Minsky, M. L. (1988). The Society of mind. London: Picador.
Scripts, Plans, Goals
Schank, R. C., & Abelson, R. (1977). Scripts, Plans, Goals And
Understanding. Hillsdale, New Jersey: Lawrence Earlbaum
Associates.
Conceptual Graphs
Sowa, J. F. (1984). Conceptual Structures: Information
Processing in Mind and Machine. Reading, MA: Addison-Wesley
Publishing Company.
Case-based Reasoning
Riesbeck, Christopher, and Roger Schank. Inside Case-based
Reasoning. Northvale, NJ: Erlbaum, 1989.
Janet Kolodner. Case-Based Reasoning, Morgan Kaufmann
Publishers, San Mateo, CA, 1993.
19. Event - Eventory
X. Wang, S. Mamadgi, A. Thekdi, A. Kelliher, and H.
Sundaram. Eventory – an event based media repository.
In Semantic Computing. IEEE, 2007
An Event Based Media
Repository with event
description in MySQL
20. Event - LODE
Raphaël Troncy, Bartosz Malocha and André Fialho. Linking
Events with Media. In the Open Track of the Linked Data
Triplification Challenge, colocated with the 6th International
Conference on Semantic Systems (I-SEMANTICS'10), Graz,
Austria, September 1-3, 2010
21. Event – Model E
U. Westermann and R. Jain. Toward a common event model
for multimedia applications. IEEE MultiMedia, 14(1), 2007.
22. Event – Model F - A
A. Scherp, C. Saathoff, T. Franz, and S. Staab: A Core
Ontology on Events for the Se-mantic Representation of
Human Experiences in the Real World, Multimedia Tools and
Applications, Multimedia Tools and Applications, Springer,
2011.
Based on DOLCE + DUL
• Participation of objects
• Temporal duration
• Spatial extension of objects
• Structural relationships
• mereological
• causal
• correlation
• Documentary support
• Interpretation
23. BBC – News Storyline Ontology
http://www.bbc.co.uk/ontologies/storyline/2013-05-01.html
25. Interactive Storytelling
25
Michael Joyce (1990) : Afternoon – The story
G. P. Landow (1994). The Rhetoric of Hypermedia: Some Rules for Authors.
E. J. Aarseth, (1997) Cybertext: perspectives on ergodic literature
M. Bernstein. (1998). Patterns of Hypertext
Walker, J. (1999). Piercing together and tearing apart: finding the story in
afternoon
Sawhney, N., Balcom, D., and Smith, I. (1996). HyperCafe: narrative
and aesthetic properties of hypervideo.
Mateas, M., Vanouse P. and Domike, S. (2000) Generation of
Ideologically-Biased Historical Documentaries. Richard, B., Prié, Y.,
and Calabretto, S. (2008) Towards a unified model for audiovisual
active reading,
Propp, V. W. (1968). Morphology of the Folktale. University of Texas
Press.
Rumelhart, D. E. (1977). Understanding and summarizing brief
stories.
Andersen, S., & Slator, B. M. (1990). Requiem for a theory: the 'story
grammar' story.
Szilas N. (2003). IDtension: A narrative engine for Interactive Drama,
26. Interactive Storytelling
Davenport, G. and Murtaugh, M. (1995). ConText an associative media browser
E. F. Churchill, L. Nelson, L. Denoue, P. Murphy, and J. I. Helfman THE PLASMA
POSTER NETWORK Social Hypermedia on Public Display. In Public and
Situated Displays. Social and Interactional Aspects of Shared Display
Technologies. K. O’Hara, M.Perry, E. Churchill and D. Russell (Eds) London:
Kluwer Academic Publishers, December 31, 2003
Williams, D., et al (2007) Experiments with the Production of ShapeShifting
Media: Summary Findings from the Project NM2 (New Millennium, New Media)
Bocconi, S., Nack, F., and Hardman, L. (2008). Automatic generation of matter-
of-opinion video documentaries
Hansen, F. A., Kortbek, K. J. & Grønbæk, K. (2008). Mobile Urban Drama –
Setting the Stage with Location Based Technologies. Interactive Storytelling
Lecture Notes in Computer Science Volume 5334, 2008, pp 20-31
Lund, K. J., Coulton, P. & Wilson, A. (2011). Free All Monsters!: a context-
aware location based game. MobileHCI '11 Proceedings of the 13th
International Conference on Human Computer Interaction with Mobile Devices
and Services. New York: ACM, p. 675-678
Nack, F., El Ali, A., van Kemenade, P., Overgoor, J., and van der Weij, B.
(2010) A Story to Go, Please. The 3rd International Conference on Interactive
Digital Storytelling (ICIDS), November 1st – 3rd 2010, Edinburgh UK
Zombies Run (2012) https://www.zombiesrungame.com/
Brooks KM (1999). Metalinear Cinematic Narrative: Theory, Process, and Tool
MIT Ph.D. Thesis.
Mateas, M., Stern, A. (2005). Structuring content in the facade interactive
drama architecture
Aylett, R. and Louchart, S. (2007). Being There: Participants and Spectators in
Interactive Narrative
Charles, F. et al (2007). "Affective Interactive Narrative in the CALLAS
Project,”
28. http://www.integratedbrands.org/news/big-data-gives-brands-big-advantage
Social Media based IR
Borgatti, S.P., and Foster, P.C. "The network paradigm in
organizational research: A review and typology," Journal of
Management (29:6) 2003, pp 991-1013.
Carpenter, T., Karakostas, G., and Shallcross, D. (2002) "Practical
Issues and Algorithms for Analyzing Terrorist Networks," WMC
2002.
Raghu Ramakrishnan, Andrew Tomkins, "Toward a PeopleWeb,"
Computer, vol. 40, no. 8, pp. 63-72, Aug. 2007
Boyd, D.M. "Friendster and publicly articulated social networks,"
ACM Conference on Human Factors in Computing Systems ACM
Press, Vienna, 2004, pp. 1279-1282.
Eifrem, E. (2009) Neo4j -- The Benefits of Graph Databases,
presentation given at OSCON 2009
http://www.slideshare.net/emileifrem/neo4j-the-benefits-of-graph-
databases-oscon-2009
Xin Lu, Changhu Wang, Jiang-Ming Yang, Yanwei Pang, and Lei
Zhang (2010). Photo2Trip: generating travel routes from geo-
tagged photos for trip planning. In Proceedings of the international
conference on Multimedia (MM '10). ACM, New York, NY, USA,
143-152.
Shamma, D. A., Kennedy, L. and Churchill, E. F. (2010).
Conversational Shadows: Describing Live Media Events Using
Short Messages. In 4nd International Conference on Weblogs and
Social Media (ICWSM'10), Washington, USA, 2010.
Xueliang, Liu, X., Troncy, R. and Huet, B (2011). Finding Media
Illustrating Events. In 1st ACM International Conference on
Multimedia Retrieval (ICMR'11), Trento, Italy, April 17-20, 2011
29. http://www.integratedbrands.org/news/big-data-gives-brands-big-advantage
Social Media based IR
Yew, J., Shamma, D. A., Churchill, E.F. (2011). Knowing Funny:
Genre Perception and Categorization in Social Video Sharing. CHI
2011, Vancouver, Canada
Lochrie, M. & Coulton, P. (2012). Creating a playful experience to
encourage participation in the meta-narrative of conference
discussions. MindTrek '12 Proceeding of the 16th International
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(2013). Social Media Retrieval. Springer Series: Computer
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• Encoding, compression and network architectures for
the exchange of social media information
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• Personalization and privacy
• Applications (social aware TV, sharing media in academic
and social networks)
31. Associated story
Yuill, N.; Joscelyne, T. (1988). Effect of organizational cues and
strategies on good and poor comprehenders' story understanding..
Journal of Educational Psychology, Vol 80(2), Jun 1988, 152-158.
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storyboard keyframes. Journal of the American Society for Information
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B. (2010) A Story to Go, Please. The 3rd International Conference on
Interactive Digital Storytelling (ICIDS), November 1st – 3rd 2010,
Edinburgh UK
32. Story Stream
Vriesede, T. and Nack, F. (2011). StoryStream: Unrestricted Mobile Exploration Of City
Neighborhoods Enriched by the Oral Presentation of User-Generated Stories. The 4th
International Conference on Interactive Digital Storytelling (ICIDS), November 29th –
December 1st 2011, Vancouver, Canada
33. What is the story?
1.Zine al-Abidine Ben Ali resigns as president of Tunisia.
2.Hosni Mubarak: That will not happen to me!
3.people wants Mubarak to resign.
4.1000 of people start demonstrating on the Tahrir Square in Egypt.
5.Hosni Mubarak: Let them demonstrate, it is their right.
6.10000 of people start demonstrating on the Tahrir Square in Egypt.
7.Hosni Mubarak: They will not get away with this!
8.Hosni Mubarak sends out the army.
9.Hosni Mubarak: That will teach them!
10.100000 of people start demonstrating on the Tahrir Square in Egypt.
11. Hosni Mubarak: Maybe I should listen to the people?!
12. Hosni Mubarak: Let me introduce you to a close friend!
13.Omar Suleiman named vice-president of Egypt.
14.Hosni Mubarak resigns as president of Egypt.
15.10000 of people are celebrating Egypt in Tahrir Square.
16.Hosni Mubarak: Haha, stupid people!
17.Converstation between Hosni Mubarak and Omar Suleiman
18.Hosni Mubarak: Punish the people! Let them know who is in charge.
Frank Smit: What is the story?
Transforming News Events into Narratives,
BSc AI Thesis, UvA 2011