GAUGUIN, Paul, Featured Paintings in Detail (2)
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GAUGUIN, Paul Painting in Detail (2)
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GAUGUIN, Paul, Featured Paintings in Detail (2)
- 2. GAUGUIN, Paul Three Tahitians 1899 Oil on canvas, 73 x 94 cm National Gallery of Scotland, Edinburgh
- 3. GAUGUIN, Paul Three Tahitians (detail) 1899 Oil on canvas, 73 x 94 cm National Gallery of Scotland, Edinburgh
- 4. GAUGUIN, Paul Three Tahitians (detail) 1899 Oil on canvas, 73 x 94 cm National Gallery of Scotland, Edinburgh
- 5. GAUGUIN, Paul Three Tahitians (detail) 1899 Oil on canvas, 73 x 94 cm National Gallery of Scotland, Edinburgh
- 6. GAUGUIN, Paul Three Tahitians (detail) 1899 Oil on canvas, 73 x 94 cm National Gallery of Scotland, Edinburgh
- 7. GAUGUIN, Paul Featured Paintings in Detail (2)
- 9. GAUGUIN, Paul Ia Orana Maria (Hail Mary) 1891 Oil on canvas, 114 x 88 cm Metropolitan Museum of Art, New York
- 10. GAUGUIN, Paul Ia Orana Maria (Hail Mary) (detail) 1891 Oil on canvas, 114 x 88 cm Metropolitan Museum of Art, New York
- 11. GAUGUIN, Paul Ia Orana Maria (Hail Mary) (detail) 1891 Oil on canvas, 114 x 88 cm Metropolitan Museum of Art, New York
- 12. GAUGUIN, Paul Ia Orana Maria (Hail Mary) (detail) 1891 Oil on canvas, 114 x 88 cm Metropolitan Museum of Art, New York
- 13. GAUGUIN, Paul Ia Orana Maria (Hail Mary) (detail) 1891 Oil on canvas, 114 x 88 cm Metropolitan Museum of Art, New York
- 15. GAUGUIN, Paul What's New? (Parau Api) 1892 Oil on canvas Gemäldegalerie, Dresden
- 16. GAUGUIN, Paul What's New? (Parau Api) (detail) 1892 Oil on canvas Gemäldegalerie, Dresden
- 17. GAUGUIN, Paul What's New? (Parau Api) (detail) 1892 Oil on canvas Gemäldegalerie, Dresden
- 18. GAUGUIN, Paul What's New? (Parau Api) (detail) 1892 Oil on canvas Gemäldegalerie, Dresden
- 19. GAUGUIN, Paul What's New? (Parau Api) (detail) 1892 Oil on canvas Gemäldegalerie, Dresden
- 21. GAUGUIN, Paul Woman with Flower (Vahine No te Tiare) 1891 Oil on canvas, 70 x 46 cm Ny Carlsberg Glyptotek, Copenhagen
- 22. GAUGUIN, Paul Woman with Flower (Vahine No te Tiare) (detail) 1891 Oil on canvas, 70 x 46 cm Ny Carlsberg Glyptotek, Copenhagen
- 23. GAUGUIN, Paul Woman with Flower (Vahine No te Tiare) (detail) 1891 Oil on canvas, 70 x 46 cm Ny Carlsberg Glyptotek, Copenhagen
- 24. GAUGUIN, Paul Woman with Flower (Vahine No te Tiare) (detail) 1891 Oil on canvas, 70 x 46 cm Ny Carlsberg Glyptotek, Copenhagen
- 26. GAUGUIN, Paul Nava Nave Moe (Sacred Spring or Sweet Dreams) 1894 Oil on canvas, 73 x 98 cm The Hermitage, St. Petersburg
- 27. GAUGUIN, Paul Nava Nave Moe (Sacred Spring or Sweet Dreams) (detail) 1894 Oil on canvas, 73 x 98 cm The Hermitage, St. Petersburg
- 28. GAUGUIN, Paul Nava Nave Moe (Sacred Spring or Sweet Dreams) (detail) 1894 Oil on canvas, 73 x 98 cm The Hermitage, St. Petersburg
- 29. GAUGUIN, Paul Nava Nave Moe (Sacred Spring or Sweet Dreams) (detail) 1894 Oil on canvas, 73 x 98 cm The Hermitage, St. Petersburg
- 30. GAUGUIN, Paul Nava Nave Moe (Sacred Spring or Sweet Dreams) (detail) 1894 Oil on canvas, 73 x 98 cm The Hermitage, St. Petersburg
- 32. GAUGUIN, Paul The Spectre Watches over Her (Manao Tupapau) 1892 Oil on canvas, 73 x 92 cm Albright-Knox Art Gallery, Buffalo
- 33. GAUGUIN, Paul The Spectre Watches over Her (Manao Tupapau) (detail) 1892 Oil on canvas, 73 x 92 cm Albright-Knox Art Gallery, Buffalo
- 34. GAUGUIN, Paul The Spectre Watches over Her (Manao Tupapau) (detail) 1892 Oil on canvas, 73 x 92 cm Albright-Knox Art Gallery, Buffalo
- 35. GAUGUIN, Paul The Spectre Watches over Her (Manao Tupapau) (detail) 1892 Oil on canvas, 73 x 92 cm Albright-Knox Art Gallery, Buffalo
- 36. GAUGUIN, Paul The Spectre Watches over Her (Manao Tupapau) (detail) 1892 Oil on canvas, 73 x 92 cm Albright-Knox Art Gallery, Buffalo
- 38. GAUGUIN, Paul Tahitian Women on the Beach 1891 Oil on canvas, 69 x 91 cm Musée d'Orsay, Paris
- 39. GAUGUIN, Paul Tahitian Women on the Beach (detail) 1891 Oil on canvas, 69 x 91 cm Musée d'Orsay, Paris
- 40. GAUGUIN, Paul Tahitian Women on the Beach (detail) 1891 Oil on canvas, 69 x 91 cm Musée d'Orsay, Paris
- 41. GAUGUIN, Paul Tahitian Women on the Beach (detail) 1891 Oil on canvas, 69 x 91 cm Musée d'Orsay, Paris
- 42. GAUGUIN, Paul Tahitian Women on the Beach (detail) 1891 Oil on canvas, 69 x 91 cm Musée d'Orsay, Paris
- 44. GAUGUIN, Paul The Siesta 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 45. GAUGUIN, Paul The Siesta (detail) 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 46. GAUGUIN, Paul The Siesta (detail) 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 47. GAUGUIN, Paul The Siesta (detail) 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 48. GAUGUIN, Paul The Siesta (detail) 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 49. GAUGUIN, Paul The Siesta (detail) 1892-1894 Oil on canvas, 88.9 × 116.2 cm Metropolitan Museum of Art
- 50. cast GAUGUIN, Paul Featured Paintings in Detail (2) images and text credit www. Music wav. created olga.e. thanks for watching oes
- 51. GAUGUIN, Eugène Henri Paul Gaugin Paul was a French Post-Impressionist painter, sculptor, printmaker, ceramist, and write, and was an important figure in the Symbolist movement, and his experimentation was indicative of the Synthetist style of modern art. He also paved the way to the appreciation of primitivism, as his paintings employed many of the simplistic techniques employed by Naïve artists. As an individual he was prone to bouts of depression and once attempted suicide. As a painter, he was disappointed with Impressionism, as he felt that the tradition of European painting had simply become imitative, and lacked the symbolic depth that he desired. He also thoroughly enjoyed the art of Africa and Asia, which was full of symbolic depth, vigor, and meaning. In his escape from the traditional European paintings, he sought to find a tropical paradise, in which he could paint in an increasingly primitive style and live off the land.
- 52. Lacking recognition for his work and with no money, he sailed to the tropical islands of Tahiti and Marquesas, in French Polynesia. His exploits there generated much interest, especially his reputed sexual exploits with young native girls, some of which appear as the subjects in his paintings. In Polynesia, he often sided with the natives in their conflicts with the church and colonial authorities, eventually writing a book about his experiences there. Gaugin’s physical escape allowed his stylistic escape of post-Renaissance painting, as he paid little attention to classical perspective and eliminated gradations of color and shading. Inspired by the primitivism of the countries in which he lived, he also used primitive elements in his paintings to great success.