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The Components of Art Subject, Style, Content, Form, Media and Technique 0
The duty of an artist is  to strain against the bonds  of the existing style.    – Philip Johnson 0
Subject Matter   ,[object Object],[object Object],0
[object Object],[object Object],0
ICONOGRAPHY ,[object Object],[object Object]
STYLE ,[object Object],[object Object],0
[object Object],[object Object],[object Object],[object Object],Art, Culture, and Context “Context has a profound influence on style.”
[object Object],[object Object],[object Object],[object Object]
Running Horse ,  Cave Painting,  Lascaux, France Period Style
Christ as the Good Shepherd , Byzantine Mosaic,  Mausoleum of Gala Placidia, Ravenna, Italy Regional Style
Claude Monet,  Impression Sunset ,  Impressionism,  oil on canvas Regional Style
VAN GOGH .    Starry Night  (c.  1890 )   oil on canvas Individual Style
Art, Culture, and Context ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Provenance
Content ,[object Object],[object Object]
The Levels of Content in a Work of Art ,[object Object],[object Object],[object Object],[object Object]
Amorous Couple  (Mayan, Late Classic, 700–900 CE). Polychromed ceramic. H: 9   3⁄4 ” .
CONSTANTINE BRANCUSI .  The Kiss   ( c. 19 12 ).  limestone .
OSCAR KOKOSCHKA .     The Tempest   ( c. 19 14 ).   Oil on canvas
GRANT WOOD.  American Gothic  (1930). Oil on beaverboard. 29   7⁄8 ” x  24   7⁄8 ” .
BARBARA HEPWORTH (1903–1975).  Two Figures (Menhirs)  (1954–1955). Teak. H: 54 ” .
ROY LICHTENSTEIN.  Forget It, Forget Me!  (1962). Magna and oil on canvas. 79   7⁄8 ” x  68 ” .
DONNA ROSENTHAL.  He Said… She Said;”let’s get physical”-”Do you think I’m Sexy”  (1999).  Mixed media. Suit 12” x 12” x 1 1/2”; dress 10” x 8” x 8”.
Realistic Art ,[object Object],[object Object]
Realistic Art ,[object Object]
REALISM   ,[object Object],[object Object],[object Object]
Photography ,[object Object],[object Object]
Realistic vs Representational Art ,[object Object],[object Object],[object Object],[object Object],[object Object]
Representational GOYA  Third of May, 1808    Romanticism   oil on canvas
Expressionistic Art ,[object Object],[object Object]
OSCAR KOKOSCHKA .     The Tempest   ( c. 19 14 ).   Oil on canvas Expressionism
Abstraction ,[object Object],[object Object],[object Object],[object Object]
Abstraction PABLO PICASSO,  Les Demoiselles D’Avignon  (c. 1906)  oil on canvas
“ Copy nature and you infringe on the work of our lord.  Interpret nature and you are an artist.  “   - JACQUE LIPCHITZ
BARBARA HEPWORTH (1903–1975).  Two Figures (Menhirs)  (1954–1955). Teak. H: 54 ” .
Nonobjective ,[object Object],[object Object],[object Object]
Nonobjective - Psychic Automation  ,[object Object]
JUDY PFAFF.  Voodoo  (1981). Contact paper collage on Mylar. 98 ” x  60 ”  (framed).
Content ,[object Object],[object Object]
The Levels of Content in a Work of Art ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Looking at Art Jan Van Eyck,  Giovanni Arnolfini  and His Bride,  1434  oil paint
 
 
JACQUES-LOUIS DAVID.  Death of Marat  (1793). Oil on canvas. 63   3⁄4 ” x  49   1⁄8 ” . SANDOW BIRK.  Death of Manuel  (1992). Oil on canvas. 33 ” x  25 ” .
JACQUES - LOUIS DAVID.  The Oath of the Horatii  (1784). Oil on canvas. 11 ’ x  14 ’ .
FORM ,[object Object],[object Object]
[object Object]

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The Components of Art

  • 1. The Components of Art Subject, Style, Content, Form, Media and Technique 0
  • 2. The duty of an artist is to strain against the bonds of the existing style. – Philip Johnson 0
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. Running Horse , Cave Painting, Lascaux, France Period Style
  • 10. Christ as the Good Shepherd , Byzantine Mosaic, Mausoleum of Gala Placidia, Ravenna, Italy Regional Style
  • 11. Claude Monet, Impression Sunset , Impressionism, oil on canvas Regional Style
  • 12. VAN GOGH . Starry Night (c. 1890 ) oil on canvas Individual Style
  • 13.
  • 14.
  • 15.
  • 16.
  • 17. Amorous Couple (Mayan, Late Classic, 700–900 CE). Polychromed ceramic. H: 9 3⁄4 ” .
  • 18. CONSTANTINE BRANCUSI . The Kiss ( c. 19 12 ). limestone .
  • 19. OSCAR KOKOSCHKA . The Tempest ( c. 19 14 ). Oil on canvas
  • 20. GRANT WOOD. American Gothic (1930). Oil on beaverboard. 29 7⁄8 ” x 24 7⁄8 ” .
  • 21. BARBARA HEPWORTH (1903–1975). Two Figures (Menhirs) (1954–1955). Teak. H: 54 ” .
  • 22. ROY LICHTENSTEIN. Forget It, Forget Me! (1962). Magna and oil on canvas. 79 7⁄8 ” x 68 ” .
  • 23. DONNA ROSENTHAL. He Said… She Said;”let’s get physical”-”Do you think I’m Sexy” (1999). Mixed media. Suit 12” x 12” x 1 1/2”; dress 10” x 8” x 8”.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. Representational GOYA Third of May, 1808 Romanticism oil on canvas
  • 30.
  • 31. OSCAR KOKOSCHKA . The Tempest ( c. 19 14 ). Oil on canvas Expressionism
  • 32.
  • 33. Abstraction PABLO PICASSO, Les Demoiselles D’Avignon (c. 1906) oil on canvas
  • 34. “ Copy nature and you infringe on the work of our lord. Interpret nature and you are an artist. “ - JACQUE LIPCHITZ
  • 35. BARBARA HEPWORTH (1903–1975). Two Figures (Menhirs) (1954–1955). Teak. H: 54 ” .
  • 36.
  • 37.
  • 38. JUDY PFAFF. Voodoo (1981). Contact paper collage on Mylar. 98 ” x 60 ” (framed).
  • 39.
  • 40.
  • 41.
  • 42.  
  • 43.  
  • 44. JACQUES-LOUIS DAVID. Death of Marat (1793). Oil on canvas. 63 3⁄4 ” x 49 1⁄8 ” . SANDOW BIRK. Death of Manuel (1992). Oil on canvas. 33 ” x 25 ” .
  • 45. JACQUES - LOUIS DAVID. The Oath of the Horatii (1784). Oil on canvas. 11 ’ x 14 ’ .
  • 46.
  • 47.

Notes de l'éditeur

  1. Cave Painting, Paleolithic Art, Prehistoric Art, Ancient Art
  2. Byzantine Art
  3. Impressionism, Paris, France
  4. Post-Impressionism, Pre-Expressionism, Abstraction
  5. Theme: Couples in Art
  6. What does it mean when we refer to works of art being "representational"? *They resemble things in the real world
  7. Action Painting
  8. In the Arnolfini Wedding Portrait, - the dog represents fidelity
  9. - the touching of hands represents an agreement to wed
  10. - the convex mirror represents a distorted reflection from the back with the artist in the background. It is surrounded by smaller images of the passion of Christ.
  11. Many artists reference early art in their form.
  12. Art can be read on many levels. Knowing the back story helps to understand the content and symbolism.