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nobody knows
how it works but...
intro + !
in brand we trust!
LESSON #1
s t r a t e g i c planning
helene duvoux_mauguet
0 1 5
3	
  
this is strategy!
5
this is strategic
planning!
6
unlock
creative ideas
that solve
business issues!
OBSERVATION!
PLAN!
M A R T I N W E I G E L !
13
are people
not that into
brands?




nobody knows how it works but… 

strategic planning_vision  methodology

  



introduction_in brand we trust?

strategic what?

question_explore_a real case

insights

brand purpose

objectives

organising idea

creative brief 

cool story bro  comms fashionisms

storyplanning

ccl

15
?
in brand we
trust?!
strategic planning
helene duvoux_mauguet
015
17
LOGORAMA!
h5_logorama
what’s a brand?!
18	
  
brand is the

« name, term, design,
symbol, or any other
feature that identifies one
seller's good or service as
distinct from those of
other sellers. 

the legal term for brand is
trademark.!
A M E R I C A N M A R K E T I N G A S S O C I A T I O N ,
D I C T I O N A R Y O F M A R K E T I N G T E R M S
the brand is something
that helps to differenciate!
!
the brand is something
that helps to mark a
ownership!
22	
  
exactly like when we
used to stamp !
the cattleto say that this one i s mine, this one is different
from this one!
1 6 t h c e n t u r y !
23	
  
we brand with our own
nameto say that this product is mine, i’ve made it, i’m
the first!
!
1 8 t h c e n t u r y !
snoop dog, shakira  j.lo today,
same story…
they say it’s my song, i’m the one who sings it!
25	
  
= belonging
to owner!
26	
  
1 8 8 0 s !
we brand with our imageto say among others, see me!
!
brand + advertising?!
28	
  
the brand needed advertising
to elevate it above the deluge
of anonymous and generic
mass-produced goods that
were flooding the market,
and advertising needed the
brand when it could no longer
rely on the uniqueness of the
product to form the body of the
message.
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
differentiation based on
the brand itself became
a necessity. in an age of
intense competition and
uniformity, brand and
advertising were destined
to be together. !
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
30	
  
1 9 0 0 ’s !
« trademark advertising »
‘ d r a w i n g a s t r a i g h t l i n e b e t w e e n t h e m a n u f a c t u r e r   a n d
t h e c o n s u m e r ’!
!
31	
  
the brand is no longer a
sign, it has become a link!
!
a contract based on trust!
!
32	
  
the brand connects !
the manufacturer
to the consumer
33	
  
e d w a r d b e r n a y s ! s i g m u n d f r e u d !
34	
  
edward bernays (…) also knew
that you can’t change people’s
behavior by adressing their
reason or conscience for
something they don’t « need »,
but by capturing their attention
to hijack their desire – what
freud calls their «libidinal
energy » - towards goods.
B E R N A R D S T I E G L E R
35	
  
and the brand created
desire
36	
  
1 9 2 0 s !
37
« it’s not the
object or the
service that
supports the desire,
it’s the brand»
J A C Q U E S L A C A N
38	
  
advertising was born to
inform the consumer about
these new inventions
and to convince him that
life would be better if he
bought them. !
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
39	
  
consumers are
developing
relationships with their
brands in a social/
psychological/
anthropological sense.
1 9 4 0 s !
h t t p : / / e n . w i k i p e d i a . o r g / w i k i / B r a n d
40	
  
the search for the true meaning
of brands - or the brand
essence, as it is often called -
gradually took the agencies
away from individual products
and their attributes and
towards a psychological/
anthropological examination of
what brands mean for the culture
and for people's lives.
this was seen to be of crucial
importance, since corporations
may manufacture products, but
what consumers buy are brands.!
N A O M I K L E I N _ N O L O G O
the brand can stand for
an idea that would
matter to people much
more than the product
ever could.!
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
consumers don’t
buy products, they
buy brands

!
they buy the idea
the brand stands
for!
43	
  
the brand came to
represent who the
consumer was and,
more importantly, who
he wanted to be!
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
45	
  
THE
ICON
BRAND1 9 8 0 _ 9 0 s … !
46	
  
47	
  
we choose our brands as we
choose our friends,
and we select these friends
based largely on how they
make us feel about ourselves!
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
= belonging
to identity group!
49	
  
SAM SUNG_VS APPLE HIPSTERS
https://www.youtube.com/watch?v=tNxDd3l0lEU
50	
  
brands
makes
people
nothing else
than teens
being transparent
within the group,
stand out from the
rest of the world!
the peak of success
came in the later part
of the 20th century, 

as the brand became
the biggest asset of a
corporation!
R I C H A R D C O R D I N E R _ B R A N D S T O R Y
52
brand equity
!
53
brand equity is a phrase used in the
marketing industry, that describes
the value of having a well-known
brand name, based on the idea that
the owner of a well-known brand name
can generate more money from
products with that brand name than
from products with a less well known
name, as consumers believe that a
product with a well-known name is
better than products with less well
known names. another word for
brand equity is brand value (…)
H T T P : / / E N . W I K I P E D I A . O R G / W I K I / B R A N D _ E Q U I T Y
54
what is this ?
55
what is this ?
i t ’ s n o c a t o r d r a w i n g o f a c a t . f o r n o o n e !
56
57
58
a cat which is worth

1 billion dollars!
59
60
successful corporations
must primarily produce
brands, as opposed to
products!
N A O M I K L E I N _ N O L O G O
61
« then came
the brand equity mania
of the eighties, the defining
moment of which arrived in 1988
when philip morris purchased
kraft for $12.6 billion — six times
what the company was worth on
paper. the price difference,
apparently, was the cost of the
word kraft. »
N A O M I K L E I N _ N O L O G O
62
« (the company who)
produces the most
powerful images, as
opposed to
products, wins the
race »
N A O M I K L E I N _ N O L O G O
63
where does the company
put money into?!
64
65
66
because deep down,
what are we buying?!
67
68
69
nike_just do it story_dan wieden
the fetish strategy seemed to be working
fine: in the six years prior to 1993, nike
had gone from a $750 million company to
a $4 billion one and phil knight's
beaverton, oregon, company emerged
from the recession with profits 900
percent higher than when it began.
N A O M I K L E I N _ N O L O G O
h t t p : / / w w w . n y t i m e s . c o m / b o o k s / fi r s t / k / k l e i n - l o g o . h t m l
	
  
this is the job
c r e a t e a v a l u e t h a t
d o e s n ’ t e x i s t
72
intangible value!
rory sutherland_life lessons from an ad
man_ted

h t t p : / / w w w . t e d . c o m / t a l k s /
r o r y _ s u t h e r l a n d _ l i f e _ l e s s o n s _ f r o m _ a n _ a d _ m a n . h t m l 



PAULA SCHER_UNQUALIFIED_TED

h t t p : / / w w w . t e d . c o m / t a l k s / p a u l a _ s c h e r _ g e t s _ s e r i o u s 

fetish!
the price of the fetish is not less
than 79 billion dollars
http://www.interbrand.com/fr/best-global-brands/2013/Best-Global-Brands-2013-Brand-View.aspx
78
« branding, in its truest
and most advanced
incarnations, is about
corporate
transcendence »!
N A O M I K L E I N _ N O L O G O
brands add
value!
80
brands add
magic!
81
« why are we willing to pay an
extravagant price – when we could
find a 20-time less expensive
equivalent– for a pair of heels which
sole has been painted in red or for a
little black jacket branded with a
double c ? »
82
transs
ubstan
tiation
83
« the taxation on the label
represents a perfect
example of social alchemy,
a transsubstantiational
operation which radically
modifies the product’s
social quality, without
changing it’s physical
nature »
P I E R R E B O U R D I E U + Y V E T T E D E L S A U T _ A R T I C L E D E 1 9 7 5
 L E C O U T U R I E R E T S A G R I F F E : C O N T R I B U T I O N À U N E
T H É O R I E D E L A M A G I E  .
84
« there is
transsubstantiation, which
literally means transposing the
qualities of a first substance into
a second (and, let’s take a wild
guess, in a third, aka myself
who’s wearing that item and
who’s feeling a little endowed
by it’s extraordinary power) »
H T T P : / / W W W . L E M O N D E . F R / S T Y L E / A R T I C L E / 2 0 1 2 / 1 2 / 0 4 /
L A - B A R B E - N E - F A I T - P A S - L E - P H I L O S O P H E - L A - G R I F F E - D U -
C O U T U R I E R - S I _ 1 7 9 9 2 7 3 _ 1 5 7 5 5 6 3 . H T M L
85
« the viewers are the ones
making the paintings »
M A R C E L D U C H A M P
86
superpower does
not come from
the brand but
from those who
are willing to give
it to it!
89
La réponse c’est qu’il
n’y en a pas dE
RÉPONSE !
devour-ation
90
totally!
brand

!
92
we don't sell a product, we
sell a style of life. i think we
have created a
movement… the diesel
concept is everything. it's
the way to live, it's the way
to wear, it's the way to do
something. »
R E N Z O R O S S O _ D I E S E L J E A N S _ P A P E R M A G A Z I N E
93
D I E S E L _ L I T T L E R O C K S
h t t p : / / w w w . y o u t u b e . c o m / w a t c h ? v = g l d X U I M z w 9 A
D I E S E L I S L A N D
https://www.youtube.com/watch?v=tUUVP5fhIdw
D I E S E L I S L A N D
Supermarché chanel
101	
  
moschino
103	
  
104
105
why not?!
107
what’s the reason not to
do it ?
in the name of what?!
108
115
116
119
120
in the end, doesn’t it
end by neutralizing the
individuals ? !
121
122
is it that different? !
123
124
125
is it that different? !
127
to consume or to
be consumed?
128
by something that doesn’t
exist…
corporate = reality 

brand = fiction!
129


does a brand,
makes sense in
the dark?!

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Lesson 1_Strategic Planning_in brand we trust_english

  • 1. nobody knows how it works but... intro + ! in brand we trust! LESSON #1 s t r a t e g i c planning helene duvoux_mauguet 0 1 5
  • 2.
  • 3. 3   this is strategy!
  • 4.
  • 9.
  • 10.
  • 11.
  • 12. M A R T I N W E I G E L !
  • 13. 13 are people not that into brands?
  • 14. 
 
 nobody knows how it works but… 
 strategic planning_vision methodology
   
 
 introduction_in brand we trust?
 strategic what?
 question_explore_a real case
 insights
 brand purpose
 objectives
 organising idea
 creative brief 
 cool story bro comms fashionisms
 storyplanning
 ccl

  • 15. 15 ?
  • 16. in brand we trust?! strategic planning helene duvoux_mauguet 015
  • 19. brand is the
 « name, term, design, symbol, or any other feature that identifies one seller's good or service as distinct from those of other sellers. 
 the legal term for brand is trademark.! A M E R I C A N M A R K E T I N G A S S O C I A T I O N , D I C T I O N A R Y O F M A R K E T I N G T E R M S
  • 20. the brand is something that helps to differenciate! !
  • 21. the brand is something that helps to mark a ownership!
  • 22. 22   exactly like when we used to stamp ! the cattleto say that this one i s mine, this one is different from this one! 1 6 t h c e n t u r y !
  • 23. 23   we brand with our own nameto say that this product is mine, i’ve made it, i’m the first! ! 1 8 t h c e n t u r y !
  • 24. snoop dog, shakira j.lo today, same story… they say it’s my song, i’m the one who sings it!
  • 26. 26   1 8 8 0 s ! we brand with our imageto say among others, see me! !
  • 28. 28   the brand needed advertising to elevate it above the deluge of anonymous and generic mass-produced goods that were flooding the market, and advertising needed the brand when it could no longer rely on the uniqueness of the product to form the body of the message. R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 29. differentiation based on the brand itself became a necessity. in an age of intense competition and uniformity, brand and advertising were destined to be together. ! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 30. 30   1 9 0 0 ’s ! « trademark advertising » ‘ d r a w i n g a s t r a i g h t l i n e b e t w e e n t h e m a n u f a c t u r e r   a n d t h e c o n s u m e r ’! !
  • 31. 31   the brand is no longer a sign, it has become a link! ! a contract based on trust! !
  • 32. 32   the brand connects ! the manufacturer to the consumer
  • 33. 33   e d w a r d b e r n a y s ! s i g m u n d f r e u d !
  • 34. 34   edward bernays (…) also knew that you can’t change people’s behavior by adressing their reason or conscience for something they don’t « need », but by capturing their attention to hijack their desire – what freud calls their «libidinal energy » - towards goods. B E R N A R D S T I E G L E R
  • 35. 35   and the brand created desire
  • 36. 36   1 9 2 0 s !
  • 37. 37 « it’s not the object or the service that supports the desire, it’s the brand» J A C Q U E S L A C A N
  • 38. 38   advertising was born to inform the consumer about these new inventions and to convince him that life would be better if he bought them. ! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 39. 39   consumers are developing relationships with their brands in a social/ psychological/ anthropological sense. 1 9 4 0 s ! h t t p : / / e n . w i k i p e d i a . o r g / w i k i / B r a n d
  • 40. 40   the search for the true meaning of brands - or the brand essence, as it is often called - gradually took the agencies away from individual products and their attributes and towards a psychological/ anthropological examination of what brands mean for the culture and for people's lives. this was seen to be of crucial importance, since corporations may manufacture products, but what consumers buy are brands.! N A O M I K L E I N _ N O L O G O
  • 41.
  • 42. the brand can stand for an idea that would matter to people much more than the product ever could.! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 43. consumers don’t buy products, they buy brands
 ! they buy the idea the brand stands for! 43  
  • 44. the brand came to represent who the consumer was and, more importantly, who he wanted to be! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 45. 45   THE ICON BRAND1 9 8 0 _ 9 0 s … !
  • 46. 46  
  • 47. 47   we choose our brands as we choose our friends, and we select these friends based largely on how they make us feel about ourselves! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 49. 49   SAM SUNG_VS APPLE HIPSTERS https://www.youtube.com/watch?v=tNxDd3l0lEU
  • 50. 50   brands makes people nothing else than teens being transparent within the group, stand out from the rest of the world!
  • 51. the peak of success came in the later part of the 20th century, 
 as the brand became the biggest asset of a corporation! R I C H A R D C O R D I N E R _ B R A N D S T O R Y
  • 53. 53 brand equity is a phrase used in the marketing industry, that describes the value of having a well-known brand name, based on the idea that the owner of a well-known brand name can generate more money from products with that brand name than from products with a less well known name, as consumers believe that a product with a well-known name is better than products with less well known names. another word for brand equity is brand value (…) H T T P : / / E N . W I K I P E D I A . O R G / W I K I / B R A N D _ E Q U I T Y
  • 55. 55 what is this ? i t ’ s n o c a t o r d r a w i n g o f a c a t . f o r n o o n e !
  • 56. 56
  • 57. 57
  • 58. 58
  • 59. a cat which is worth
 1 billion dollars! 59
  • 60. 60 successful corporations must primarily produce brands, as opposed to products! N A O M I K L E I N _ N O L O G O
  • 61. 61 « then came the brand equity mania of the eighties, the defining moment of which arrived in 1988 when philip morris purchased kraft for $12.6 billion — six times what the company was worth on paper. the price difference, apparently, was the cost of the word kraft. » N A O M I K L E I N _ N O L O G O
  • 62. 62 « (the company who) produces the most powerful images, as opposed to products, wins the race » N A O M I K L E I N _ N O L O G O
  • 63. 63 where does the company put money into?!
  • 64. 64
  • 65. 65
  • 66. 66 because deep down, what are we buying?!
  • 67. 67
  • 68. 68
  • 69. 69 nike_just do it story_dan wieden
  • 70. the fetish strategy seemed to be working fine: in the six years prior to 1993, nike had gone from a $750 million company to a $4 billion one and phil knight's beaverton, oregon, company emerged from the recession with profits 900 percent higher than when it began. N A O M I K L E I N _ N O L O G O h t t p : / / w w w . n y t i m e s . c o m / b o o k s / fi r s t / k / k l e i n - l o g o . h t m l  
  • 71. this is the job c r e a t e a v a l u e t h a t d o e s n ’ t e x i s t
  • 73. rory sutherland_life lessons from an ad man_ted
 h t t p : / / w w w . t e d . c o m / t a l k s / r o r y _ s u t h e r l a n d _ l i f e _ l e s s o n s _ f r o m _ a n _ a d _ m a n . h t m l 
 

  • 74. PAULA SCHER_UNQUALIFIED_TED
 h t t p : / / w w w . t e d . c o m / t a l k s / p a u l a _ s c h e r _ g e t s _ s e r i o u s 

  • 76. the price of the fetish is not less than 79 billion dollars
  • 78. 78 « branding, in its truest and most advanced incarnations, is about corporate transcendence »! N A O M I K L E I N _ N O L O G O
  • 81. 81 « why are we willing to pay an extravagant price – when we could find a 20-time less expensive equivalent– for a pair of heels which sole has been painted in red or for a little black jacket branded with a double c ? »
  • 83. 83 « the taxation on the label represents a perfect example of social alchemy, a transsubstantiational operation which radically modifies the product’s social quality, without changing it’s physical nature » P I E R R E B O U R D I E U + Y V E T T E D E L S A U T _ A R T I C L E D E 1 9 7 5 L E C O U T U R I E R E T S A G R I F F E : C O N T R I B U T I O N À U N E T H É O R I E D E L A M A G I E .
  • 84. 84 « there is transsubstantiation, which literally means transposing the qualities of a first substance into a second (and, let’s take a wild guess, in a third, aka myself who’s wearing that item and who’s feeling a little endowed by it’s extraordinary power) » H T T P : / / W W W . L E M O N D E . F R / S T Y L E / A R T I C L E / 2 0 1 2 / 1 2 / 0 4 / L A - B A R B E - N E - F A I T - P A S - L E - P H I L O S O P H E - L A - G R I F F E - D U - C O U T U R I E R - S I _ 1 7 9 9 2 7 3 _ 1 5 7 5 5 6 3 . H T M L
  • 85. 85 « the viewers are the ones making the paintings » M A R C E L D U C H A M P
  • 86. 86 superpower does not come from the brand but from those who are willing to give it to it!
  • 87.
  • 88.
  • 89. 89 La réponse c’est qu’il n’y en a pas dE RÉPONSE ! devour-ation
  • 90. 90
  • 92. 92 we don't sell a product, we sell a style of life. i think we have created a movement… the diesel concept is everything. it's the way to live, it's the way to wear, it's the way to do something. » R E N Z O R O S S O _ D I E S E L J E A N S _ P A P E R M A G A Z I N E
  • 93. 93
  • 94. D I E S E L _ L I T T L E R O C K S h t t p : / / w w w . y o u t u b e . c o m / w a t c h ? v = g l d X U I M z w 9 A
  • 95.
  • 96. D I E S E L I S L A N D https://www.youtube.com/watch?v=tUUVP5fhIdw
  • 97. D I E S E L I S L A N D
  • 98.
  • 99.
  • 100.
  • 102.
  • 104. 104
  • 106.
  • 107. 107 what’s the reason not to do it ? in the name of what?!
  • 108. 108
  • 109.
  • 110.
  • 111.
  • 112.
  • 113.
  • 114.
  • 115. 115
  • 116. 116
  • 117.
  • 118.
  • 119. 119
  • 120. 120 in the end, doesn’t it end by neutralizing the individuals ? !
  • 121. 121
  • 122. 122 is it that different? !
  • 123. 123
  • 124. 124
  • 125. 125 is it that different? !
  • 126.
  • 127. 127 to consume or to be consumed?
  • 128. 128 by something that doesn’t exist…
  • 129. corporate = reality 
 brand = fiction! 129
  • 130. 
 does a brand, makes sense in the dark?!