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Brands and content
marketing: who brings
what to the party?
Branded content will be at the
heart of every marketing strategy
BRANDED
ENTERTAINMENT
BRAND
PUBLISHING
BRANDED
CONTENT
But what is branded content?
NATIVE
ADVERTISING
CONTENT
MARKETING
Branded content is any content
that can be associated with a
brand in the eye of the beholder
BUT	
  WHAT	
  IS	
  THE	
  BUSINES	
  PROBLEM	
  BRANDED	
  CONTENT	
  	
  
SOLVES	
  AND	
  IS	
  IT	
  DIFFERENT	
  FROM	
  ADVERTISING?	
  
If	
  you	
  look	
  at	
  what’s	
  actually	
  winning	
  awards	
  
then	
  you’ll	
  see	
  there’s	
  some	
  agreement	
  about	
  
the	
  best	
  work.	
  This	
  illustrates	
  that	
  juries	
  can	
  
see	
  the	
  best	
  examples	
  even	
  though	
  the	
  award	
  
shows	
  have	
  different	
  defini@ons.	
  
	
  
JAN GODSK
Branded	
  Content	
  Consultant,	
  Serial	
  Juror	
  +	
  Chairman	
  
BCMA	
  SCANDINAVIA	
  
“
SO	
  LET’S	
  ASK	
  AWARD	
  JURORS	
  AND	
  INDUSTRY	
  EXPERTS	
  AROUND	
  THE	
  GLOBE	
  
MOST	
  POPULAR	
  AMONG	
  AD	
  INDUSTRY	
  FOLKS	
  
It’s	
  a	
  great	
  piece	
  of	
  storytelling	
  about	
  the	
  human	
  
condi@on	
  that	
  is	
  brilliantly	
  wriLen.	
  It	
  uses	
  a	
  fairy-­‐tale	
  
structure	
  about	
  a	
  spellbound	
  protagonist	
  who	
  needs	
  to	
  
find	
  true	
  love	
  in	
  order	
  to	
  undo	
  the	
  spell.	
  This	
  kind	
  of	
  
universal	
  story	
  telling	
  is	
  more	
  than	
  you’d	
  find	
  in	
  
tradi@onal	
  adver@sing,	
  and	
  that’s	
  what	
  makes	
  it	
  
branded	
  content.	
  The	
  product	
  is	
  also	
  brilliantly	
  
integrated,	
  and	
  the	
  social	
  film	
  project	
  allows	
  the	
  
audience	
  to	
  engage	
  in	
  the	
  crea@on	
  of	
  the	
  campaign	
  
without	
  seeming	
  forced	
  or	
  unnatural.	
  
UROS GORICAN
Crea@ve	
  Director	
  &	
  Branded	
  Content	
  Producer	
  
PUBLICIS	
  SLOVENIA	
  
“
MOST	
  POPULAR	
  AMONG	
  ENTERTAINMENT	
  INDUSTRY	
  FOLKS	
  
The	
  Lego	
  Movie	
  is	
  entertainment	
  produced	
  by	
  a	
  brand.	
  
And	
  it’s	
  great	
  entertainment	
  that’s	
  loved	
  by	
  cri@cs	
  and	
  
audiences	
  alike.	
  Lots	
  of	
  people	
  went	
  to	
  the	
  theater	
  to	
  
see	
  it.	
  Now	
  they	
  rent	
  it	
  or	
  buy	
  it	
  at	
  home.	
  Or	
  watch	
  it	
  
on	
  a	
  plane.	
  And	
  now	
  they’re	
  more	
  emo@onally	
  
connected	
  to	
  the	
  brand.	
  Now	
  the	
  Legos	
  are	
  a	
  bit	
  more	
  
magical.	
  So	
  they	
  buy	
  more	
  Legos.	
  And	
  go	
  to	
  Legoland.	
  
Wait,	
  isn’t	
  this	
  Disney’s	
  model?	
  Maybe	
  Frozen	
  is	
  the	
  
gold	
  standard…	
  
JESSE COULTER
Co-­‐Chief	
  Crea@ve	
  Officer,	
  CAA	
  Marke@ng	
  
CREATIVE	
  ARTISTS	
  AGENCY	
  
“
WHAT	
  IS	
  THE	
  BUSINESS	
  MODEL	
  OF	
  BRANDED	
  ENTERTAINMENT	
  INDUSTRY?	
  
WILL	
  THE	
  MERGING	
  OF	
  ADVERTISING	
  AND	
  ENTERTAINMENT	
  	
  
REDFINE	
  THE	
  MEDIA	
  LANDSCAPE?	
  
Pure	
  defini@on	
  of	
  branded	
  content:	
  it’s	
  content,	
  it’s	
  
likeable,	
  it’s	
  crea@ve,	
  it	
  meets	
  brands’	
  objec@ves	
  and	
  
it’s	
  good	
  enough	
  to	
  get	
  PRIME	
  TIME	
  on	
  a	
  major	
  
commercial	
  channel!	
  At	
  Eurobest	
  judging	
  panel	
  we	
  
were	
  all	
  asking	
  each	
  other	
  how	
  was	
  that	
  possible	
  
nobody	
  had	
  come	
  up	
  with	
  the	
  idea	
  before.	
  This	
  only	
  
means	
  that	
  concept	
  is	
  really	
  great	
  and	
  that	
  probably	
  
we	
  will	
  see	
  local	
  versions	
  of	
  Brandarit	
  really	
  soon.	
  
IZABELA KURCZEWSKA
Head of Entertainment
HAVAS SPORTS & ENTERTAINMENT POLAND
“
SO	
  WHERE	
  DOES	
  PUBLISHING	
  NOW	
  FIT	
  IN,	
  	
  
AND	
  WHERE	
  IN	
  THE	
  CUSTOMER	
  DECISION	
  JOURNEY?	
  
Brands	
  need	
  to	
  be	
  realis@c	
  about	
  compe@ng	
  with	
  
content	
  creators,	
  unless	
  they’re	
  prepared	
  to	
  risk	
  
alloca@ng	
  budget	
  that	
  could	
  result	
  in	
  failure.	
  The	
  
Hollywood	
  system	
  is	
  an	
  example	
  of	
  a	
  few	
  successes	
  
bankrolling	
  a	
  large	
  number	
  of	
  duds	
  and	
  also-­‐rans.	
  	
  
	
  
I’d	
  recommend	
  collabora@on,	
  or	
  devia@on,	
  whereby	
  
the	
  type	
  of	
  content	
  you	
  create	
  is	
  not	
  necessarily	
  of	
  
interest	
  to	
  conven@onal	
  content	
  creators,	
  but	
  is	
  of	
  
huge	
  interest	
  to	
  a	
  client	
  or	
  group	
  of	
  clients.
RORY SUTHERLAND
Vice	
  Chairman	
  
OGILVY	
  GROUP	
  UK	
  
“
STEVE ACKERMAN
Managing	
  Director	
  
SOMETHIN’	
  ELSE	
  
The	
  big	
  change	
  that	
  brands	
  have	
  to	
  
understand	
  is	
  the	
  need	
  to	
  have	
  an	
  ongoing	
  
conversa@on	
  with	
  their	
  audience,	
  rather	
  than	
  
just	
  short	
  bursts	
  of	
  campaign	
  ac@vity.	
  The	
  
produc@on	
  of	
  con@nuous	
  content	
  requires	
  
more	
  of	
  a	
  (broadcast)	
  programming	
  and	
  
editorial	
  mentality.	
  
“
Find	
  a	
  mechanism	
  to	
  allow	
  you	
  to	
  collect	
  
customer	
  stories	
  at	
  scale.	
  For	
  example,	
  Airbnb	
  
recently	
  launched	
  a	
  pladorm	
  where	
  people	
  can	
  
submit	
  their	
  own	
  stories	
  at	
  Create	
  AirBnB.
ANN HANLEY
CEO	
  
MARKETINGPROFS	
  
“
DISTRIBUTION
CONTENT
(CO)CREATION
ENGAGEMENT
MANAGEMENT
MEASUREMENT
SMALL	
  SNAPSHOT	
  OF	
  LATEST	
  THINKING	
  ABOUT	
  STRATEGIC	
  	
  
CONSIDERATIONS	
  AND	
  EXAMPLES	
  OF	
  BEST	
  PRACTICE	
  
WHAT	
  DOES	
  GOOD	
  NATIVE	
  ADVERTISING	
  LOOK	
  LIKE?	
  
Thank You
@juzzie	
  

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BOBCM: Brands and content marketing - who brings what to the party?

  • 1.                     Brands and content marketing: who brings what to the party?
  • 2. Branded content will be at the heart of every marketing strategy
  • 3. BRANDED ENTERTAINMENT BRAND PUBLISHING BRANDED CONTENT But what is branded content? NATIVE ADVERTISING CONTENT MARKETING
  • 4. Branded content is any content that can be associated with a brand in the eye of the beholder BUT  WHAT  IS  THE  BUSINES  PROBLEM  BRANDED  CONTENT     SOLVES  AND  IS  IT  DIFFERENT  FROM  ADVERTISING?  
  • 5. If  you  look  at  what’s  actually  winning  awards   then  you’ll  see  there’s  some  agreement  about   the  best  work.  This  illustrates  that  juries  can   see  the  best  examples  even  though  the  award   shows  have  different  defini@ons.     JAN GODSK Branded  Content  Consultant,  Serial  Juror  +  Chairman   BCMA  SCANDINAVIA   “
  • 6. SO  LET’S  ASK  AWARD  JURORS  AND  INDUSTRY  EXPERTS  AROUND  THE  GLOBE  
  • 7. MOST  POPULAR  AMONG  AD  INDUSTRY  FOLKS  
  • 8. It’s  a  great  piece  of  storytelling  about  the  human   condi@on  that  is  brilliantly  wriLen.  It  uses  a  fairy-­‐tale   structure  about  a  spellbound  protagonist  who  needs  to   find  true  love  in  order  to  undo  the  spell.  This  kind  of   universal  story  telling  is  more  than  you’d  find  in   tradi@onal  adver@sing,  and  that’s  what  makes  it   branded  content.  The  product  is  also  brilliantly   integrated,  and  the  social  film  project  allows  the   audience  to  engage  in  the  crea@on  of  the  campaign   without  seeming  forced  or  unnatural.   UROS GORICAN Crea@ve  Director  &  Branded  Content  Producer   PUBLICIS  SLOVENIA   “
  • 9. MOST  POPULAR  AMONG  ENTERTAINMENT  INDUSTRY  FOLKS  
  • 10. The  Lego  Movie  is  entertainment  produced  by  a  brand.   And  it’s  great  entertainment  that’s  loved  by  cri@cs  and   audiences  alike.  Lots  of  people  went  to  the  theater  to   see  it.  Now  they  rent  it  or  buy  it  at  home.  Or  watch  it   on  a  plane.  And  now  they’re  more  emo@onally   connected  to  the  brand.  Now  the  Legos  are  a  bit  more   magical.  So  they  buy  more  Legos.  And  go  to  Legoland.   Wait,  isn’t  this  Disney’s  model?  Maybe  Frozen  is  the   gold  standard…   JESSE COULTER Co-­‐Chief  Crea@ve  Officer,  CAA  Marke@ng   CREATIVE  ARTISTS  AGENCY   “
  • 11. WHAT  IS  THE  BUSINESS  MODEL  OF  BRANDED  ENTERTAINMENT  INDUSTRY?  
  • 12. WILL  THE  MERGING  OF  ADVERTISING  AND  ENTERTAINMENT     REDFINE  THE  MEDIA  LANDSCAPE?  
  • 13. Pure  defini@on  of  branded  content:  it’s  content,  it’s   likeable,  it’s  crea@ve,  it  meets  brands’  objec@ves  and   it’s  good  enough  to  get  PRIME  TIME  on  a  major   commercial  channel!  At  Eurobest  judging  panel  we   were  all  asking  each  other  how  was  that  possible   nobody  had  come  up  with  the  idea  before.  This  only   means  that  concept  is  really  great  and  that  probably   we  will  see  local  versions  of  Brandarit  really  soon.   IZABELA KURCZEWSKA Head of Entertainment HAVAS SPORTS & ENTERTAINMENT POLAND “
  • 14. SO  WHERE  DOES  PUBLISHING  NOW  FIT  IN,     AND  WHERE  IN  THE  CUSTOMER  DECISION  JOURNEY?  
  • 15. Brands  need  to  be  realis@c  about  compe@ng  with   content  creators,  unless  they’re  prepared  to  risk   alloca@ng  budget  that  could  result  in  failure.  The   Hollywood  system  is  an  example  of  a  few  successes   bankrolling  a  large  number  of  duds  and  also-­‐rans.       I’d  recommend  collabora@on,  or  devia@on,  whereby   the  type  of  content  you  create  is  not  necessarily  of   interest  to  conven@onal  content  creators,  but  is  of   huge  interest  to  a  client  or  group  of  clients. RORY SUTHERLAND Vice  Chairman   OGILVY  GROUP  UK   “
  • 16. STEVE ACKERMAN Managing  Director   SOMETHIN’  ELSE   The  big  change  that  brands  have  to   understand  is  the  need  to  have  an  ongoing   conversa@on  with  their  audience,  rather  than   just  short  bursts  of  campaign  ac@vity.  The   produc@on  of  con@nuous  content  requires   more  of  a  (broadcast)  programming  and   editorial  mentality.   “
  • 17. Find  a  mechanism  to  allow  you  to  collect   customer  stories  at  scale.  For  example,  Airbnb   recently  launched  a  pladorm  where  people  can   submit  their  own  stories  at  Create  AirBnB. ANN HANLEY CEO   MARKETINGPROFS   “
  • 18.
  • 19. DISTRIBUTION CONTENT (CO)CREATION ENGAGEMENT MANAGEMENT MEASUREMENT SMALL  SNAPSHOT  OF  LATEST  THINKING  ABOUT  STRATEGIC     CONSIDERATIONS  AND  EXAMPLES  OF  BEST  PRACTICE  
  • 20. WHAT  DOES  GOOD  NATIVE  ADVERTISING  LOOK  LIKE?