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History of Interior Design Semester - 3 Content:   Christian and Byzantine Romanesque Gothic Renaissance Baroque and Rococo
Christian and Byzantine ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],In 313 Christianity was officially recognized by Constantine-I. By 326 it became official religion of the Roman Empire. Its Capital was based in Byzantium (renamed Constantinople). The empire stretched from Milan, Cologne (west to Syria), south to Greece and Egypt. They adopted roman characteristic: typology –  Basilica  (a rectangular assembly hall that could serve as anything from market hall to law court)
1.  Early Christian. (around 300-500) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Windows – The windows of Early Christian basilicas added to their mystique, providing and ethereal, opaque light, either through stone plaques perforated with decorative holes, through colored glass. Ambo – The ambo was a raised platform from which the epistle and the Gospel were read. Usually made of stone, richly decorated with ornamental panels. Liturgical Furniture – The sanctuary was sometimes raised on a platform, reserved for the clergy. This was often separated from the nave by a low parapet or high screen called an iconostasis. Opus sectile – The walls and floors of many churches featured an ornate surface decoration of opus sectile-marble stones cut to form geometric patterns.
 
2. Ravenna. (around 495-526) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
3. Early Byzantine. (around 527-62) ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
4. Post-Justinian . (around 562-843) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
5. Middle Byzantine. (around  843-1204 ) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
6. Late Byzantine. (around  1216 -1453 ) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Romanesque  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Romanesque Style in Europe France and England ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
Italy, Spain and Germany. ,[object Object],[object Object],[object Object]
 
Gothic ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Renaissance ,[object Object],[object Object],[object Object],[object Object]
 
Baroque and Rococo ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 

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History Of Interior Design 3

  • 1. History of Interior Design Semester - 3 Content: Christian and Byzantine Romanesque Gothic Renaissance Baroque and Rococo
  • 2.
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  • 5. Windows – The windows of Early Christian basilicas added to their mystique, providing and ethereal, opaque light, either through stone plaques perforated with decorative holes, through colored glass. Ambo – The ambo was a raised platform from which the epistle and the Gospel were read. Usually made of stone, richly decorated with ornamental panels. Liturgical Furniture – The sanctuary was sometimes raised on a platform, reserved for the clergy. This was often separated from the nave by a low parapet or high screen called an iconostasis. Opus sectile – The walls and floors of many churches featured an ornate surface decoration of opus sectile-marble stones cut to form geometric patterns.
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