The document discusses Hemingway's "Iceberg Theory" of omission in literary works. It examines his short stories "A Clean, Well-Lighted Place" and "Hills Like White Elephants" as examples. "A Clean, Well-Lighted Place" uses minimalism and omits details, forcing readers to infer meanings from a terse account. "Hills Like White Elephants" also omits the plot and uses setting and dialogue symbolism to imply an discussion of an abortion without explicitly stating it. Hemingway expected readers to understand through contextual clues and bring their own interpretations.
21. “ fields of grain and trees... mountains... [and] a cloud [moving] across the field”(35) provides the final demonstration of the fertility of the area of the hills
35. The man stresses independence in his speech; stressing the importance of not being tied down with a baby and possible not even the girl
36.
37. Did they return to Barcelona and “have everything”(35) as the main finally passing through the “rosary” beads implies
38. Did the man establish his independence from the girl as the solitary drink at the bar implies
39. “ Read anything I write for the pleasure of reading it. Whatever else you find will be the measure of what you brought to the reading”(Plimpton 18) -Ernest Hemingway
40. Works Cited “ A Clean, Well-Lighted Place” Short Stories for Students. Ed. Maria Rose Napierkowski. Vol. 9. Detroit: Gale, 1998. Web. 12 July 2010. Hemingway, Ernest. “A Clean, Well Lighted Place” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Id. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Longman, 2010. 143-146. Print. Hemingway, Ernest. Death in the Afternoon. New York: Scribner's, 1932. Print. Hemingway, Ernest. “Hills Like White Elephants” Men Without Women. Middlesex, Penguin Books Ltd., 1972. 32-37. Print. Samuelson, Scott, “Short Stories of Ernest Hemingway (1923-1938)” Rexburg: Ricks College English Department, 1992. Web. 12 July 2010.