ASIF KHAN-LANDSCAPE-DESIGN PORTFOLIO 2024 f.pdf

P O R
T F O
L I O
Asif Emran Khan
Asif Khan Design Portfolio
Aarhaus Drawing Competition
Entry, 2014

Asif Khan
Education:
Experience:
Landscape Architect
aekhan1019@gmail.com
linkedin.com/in/asif-khan1019
+15157087032
Asif Khan is a dedicated Landscape Architect originating from Bangladesh, equipped
with a Master's degree in Landscape Architecture from Iowa State University. He also
has Bachelor of Architecture degree from SUST, Bangladesh. With nearly two years of
experience as a Landscape Design Coordinator at HDR Inc.'s Denver office, Asif has
honed proficiency in variety of Landscape processes and softwares. Asif worked in a
collaborative environment- combining HDR’s national and international offices. Asif's
approach to design is grounded in a commitment to functional rationality and aesthetic
harmony, striving to create spaces that inspire and uplift. Beyond design, Asif finds joy
in watercolor painting, poetry, reading, traveling and cooking. Asif believes it is a great
gift to participate in designing spaces that stage and hold memories, hopes and
dreams for users and add beauty and meaning to our wonderful, wonderful world.
Summer 2020: Muscatine Arts Center
Japanese Garden conservation project
Role: Design Assistant
Muscatine, Iowa.
July 2022-
Feb 2024 HDR Inc. Denver office
Role: Landscape Design Coordinator
Notable Projects:
The Ottawa Hospital, Canada
Facility Perimeter Security, Denver, CO
CU Res Hall 2, Boulder, CO
Supervisor: Kent Freed
2018-2019: Formosis Architects
Role: Junior Architect at
Sylhet, Bangladesh.
2017 (April-July) J.A. Architects
Role: Project Intern
Dhaka, Bangladesh
2017 (Jan-Mar) Atelier Robin, Architect
Role: Project Intern
Dhaka, Bangladesh.
Aug, 2019-May, 2022 Master of Landscape Architecture
Iowa State University
2011-2016 Bachelor of Architecture,
Shahjalal University of Science and Technology
Thesis: Rethinking and conservation of Pritim Pasha
Nawab Bari, Kulaura, Sylhet, Bangladesh.
Skills:
Recognition:
General Interests & skills: References:
-Autodesk AutoCAD
- Rhino
- SketchUp
- Enscape
- Lumion Pro
- Adobe Graphics suite
(Ps, iA, In, Pr)
- Microsoft Office
- Languages:
English
Bangla (Native)
Hindi (verbal)
- Research
- Cooking
- Driving
- Travelling
- Playing Cricket
- Ping Pong
- Poetry
- Astronomy
- Literature (Bangla)
Kent Freed, RLA, AIA, Sr. PLA
UDPLA leader, Manager - HDR Inc., Denver, CO.
Kent.Freed@hdrinc.com l 7208370447
Aaron Wagner, MLA
Landscape Designer, HDR Inc., Denver, CO.
Aaron.Wagner@hdrinc.com l 7122499397
Bambi Yost, Associate Professor
Iowa State University, Ames, IA
byost@iastate.edu l 720-217-2871
Heidi Hohmann, Associate Professor,
Director of Graduate Education,
Landscape Architecture
Iowa State University, Ames, IA
hhohmann@iastate.edu l 515-294-8938
- Sketching
- Painting (watercolor)
- Narrative Writing
- Graphics communication
- Story boarding
- Mobile Photography
Arthur R. and Clare M. Merkle Endowment for Excellence in Landscape Architecture
Department of Landscape Architecture, 2022
Barbara King Scholarship for Innovation and Enterpreneurship 2020
Proposal: Comm(Unity): Investigation of Outdoor Space to propose a third place (social)
for neighborhood conviviality.
Grant amount: $4000
‘Amrao Manush’ Design Charette
Champion. Role: Design lead
2015, Sajida Foundation & Paraa
Dhaka, Bangladesh.
Berkeley Prize Architectural Essay Competition 2015, 2016
Top 16
2015: Embracing Poverty
2016: Building Dreams Together
- Concept Development
- Schematic Development
- Design Development
- Construction drawings
- Design Thinking
Scan to view Portfolio
currently living in Denver,CO

CONTENT
About me...
The Ottawa Hospital, ON, Canada
Professional Experience
HDR Inc. Denver Office
(July,2022 - Feb,2024)
Graduate Residence Hall-2
University of Colorado, Boulder
Parcel 8- Central Park
Denver, CO
Bachelor of
Architecture (B.Arch)
Shahjalal University of Science
& Technology
(2011-2016)
Riverfront Development at South Surma,
Sylhet, Bangladesh
Monument for Unknown Martyrs, Sylhet
Bangladesh
Master of Ladscape
Architecture (MLA)
(Aug,2019-May,2022)
Living in Synergy
A barrier free Bison sanctuary
City Matters
City Skin & Systems
Experiential Monument on Plastic Pollution
Elwood House Residence
Landscape Design
Competition Entry
Hello, I'm Asif Khan, a landscape architecture graduate
from Iowa State University. My journey into the world of
landscape design began after completing my Bachelor of
Architecture from SUST, Bangladesh. I was inspired by
Geoffrey Bawa, Srilankan Architect and decided to pursue
Landscape Architecture. I believe Architecture can also be
a Landscape phenomenon.
During my time at Iowa State University, I delved into the
intricacies of landscape architecture, testing my skills and
exploring the dynamic relationship between nature and
design. This journey culminated in my role as a landscape
designer at HDR Inc. in Denver, where I had the opportu-
nity to apply my knowledge in real-world projects.
What drives me in this field is the belief that architecture
and landscape are intricately connected, with each
influencing the other in profound ways. I see landscape
architecture as a powerful tool for addressing pressing
global challenges, particularly in the face of climate
change.
Beyond design, I find joy in watercolor painting, poetry,
travel, cooking and cricket. These diverse interests inform
my creative approach, allowing me to weave together
elements of beauty, culture, and purpose in my work. I'm
particularly intrigued by the concept of place identity and
how landscape design can shape our perception of
space.
For me, design is more than just creating aesthetically
pleasing spaces; it's about crafting narratives that resonate
with people on a deeper level. Whether I'm incorporating
dramatic elements or drawing inspiration from diverse
cultures, my goal is always to create environments that
evoke emotion and spark imagination.
In a world facing unprecedented environmental chal-
lenges, I'm passionate about leveraging my skills to create
sustainable and resilient landscapes that enhance quality
of life for all. I believe that landscape architecture holds
the key to building a greener, more inclusive future, and
I'm excited to be a part of that journey.

The plan illustrates the
sunken garden, specifically
designed to provide a
serene environment for
patients undergoing dialysis
during their extended
waiting periods. A gravity
retaining wall was utilized
for this critical feature,
requiring close collabora-
tion with civil engineers and
contractors to ensure its
optimal functionality (ref:
section). While the sunken
garden itself was inaccessi-
ble to patients, it included a
pathway designed for
mechanical access.
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STAGE 3
0 18.75m 37.5m
Scale 1: 750
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1. LANDSCAPE GRADING PLANS (L-2.2.2.201 THROUGH L-2.2.2.206)
INCORPORATE THE CIVIL GRADING INFORMATION AND ADD SOME
SUPPLEMENTAL INFORMATION IN KEY LANDSCAPED AREAS.
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OVERALL GRADING
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STAGE 3
0 18.75m 37.5m
Scale 1: 750
75m
PLAN
NORTH
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NORTH
L-2.2.2.201
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WEST
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NOTE:
1. LANDSCAPE GRADING PLANS (L-2.2.2.201 THROUGH L-2.2.2.206)
INCORPORATE THE CIVIL GRADING INFORMATION AND ADD SOME
SUPPLEMENTAL INFORMATION IN KEY LANDSCAPED AREAS.
FAC
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0 10 20 50m
One of my early assignments was designing the main entry plaza (Level L) of the
hospital. This entailed integrating various constraints like emergency and bus
drop-offs, entrance security, looped driveway, plaza and bike parking, and
diverse grading. The design also included a public plaza with planters and
seating areas, as well as a green roof portion. Functionally solving these
complexities while maintaining a plaza-like ambiance was a challenging journey.
Notably, the emergency Level-E entrance and parking were situated below this
area. Utilizing Corten steel planters with diverse planting, the design created
inviting spaces for people. I was responsible for developing the design, iterations,
3D models, and renderings for this space.
I joined The Ottawa Hospital (TOH) project in 2022, which is the largest
hospital in Ontario. The project was handed over to Project CO. in Novem-
ber 2023. The site presented challenges with two distinct parts: the
hospital located on the southwest side and the garage on the northeast
side.
I was involved in the design process, iterations, grading solutions, collabo-
ration with multiple offices, producing grading solutions, 3D modeling for
space interpretation, technical sections and details.
One of the most captivating
aspects of this project was
the extensive collaboration.
Six offices across the United
States and Canada contribut-
ed to the project's success.
Working alongside architec-
ture, civil departments, and
other contracted partners
provided valuable insights
into the intricate processes
and management strategies
required for large-scale
projects.
The project provided valuable
experiences across various
aspects, including navigating
code compliance complexi-
ties and resolving conflicts
between design concepts
and functional requirements.
These challenges often
sparked innovative and
inspiring solutions. Addition-
ally, I gained insights into
different types of retaining
walls and landscape perfor-
mance, particularly in health-
care facilities. Exploring the
incorporation of green
technologies and strategies
was also a new and enriching
learning opportunity.
Tony Mazzeo
Jason-Emery Groen
Jeff Fahs
Kent Freed
Will Prescot
Asif Khan
Hannah Watson
Sakshi Rajput
Aaron Wagner
The west entrance featured a loop
driveway with parallel parking on the
east side and a code-compliant bike
shelter on the west. A retaining wall,
accommodating an 8ft elevation
difference on the west side, was
incorporated into the design. Planter
borders with seating areas adorned both
sides of the entrance, while bollards
ensured security. Balancing accessibility
from various directions while maintain-
ing exclusivity and smooth traffic flow
required extensive trial and error.
The section shows (R to L) the emergency E1 parking, the pavillion and plaza above, it shows the tower B and the loading dock on the east side.
The sloped green area was conserved and new plantations were introduced strategically.
The contemplation garden featured a captivating labyrinth pathway descending approxi-
mately 12 feet deep, leading to a central pool. This unique design incorporated a
sequence of pathways, planting strips, and layers of rock shingles, creating intricate bend
layers. Additionally, the garden seamlessly connected to a bike path from the west. Ensur-
ing ADA compliance with a gentle slope of 4.88% and illuminated railings with neon strips
posed significant challenges. Maintaining pathway width and ADA grade while designing
non-disruptive exit stairways proved crucial. The section analysis played a key role in
resolving these design complexities.
Level L Entry Plaza
Key Plan
GRADING PLAN
Studios: Denver, Chicago, Toronto (Canada)
TEAM:
Contemplation Garden
West Entry + Bike shelter
Sunken Garden
Interior Court
Retention Meadow
LEVEL L PLAZA - MAIN ENTRANCE OF TOH
SECTION A2: LEVEL L PLAZA
SECTION A3: CONTEMPLATION GARDEN
SUNKEN GARDEN WEST ENTRANCE
CONTEMPLATION GARDEN
THE OTTAWA HOSPITAL, ONTARIO, CANADA

SECTION A6: WEST ENTRANCE & BIKE SHELTER
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LEGEND
TACTILE WARNING
BOLLARD
BIKE RACKS
PEDESTRIAN STREET LIGHTS
RE: ELEC
DURESS STATION
RE: ELEC
ROCK SHINGLES
ASPHALT PAVING
CONCRETE BENCH
CAST IN PLACE RETAINING WALL
COLOURED CONCRETE
(PEDESTRIAN CROSSING)
SMALL PEDESTRIAN LIGHTS
RE: ELEC
BRICK COBBLESTONE
PAVING
COLOURED CONCRETE
MAIN ENTRY (DRIVEWAY)
PLANTING AREA
PA
MOUNTABLE CURB
CONCRETE (PATHWAY)
CONCRETE STAIR
ELECTRIC VEHICLE
CHARGING STATION
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Project Number
Original Issue
Sheet Number
Sheet Name
Project Status
Project Designer
Project Manager
Project Architect
Landscape Architect
Civil Engineer
Structural Engineer
Mechanical Engineer
Electrical Engineer
Interior Designer
Equipment Planner
Wayfinding
Sheet Reviewer
Plumbing Engineer
THE OTTAWA HOSPITAL
- CIVIC CAMPUS
REDEVELOPMENT
STAGE 3
HDR Architecture Associates Inc.
10333982
04/21/22
300 Richmond Road, Suite 200
Ottawa, Ontario K1Z 6X6
Author
MR
JEG
JEG
Civil Engineer
EXP
Smith + Andersen
Smith + Andersen
Interior Designer
Colliers
Smith + Andersen
MARK DATE DESCRIPTION
Jeff Fahs
2022-09-30 ISSUED FOR PRE-CONSULTATION
2022-11-30 ISSUED FOR SPC & FLUDA - 1ST SUBMISSION
2022-12-02 ISSUED FOR 3A1-2
2023-02-24 ISSUED FOR RFP VERSION 1.0
2023-04-14 ISSUED FOR SPC & FLUDA APPROVAL
D07-12-22-0168
18891
CITY OF OTTAWA FILE #
CITY PLAN #
2023-07-25 RE-ISSUED FOR SPC & FLUDA APPROVAL
2023-09-01 ISSUED FOR CONTRACTOR PRICING
2023-09-29 ISSUED FOR COSTING
OVERALL SITE
MATERIALS PLAN
0 18.75m 37.5m
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TOWER A
ENTRANCE
WEST
ENTRANCE
SOUTH
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SERVICE
ENTRANCE
MAIN
ENTRANCE
ROAD A ASPHALT
PAVING HATCH
TO CONTINUE TO
CARLING AVE.
The CUP (Central Utility Plant) section was a critical component of the project,
housing mechanical units, a generator, and rooftop parking. Section A4
showcased the layout of the CUP, rooftop parking, and adjacent sunken garden
on the west side, featuring a gravity retaining wall for elevation support. Notably,
the retaining wall along the southern perimeter was one of the project's most
costly elements. Collaboration among multidisciplinary teams ensured seamless
integration and optimal functionality within the section, resulting in a harmonious
blend of design and technical excellence.
In response to the city's requirement for controlled flow rates of outgoing water,
additional retention measures were implemented. Alongside existing strategies,
additional walls were utilized to effectively slow down and retain more water. This
iterative process involved the use of Photoshop (PS) over a SketchUp export,
allowing for precise adjustments and optimization of water retention capabilities.
To meet the city's demand for controlled water flow rates, various retention
measures were already in place. However, additional walls were incorporated to
further regulate and retain water. This refinement process involved using Photo-
shop (PS) adjustments over a SketchUp export, ensuring precise optimization of
water management strategies.
The retaining wall for the sunken garden needed to balance cost efficiency with patient
comfort. Designed for dialysis patients, who spend hours in the adjacent room, the
garden also had to accommodate utility constraints, including a tunnel from the CUP
to the hospital. Careful design consideration ensured functionality while maintaining a
2% slope for drainage.
A6
A5
A7
MATERIALS PLAN
SECTION A4 - The CUP
KEY PLAN
MATERIALS PLAN
MATERIALS PLAN
SECTION A7: STAGGERED RETAINING WALL- SOUTH
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WORK LIMIT LINE
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COLOURED CONCRETE
LEGEND
TACTILE WARNING
BOLLARD
BIKE RACKS
RE: ELEC
DURESS STATION
RE: ELEC
ROCK SHINGLES
ASPHALT PAVING
CONCRETE BENCH
COLOURED CONCRETE
RE: ELEC
BRICK COBBLESTONE
PAVING
COLOURED CONCRETE
PLANTING AREA
PA
MOUNTABLE CURB
CONCRETE (PATHWAY)
CONCRETE STAIR
ELECTRIC VEHICLE
CHARGING STATION
RE: ELEC
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PRESTON
STREET
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Sheet Name
Project Status
Project Designer
Project Manager
Project Architect
Landscape Architect
Civil Engineer
Structural Engineer
Mechanical Engineer
Electrical Engineer
Interior Designer
Equipment Planner
Wayfinding
Sheet Reviewer
Plumbing Engineer
THE OTTAWA HOSPITAL
- CIVIC CAMPUS
REDEVELOPMENT
STAGE 3
10333982
04/21/22
Author
MR
JEG
JEG
Civil Engineer
EXP
Smith + Andersen
Smith + Andersen
Interior Designer
Colliers
Smith + Andersen
Jeff Fahs
2022-12-02 ISSUED FOR 3A1-2
D07-12-22-0168
18891
CITY PLAN #
OVERALL SITE
MATERIALS PLAN
0 18.75m 37.5m
Scale 1: 750
75m
PLAN
NORTH
TRUE
NORTH
L-2.2.2.401
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ROAD A ASPHALT
PAVING HATCH
TO CONTINUE TO
CARLING AVE.
EXH
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WORK LIMIT LINE
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COLOURED CONCRETE
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TACTILE WARNING
BOLLARD
BIKE RACKS
RE: ELEC
DURESS STATION
RE: ELEC
ROCK SHINGLES
ASPHALT PAVING
CONCRETE BENCH
COLOURED CONCRETE
RE: ELEC
BRICK COBBLESTONE
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COLOURED CONCRETE
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CONCRETE (PATHWAY)
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RE: ELEC
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Project Number
Original Issue
Sheet Number
Sheet Name
Project Status
Project Designer
Project Manager
Project Architect
Landscape Architect
Civil Engineer
Structural Engineer
Mechanical Engineer
Electrical Engineer
Interior Designer
Equipment Planner
Wayfinding
Sheet Reviewer
Plumbing Engineer
THE OTTAWA HOSPITAL
- CIVIC CAMPUS
REDEVELOPMENT
STAGE 3
10333982
04/21/22
Author
MR
JEG
JEG
Civil Engineer
EXP
Smith + Andersen
Smith + Andersen
Interior Designer
Colliers
Smith + Andersen
Jeff Fahs
2022-12-02 ISSUED FOR 3A1-2
D07-12-22-0168
18891
CITY PLAN #
OVERALL SITE
MATERIALS PLAN
0 18.75m 37.5m
Scale 1: 750
75m
PLAN
NORTH
TRUE
NORTH
L-2.2.2.401
F
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C
IL
IT
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CONTEMPLATION GARDEN - PLAN ENLARGEMENT

The TOH Garage, a distinctive facet of the larger TOH project, underwent its own proposal and bidding process. Amidst my contributions to
various aspects of the project, one particularly intriguing endeavor was the implementation of the Miyawaki planting method for the Garage ramp
area. The ramp, a bold architectural feature leading to the rooftop green space with a playscape, was not only ADA compliant but also sculpted
to resemble a dynamic serpent ascending to the top floor. Beneath the ramp, the sloped ground provided an ideal canvas for the Miyawaki
planting method—a transformative approach to rewilding spaces with native flora, mimicking the biodiversity of a natural forest over a span of 30
years.
In my role, I engaged in design iterations and the development of critical sections for both the garage and ramp. Additionally, I spearheaded the
integration of the Miyawaki planting method, leveraging 3D modeling, post-production, and rendering techniques to bring the concept to life.
Furthermore, I played a pivotal role in designing the surrounding landscape of the garage, including streetside seating, placemaking elements,
bike route optimization, and other amenities aimed at enhancing the user experience.
Throughout the project, we encountered a significant challenge when faced with a sudden budget cut of 30 million dollars for the garage. This
unforeseen obstacle prompted a flurry of design iterations aimed at mitigating the financial impact while maintaining the project's integrity and
vision.
The image G1 shows the part of the garage project
where the Miyawaki Planting method is to be
implemented.
The image G2 shows a Photoshop rendering of the
space. This was part of the development process.
The final rendering was done on Enscape. An
example is shown on the right.
TOH-GARAGE SITE BOUNDARY
PLAN ENLARGEMENT- GARAGE RAMP
MIYAWAKI PLANTING METHOD-CONCEPT
THE OTTAWA HOSPITAL - GARAGE, ON, CANADA
G1
Phase - 1 2
3 4
G2
P1 66.475m
P2 69.875m
P3 73.775m
P4 77.175m
GR 81.20m
+ 64.73m
+ 65.08m
+ 67.46m
+ 74.39m
GR 80.31m
+ 65.02m
4:1
4:1
2%
2%
VARIES
+78.53m
Proposed
R.O.W.
R.O.W.
+66.10
+66.43
+67.93
+68.43
+67.43
+66.93
+68.93
+76.71m
+77.58m
5.6m 1.4m 3.8m 2.4m 4.5m
+66.66
+67.66
+69.66
+66.166
+67.166
+68.166
+69.166
+70.166
+70.66
+66.00
+68.66
+76.68m
2.5m 9.5m
Project Number
Original Issue
Sheet Number
Sheet Name
Project Designer
Project Manager
Project Architect
Landscape Architect
Civil Engineer
Structural Engineer
Mechanical Engineer
Electrical Engineer
Interior Designer
Equipment Planner
Wayfinding
Sheet Reviewer
Plumbing Engineer
01
02
03
04
2021-06-18
2021-09-03
2021-09-22
2022-01-14
ISSUED FOR SD SUBMISSION
ISSUED 30% CD
ISSUED FOR SPC SUBMISSION
ISSUED FOR SPC RESUBMISSION
The Ottawa Hospital
New Civic Development
Parking Garage
930 Carling Avenue &
520 Preston Street,
Ottawa, ON, K1Y 4E9
10305722
September 2021
300 Richmond Road, Suite
200
Author
Robert Malloy
Jason-Emery Groen
Project Architect
Jeff Fahs
Civil Engineer
LEA Engineering
Smith + Andersen
Smith + Andersen
Interior Designer
Equipment Planner
HDR
Smith + Andersen
N
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S
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P
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L
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A
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Y
ISSUED FOR SPC RESUBMISSION
06
2022-02-28
ISSUED FOR 100% TOH DESIGN REVIEW
05
2022-02-28
07
2022-01-19 ISSUED FOR 75% DESIGN REVIEW
ISSUED FOR CM PRICING
2022-04-04
08
ISSUED FOR NCC REVIEW
2022-04-25
09
ISSUED FOR SPC APPROVAL
2022-06-03
10
LS-302
STREET SECTIONS
PRESTON STREET LANDSCAPE SECTION SCALE 1:100
RAMPED WALKWAY
WALKWAY
PLANTED SLOPE
VEGETATED BUFFER
BICYCLE LANE BIDIRECTIONAL CYCLE TRACK
PRESTON STREET
SIDEWALK
BLEACHERS
RAMP P4-P5
PRESTON PLAZA LANDSCAPE SECTION SCALE 1:100
PLANTED SLOPE
P2 LEVEL EXIT WALK
TURF
UNDERGROUND
BICYCLE PARKING
KEY MAP
PRESTON PLAZA LANDSCAPE SECTION SCALE 1:100
KEY MAP
KEY MAP
PRESTON PLAZA
PLANTED SLOPE
P2 LEVEL EXIT WALK
CONCRETE SITTING
AREA / BLEACHERS
PRESTON PLAZA
CONCRETE SITTING
AREA / BLEACHERS
VEHICULAR / PEDESTRIAN
RAMP FROM P4 TO GREEN ROOF
(Phase 2)

GRADUATE RESIDENCE HALL-2,
UNIVERSITY OF COLORADO, BOULDER
OVERALL AREA MAP NEIGHBORHOOD MAP FLOODWAY MAP 2013 FLOOD IN BULDER CREEK
This map illustrates the site's location in relation to the
main and East campus, with the Flat Iron Mountains to the
west.
The neighborhood map informed design decisions by
analyzing proximity, traffic, services, and routes.
We collaborated with ICON to assess the Floodway Map, focusing on the
High Hazard Line and Conveyance zone. The creek-side location present-
ed a challenge, necessitating a 6ft elevation to meet code requirements.
The Graduate Residence Hall project at the University of Colorado,
Boulder, stands as a testament to the collaborative spirit and innova-
tive design approach fostered by HDR Inc. and WRA (Architecture).
Situated adjacent to the picturesque Boulder Creek on the southern
edge, with Athens Street bordering its northern boundary and facing
the existing Residence Hall 1, this project presented a unique set of
challenges and opportunities.
One of the initial complexities encountered was the requirement to
elevate the site by over 6 feet to meet floodway regulations—a task
seamlessly integrated into the overarching design concept centered
around the notion of porosity. Inspired by the natural flow of water
and people, the design envisioned a landscape that would guide
movement fluidly, as if the site itself possessed a porous nature. This
concept gave rise to a diverse array of landform typologies, each
strategically employed to offer varied experiences and access points
while maintaining cohesion within the overall design.
The collaborative process between HDR Inc., WRA, and the Univer-
sity of Colorado authorities was marked by countless iterations and
stakeholder engagements. Grappling with budget constraints from
inception, meticulous attention was paid to material selection,
construction methods, and resource allocation, ensuring an economi-
cally viable yet aesthetically compelling outcome.
One of the project's most intriguing aspects was the grading process,
which presented an opportunity to sculpt the terrain and create
pockets of interest throughout the site. This phase underscored the
importance of spatial optimization, as well as the intricacies involved
in addressing functional considerations such as waste management.
Throughout the design journey, emphasis was placed on cultivating
meaningful stakeholder relationships, with frequent client consulta-
tions providing valuable insights and shaping the project's evolution.
These interactions not only honed communication skills but also
reinforced the importance of aligning design objectives with client
vision and expectations.
In essence, the Graduate Residence Hall project exemplifies the
intersection of creativity, technical expertise, and pragmatic
problem-solving. It serves as a testament to the power of collabora-
tion in realizing innovative and impactful landscapes that enrich the
built environment while meeting the diverse needs of stakeholders.

UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO
OCTOBER 25, 2023
SITE PLAN
SCALE: 1”=60’
HYBRID : DESIGN OPTION 4B
OCTOBER 25, 2023
ACCESSIBLE PATHS & ENTRY
SCALE: 1”=60’
OCTOBER 25, 2023
PLANT COMMUNITIES
HYBRID : DESIGN OPTION 4B SCALE: 1”=60’
OCTOBER 25, 2023
SITE PLAN
SCALE: 1”=60’
OCTOBER 25, 2023
ACCESSIBLE PATHS & ENTRY
SCALE: 1”=60’
OCTOBER 25, 2023
PLANT COMMUNITIES
HYBRID : DESIGN OPTION 4B SCALE: 1”=60’
SECTION A - AA’
SECTION B - BB’
The design process for Residence Hall 2 at the University of Colo-
rado Boulder began with a collaborative effort involving HDR, WRA,
CU authority, consultants, and user workshops. Both the site and
building designs evolved concurrently, undergoing numerous itera-
tions and changes to prioritize functionality while incorporating all
constraints. One of the initial challenges was the elevation of the
land by 6 feet, which posed difficulties in accessing the site and
building entrances at grade. To address this, access points were
strategically placed at different levels, connected by ramps from
Athens (Paseo) and a ramp from the southeast corner.
A notable feature of the design is the transformation of 19th street
on the east into a bike lane/plaza street with street parking. This
portion of 19th street is envisioned as a future public space, high-
lighting the importance of exposure to this area. The Paseo and
south ramp converge at the grove, a porous paved area adorned
with cherry trees and seating, serving as the central hub among the
three buildings. The slope from the south side up to the grove grad-
ually staggers with bleachers that seamlessly dissolve into the
grade. Additionally, the south side near the creek boasts the
Cottonwood meadow, mirroring the local forest landscape.
Green areas adjacent to the buildings act as buffers and shape the
walkways, featuring multistem plants like amelanchier and similar
trees. Other amenities include a trash zone accessed from Athens
street and a covered bike shelter along the walkway. The circulation
design ensures porosity for people walking and biking through the
site, facilitating seamless movement in and out. Furthermore, the
porous surface of the grove and green spaces within the project
also aids in water drainage and detention.
Residence Hall 2's design prioritized landscape performance,
incorporating porous surfaces, native planting schemes, and water
detention areas to promote biodiversity and ecological resilience.
Detailed analysis and exploration of these features were document-
ed in section drawings, highlighting their role in enhancing the site's
functionality and environmental sustainability. Through innovative
strategies such as porous surfaces and native planting, the design
fosters habitat diversity and resilience while supporting local and
migrant bird routes and pollination. These elements underscore the
project's commitment to environmental stewardship and set a prec-
edent for sustainable design practices within the university campus
and beyond.
DESIGN CONSIDERATIONS & PROCESS
INITIAL SITE PLAN
INITIAL MATERIAL PLAN FOR COSTING
SITE PLAN - ENSCAPE OUTPUT
SECTION AA’ SECTION BB’
ACCESS & ENTRY POINTS
CONCEPT PLANTING PLAN

A
B
C
D E
F
G
SECTION: A
Bird’s eye view- looking over Athen’s street - the front entrance
Paseo entrance Grove to paseo
Ramp from south
South East conner- bleacers and planters.
Paseo view North East coner- Entry plaza
The Grove - looking from the paseo
South East corner- bike park
SECTION: D
SECTION: E
SECTION: F
SECTION: G
SECTION: B
SECTION: C
This page features performative sections and rendered views obtained from Enscape, offering valuable insights into
the site's spatial connections and landscape performance. Through these sections, we gain a deeper understanding
of the vertical relationships within the site, while also exploring the practical implications for its various components.
These renderings not only inform about the site's design but also highlight its functionality and performance in
enhancing the overall user experience.

Project Parcel 8 - Central Park presents an intriguing venture propelled by the vision of the
UDPLA section as an additional service proposal. Situated adjacent to a Quick Trip gas station
and Breakthru Brewery, the site's unique characteristics posed both challenges and opportuni-
ties for creative development. Advanced physical planning had already been undertaken, yet a
narrow bend of space remained, offering the potential for a park. However, utility constraints,
notably a significant stormwater easement traversing the site, precluded any construction over-
head. Divided into two distinct sections, the larger portion, nestled away from Central Park
Boulevard, provided elevated viewpoints overlooking Sand Creek, located just beyond the
sidewalk to the south. In anticipation of future high-density developments in the surrounding
area, the park was envisaged to alleviate forthcoming pressures and establish a verdant buffer
along its periphery.
The areas set aside for Parcel 8’s park and open spaces are well away, and mostly buffered,
from I-70 and Central Park Blvd. The offer some unique opportunities for open space design
and service to the Central Park community: With its close proximity to Sand Creek, and a much
larger open space to the West, this park will have a strong connection to the surrounding native
landscape and natural prairie habitat.
The Sand Creek regional bike trail forms the park’s southern boundary which will bring in users
from far beyond the immediate Parcel 8 development and offer Parcel 8 residents the opportu-
nity to safely walk and roll to other parts of Central Park and Denver without entering the street
network. With the bike trail and a water quality/ detention basin between it and the creek, the
new park sits well above the creek habitat offering advantageous views for birders and other
nature enthusiasts. Open views to the West offer Denver’s skyline with the Rocky Mountains in
the background.
Complementing the recreational amenities, a dedicated dog park was earmarked for the far left
side of the site, providing a welcoming space for canine companions and their owners alike. A
thoughtfully curated network of primary and secondary pathways, crafted from a blend of
concrete and crusher fines, crisscrossed the park, facilitating seamless navigation and accessi-
bility. Embracing sustainability principles, native plantings predominated throughout, with mulch
beds utilized sparingly in designated planters to enhance biodiversity and ecological resilience.
As the project progressed, an additional street known as the Paseo was integrated into the
design, serving as a pedestrian-only thoroughfare connecting to the park site. Design iterations
for the Paseo evolved in tandem with the project's development, further enriching the overall
user experience and connectivity within the surrounding urban fabric. Through meticulous plan-
ning and creative ingenuity, Project Parcel 8 - Central Park embodies a harmonious blend of
functionality, sustainability, and community enrichment, poised to serve as a vibrant and inviting
green oasis within the bustling urban landscape of Denver.
Site - looking from 40th Ave and Central Park Blvd junction.
Photos from site
Site Observations and Design Opportunities
(Park Design)
Team: Kent Freed, Anthony Mazzeo, Will Prescot, Asif Khan, Aaron Wagner
Parcel 8- Central Park, Denver, CO
Sand Creek- Regional Trail Connections

A02
A04
A03
A01
Plan Enlargement:A03
Proposed Pogram Zoning

This page showcases render explo-
rations for Project Parcel 8, offering a
glimpse into the envisioned land-
scape. The first image presents an
aerial view of the western portion of
the site, where a path bisects the
playground, creating two distinct
zones. Positioned atop a raised land-
form, the western playground area
offers an elevated perspective, while
the eastern section remains at
ground level. Utilizing rubber pads as
a surface, the play equipment, metic-
ulously selected in collaboration with
Earthscape, ensures both safety and
enjoyment for young visitors. Nota-
bly, the path connecting the
playgrounds seamlessly integrates
with the Paseo, a pedestrian path-
way designed to enhance connectivi-
ty and access within the park.
In the second photo, a snippet of the
eastern play area is depicted, show-
casing the diverse recreational
opportunities offered within the park.
The third image provides a glimpse
of the dedicated dog park, catering to
the needs of canine companions and
their owners. Moving to ground level,
the fourth image offers an immersive
view of the eastern play area, inviting
visitors to explore and engage with
the vibrant surroundings.
Transitioning to the exploration of the
Paseo, the fifth image delves into the
design iterations of this pedestrian
pathway. Serving as a linear plaza
space, the Paseo meanders between
pockets of greenery and planters,
offering a dynamic and visually
engaging experience for pedestrians.
The thoughtful selection of paving
materials introduces variation and
visual interest, enhancing the overall
aesthetic appeal of the pathway.
Concluding the render explorations,
the sixth and seventh images present
additional perspectives of the Paseo,
highlighting its role as a vital link
within the urban fabric. Through
careful planning and design, Project
Parcel 8 embodies a harmonious
blend of functionality, connectivity,
and aesthetic appeal, poised to
enrich the urban experience for
residents and visitors alike.

LIVING IN SYNERGY
A BARRIER-FREE BISON SANCTUARY
LOCATION
STORY
CITY
SITE
AMES
0 5 mi
The project is about creating a
barrier-free Bison sancturay along
with habitat restoration and attrac-
tion throughout the 180 acres site
located in Story City, Iowa. Addition-
ally, experiential programs for visitors
are integrated as parallel context.
The project has primarily three
components - Designing Bison
grounds without any fence. Instead,
living, native shrubs are used for
fencing and species of shrubs are
allocated based on soil texture and
c o n t e x t .
Creating a variety of experience
for visitors that includes native flower
bouque shop, open kitcehn, night
stays, star gazing camps and an
open museum trail that exhibits
Lakota traditions and relics.
Connected habitat is also created
for butterflies by integrating native
flower species throughout the site
within the flying range of bees.
Revenue generation scheme
from Cut flower farming, especially
with native flowers with about 25%
of non invasive foreign species.
Site: Story City, Iowa
Focus: Bison grounds, revenue.
Level 3, Term 1
Native Prairie Bison
SWOT AXONOMETRIC STRENGHTS
THREATS
WEAKNESSES
Ecology Group
•The property’s woodland areas (oak savanna,
basswood woodland, bottomland woodland,
elm woodland) are assets for maintaining species
biodiversity, as well as providing habitat to wild-
life.
•Oxbow wetlands in creek. The oxbows store
excess water that would otherZLVHOHDGWRÁRRG-
LQJÀOWrate water to improve water quality and
offer habitat to a variety of wildlife.
•Capacity for bison territory expansion/reloca-
tion.
•Planting Iowa native species through prairie
restoration. This will provide more area for
bison to graze. Native species’ root systems
also have a greater capacity to stabilize the
VRLOHQFRXUDJHLQÀOWUDWLRQDQGSUHYHQWRSHQ
areas from eroding (cover crops, prairie strips,
terracing strategies).
•Increased wetland vegetation to digest
runoff.
•Further bank stabilization efforts including
studying how to introduce a beaver popula-
tion to contribute to this effort naturally.
•Runoff pond improvements and introduc-
tion of swale systems to store rainwater for
plant irrigation.
•Existing high quality loam soil can better sup-
port plants on site by applying compost to
HQFRXUDJHPFRUUKL]DOIXQJLLQVRLO%HQHÀWV
•Worsening erosion due to Bear Creek snow
PHOWDQGDJULFXOWXUDOÀHOGUXQRIIPRYLQJ
down slope from the east side of property.
•Reduced water quality due to runoff con-
taining pesticides, soil sediment (soil erosion),
and nutrients (phosphorus, nitrogen, potassi-
XPIHUWLOL]HUV IURPDJULFXOWXUDOÀHOGV$OORI
these deplete oxygen in the creek and make
it harmful to aquatic life.
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tential remains at creek base which can dis-
rupt fragile aquatic ecologies.
•Replacement of large area of Elm trees (Elm
woodland area) would result in a temporary
loss of habitat and carbon sequestration while
oak savanna is maturing.
•Deep erosion issues must be dealt with which
could be costly.
•No monitoring system in place to quantitative-
ly assess changes over time in problem ar-
eas.•Weak invasive species management strat-
egy. Client is currently relying on some chemi-
FDOWUHDWPHQWDSSOLFDWLRQDVZHOODVÀUHPDQ-
agement every few years.
OPPORTUNITIES
1930
1970
2021
WOODLAND PROGRESS
LIGHT WIND LEGEND
EXPOSURE TO SUNLIGHT
SHADE
I.
APRIL TO DECEMBER SOUTH WINDS
DECEMBER TO APRIL NORTH WINDS
CALMEST AND WINDIEST DAYS
IN STORY CITY AT 30.0’ ABOVE GROUND
SUN’S POSITION AT MIDDAY
:($.1(66
675(1*7+
POOR INVASIVE SPECIES MONITORING
SOIL EROSION
CREEK EROSION
CREEK SOIL POLLUTION FROM
NITRATE OTHER CHEMICALS
Oxbow wetland- water retention-
capacity for bison expansion
woodland areas - specis biodiversity-
wildlife habitat
Mutiple spots where the creek flow
is obstrcted or altered.
Swale systems - rainwater storage -
water for irrigation
Bank stabilization opportunities
Increased wetland vegetation
Prairie restoration
23325781,7,(6
675(1*7+6
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Light shade condition
SWOT AXONOMETRIC
Site analysis group: Asif, Allie, Shiva, Maryam
SITE ANALYSIS
Natural Tree
Arches
938’
1008’
Tree Grove
Corn field view
Corn field view
Corn field view
Corn storage
Winter- hold
for Bisons
Clear sky - great for star gazing
White gravel road
Steep ground
with sticky clay
Wire fencing
Wire fencing
Varieties of birds
Bird sounds
Bird sounds
vehicular noise
from i-35
vehicular noise
from i-35
vehicular noise
from i-35
vehicular noise
from i-35
vehicular noise
from i-35
Sun exposure full-
meadow like scape
Stagnant creek
Pocket spaces
visible in the
landscape
Sculptural dead
trees
Sculptural dead
trees
Obstructed creek
Shrunk creek
(crossed b jumping)
Hen of the forest
Small lake beside
built forms
Interesting tree-water
scape
Smooth landscape
Sound of breeze
Sound of breeze
Manure odor
Manure odor
Built forms visible
EXPERIENTIAL CATELOGUE FROM SITE VISIT

DESIGN CONSIDERAION PROCESS
BRICKS
BLOCKS
CUT AND FILL
smooth
barbed
barbed
smooth
18 preferred
(16minimum)
40 preferred
(42maximum)
Increase visibility with a PVC cover,
high-visibility wire, flagging,or a top rail. 12
IDEAL WILDLIFE FRIENDLYFENCE
10
The friendliest fences are very visible and allow
wild animals to easily jump over orslip under the
wires or rails.
to provide a slightly larger gap below the
fence and allow animals topass under
easily. Many cattle ranchers have found
that although a small calf may slip under
the higher bottom wire, it can also easily
slip back again to its mom and not be
stranded on the wrong side of the fence.
the ground;
regularly maintain wire stays that are easily bent;
Source: A Landowner’s guide to Wildlife Friendly Fences
Yucca Black berries Bougainvillea
Firethorn
Osage Orange
Slopped garden fencing detail
Natural fencing plant catalogue
Wildlife friendly fence
Using slope + Thorned shrubs for natural fencing
Barberry
Star gazing camp Sun Flowe Garden Trail museum Event space
Cut flower farm+Live kitchen
Maximizing Continous Bison grounds
Site programming (Using site pockets for visitor programs)
0 1000’
1
1
1
1
2
2
2
CREEK RESTORATION POINTS PRAIRIE RESTORATION
Ecological Restoration Visitor Circulation

Restored and restructured Cylos for night stays. The existing workshop on
the left is also modified to have more transparant facade. Green house
for indoor grass produce is also considered.
The Savanna-trail museum shows exhibits of Lakota trive and their
integral relationship with the Bison. Bison herd can be seen in the far
grounds. Artificial water and nature sound is peridoically played to
drown the noise from I-35.
A view of the Bison Pass (Land bridge) from the museum trail.
A conceptual version of the Cut-flower farming gardens. Instead f
typical rectangular shape, the gardens are concieved as curved
borders weaving around paths.
Tee Pee’s can be seen erect in the star gazing camp uphill, looking down
the valley towards the Bison grounds and having the best exposure of the
clear Iowa sky. Great scope for stargazing. The hot air baloons near the
entrance can be seen far away.
CONCEPTUAL PAINTINGS
1
2
3
4
4 4
3
2
1

0 1000’
SITE PLAN
SUN FLOWER
RENT SPACE
(MULTIPURPOSE)
RESTORED PARIRIE
GARDEN
LIVE KITCHEN
TRAIL MUSEUM
FLOWER STORE
CUT FLOWER
FARM
STAR GAZING CAMP A
B
Pasque
Hairy footed
lake sedge
Columbine
Purple coneflower
Blue false Indigo
Red Clover
Sweet flag
Blue flag iris
Monkey flower
Yarrow
Frostweed
Great Plains
flat sedge
Wild ginger
Butterfly milkweed
American lotus
Prairie Lilly
NATIVE HABITAT
RESTORATION SPECIES
PRESENT ON SITE

0 40’
80’
120’
160’
200’
0 8’
16’
24’
32’
40’
Typ. Turf
grass
Little
blue stem
Switch
grass
Buffalo
grass
Lead-
plant
Big
bluestem
Compass
plant
Prairie
Sunflower
0 8’
16’
24’
32’
40’
CUT FLOWER
GARDEN
OAK FOREST
LIVE KITCHEN+
OUTDOOR DINING
RESTORED PRAIRIE
TRENCH FOR
INCREASED SLOPE
RESTORED PRAIRIE
BISON GRAOUNDS
NATIVE TALL
SHORT GRASS
PROTECTIVE NATURAL
FENCING (THORNED SHRUBS)
PROTECTIVE
NATURAL FENCE
WITH TRENCH
LIVE KITCHEN
CUT FLOWER
GARDEN
A

0 40’
80’
120’
160’
200’
0 8’
16’
24’
32’
40’
ELEVATED VIEW DECKS
ELEVATED VIEW DECKS
BISON PASS
TEE PEE
UNDERPASS
PROTECTIVE NATURAL FENCE
PROTECTIVE
NATURAL FENCE
C
R
E
E
K
LOW LAND
MEADOW
CREEK PROTECTION
+ PASS
OAK
SAVANNA
PROTECTIVE
NATURAL FENCE
TRAIL MUSEUM
EXHIBITS
940’
BISON PASS
B

Context:
The vision of Market district in Des Moines, Iowa-
emphasizing the market street is to create a sustain-
able, active street-scape that thrives with festivity. To
develop festive transformation, the monotonous
predictable image of grid roads is questioned and
selected parking spaces are reppurposed to overlay
a secondary organic surface called ‘splash’ is
proposed (made of blue pigmented pervious con-
crete) that weaves through blocks and streets turn-
ing unused relocated parking spaces to social
spaces.
The project addresses the social activity generator
issue, sustainable energy production and water
management issue and develops a walkable and
bike friendly neighborhood.
The market street becomes a merging platform that
is accessed via formal and informal routes and holds
multiple connected activity stages and rooms for
people to socialize in small and large groups.
Artist corner
Green roof
Place markers
Market plaza
Colored pave
Bike trail
Permeable
surface-‘Splash’
Extended semi
outdoor retail
market
Reimagined Market Street-scape
CITY MATTERS
CITY SKIN SYSTEMS
Site: Market district
Des Moines, Iowa
Focus: Market street
Level 2, Term 2
Downtown
East Village
Capitol grounds
SouthEast
Bottoms
Market street site
Court Ave
New Railroad
Old rail road
(repurposed)
Market street
Existing
woodlands
Proposed
Riverfront park
Historic building
(repurposed)
0 1000’
Market Street existing view

1000’
1000’
1000’
Flood Map analysis Property Ownnership analysis Ecological Zoning
Reclaiming Parking Spaces: Selecting parking space to
repurpose into public spaces
Blue pervious ‘Splash’ Skin connects the parking space-
infomal against formal monotonous iron-grid road
Cultural: Connecting neighborhoods
Public street event spaces
Historic buildings repurposed
Connections:
Connecting bike trails
connect market st. to riverside park Bio retention zone
connecting public spaces with Splash
Splash connecting Market
Street with public spaces
informally- As if some water
was splashed on the surface.
Zoning
Analysis and
Design Pocess:

E 4th
St
E 3rd
St
E 2nd
St
Court ave
pedestrian br.
Market st.
Bio-retension ground
‘Splash’-connected
Old raill road to
new
rain garden+sports
pervious blue surface
E 5th
St
E 6th
St
Solar fabric Solar rooftop
canopy cover
Solar shade
(for windows)
Solar Cube
Park)
Energy from facades
Curb
Blue C.Pavers
P.joint material
Open gr. bedding
Open gr. base
Soil subgrade
Pervious surface detail
Underdrain
TRANSFORMATION
Market street into a 3D canvas of
festive programs.
River front into a green park
Community garden
Water managing and storing system.
Energy generating performative
Facades
Unused space to activity spaces.

Theater Plaza
Green amphitheater Dance Plaza Game court Retail extention+media
Artist corner
Community garden
MARKET STREET ACTIVITY SPCAES
CONNECTED BY PERVIOUS SURFACE
History court+
Exhibition
Market st.
Court Ave.
M
LK
Parkway
E 3rd
Street
E 3rd
Street
E 2nd
Street
E 4th Street
E 4th Street
E 5th Street
E 5th Street

200’
1
2
3
4
5
7
6
8
9
10
Riverfront park
Green amphi
Theater plaza
Dance court
Game zone
0 200’
Bar street
Artist corner
Rain garden
History court
Community
garden
Rain garden
sitting spaces Dance Plaza
Retail semi outdoor
extention
connected
streetscape
Place
Exhibition Lamp post Retail extention
Sculpture
West Side Riverfront Park
Concert Space
Old Rail road Transformed
Floating garden detail

Site: Stuwart Smith Park,
Ames, Iowa
Year 2, Level 1
Context:
Plastic pollution is a global problem. We
all know about it but still, plastic waste
increases with each year. This project
addresses the issue of plastic pollution
and brings people face to face with the
disastrous impacts it is having.
Using the five stages of grief model, the
project manifests into a journey through
five blocks represententng the five stages
and tries to raise awareness provocative-
ly, so that people can question the role
they might play to raise voice.
Violation(Poem Narrative)
Asif Khan
‘What is it?’- I asked, annoyed.
Without even looking away from the screen.
The match I was watching was hanging on a tilt.
The excitement ran through like electric charge.
Hard, it is, to look away from such an urge.
‘What is it?’ I asked in reply, and then,
She spoke.
“From the first breath of air,
The first droplet of water to quench your thirst,
The colors that yours eyes feast up on,
I have cared, indiscriminately. Sustained, pleasured.
Never asked for anything, but gave places and spaces.
Produced food and thrived with lushness
That you like so much.
But I tried my best and now,
I am tired. I am ill.
My own blood streams are filthy, polluted.
My air pipe is jammed and I can’t breathe.
All my other children are suffering, crying- helpless.
And I cannot help them now.
For years and years, I thought,
Surely this is a passing phase.
Surely there will be change and
I will live freely again.
But all my hopes are in a dark place.
I come here now, with a plea.
An account of insult and crime.
Against you. And I want you to see me.
Look me in the eye and acknowledge.
Your actions.
I am your mother. (Nature)
And you, my child, have violated me.”
EXPERIENTIAL MONUMENT
ON PLASTIC POLLUTION
Digital art: Ziaur Ovi
Ocean Plastic
Alarming state of
Plastic Pollution

STRATEGY FLOW CHART
PLASTIC PLLUTION IMPACTS
EXPERIENCE
MANIFESTATION
5 STAGES OF GRIEF
DENIAL
ANGER
BARGAIN
DEPRESSION
ACCEPTANCE
Kübler-Ross model
the loop of plastic
breaking the form in 5 parts
manipulating the parts based
on site context and opportunity
creek view
opening
Pristine
landscape
space
entrance
exit
Journey in a loop
adjusting according
to site context
pristine
landscape
5 sections depicting
stages of grief
Iowa State
University
Residential
area
Site
Jack Trice
Stadium
Hilton
Colloseum
0’ 1000’
SITE
Using Billboards of
Pollution causing
companies as facades
Site Location and Visual Presence

0 80’
1. Denial
Billboards of
Used as facade
pollution causing
compaies
Recycled plastic
structural frames
Recycled plastic
paving
Entrance: Using Bilboards of most plastic pollution causing companies as facade and creating
paved entrance with recycled plastic invites a visitor in a phase of denial- everything looks in order.
1
2
3
5
4
A
B
C
1.Denial
A. Creek view B.entrance to C C. Pristine-scape
2.Anger 3.Bargain 4.Depression 5.Acceptance
0 240’
Pristine
Landscape Entrance
Exit
SECTION AA’
A A’

SECTION BB’
SECTION BB’
2. Anger 3. Bargain
4. Depression 5. Acceptance
As people start to go ahead, the pathway starts to get filled with
plastic waste- creating a disturbance whereas pristine landscape
prevails outside.
This block is made of recycled wooden panels used to project
facts and information about plastic waste - a phase for people to
calculate and wonder about the situation.
This block creates a sense of depression and loss by
projecting graphic photographs and statues of dying and
trapped animals due to plastic pollution.
The final Acceptance block shows a scenario of a plastic
filled world where traped statues of children (next generation)
are looking at us for help.
Plastic debris on
walkway
Plastic trapped
wildlife exhibits

Song for Autumn,
by Mary Oliver
In the deep fall
don’t you imagine the leaves think how
comfortable it will be to touch
the earth instead of the
nothingness of air and the endless
freshets of wind? And don’t you think
the trees themselves, especially those with mossy,
warm caves, begin to think
of the birds that will come — six, a dozen — to
sleep
inside their bodies? And don’t you hear
the goldenrod whispering goodbye,
the everlasting being crowned with the first
tuffets of snow? The pond
vanishes, and the white field over which
the fox runs so quickly brings out
its blue shadows. And the wind pumps its
bellows. And at evening especially,
the piled firewood shifts a little,
longing to be on its way.
ELWOOD HOUSE RESIDENCE
LANDSCAPE DESIGN
Site: Ash Ave, Ames
Year 2, Level 1
Context:
P. Elwood had been the chair of
Landscape Architecture department for
several years and now, his house is being
owned by Hans and Megan. Hans is
currently a Landscape Architecture
faculty at Iowa State and Megan is a
librarian. We were asked to redesign the
landscape of the residence keeping in
view the historical context and objects
within the landscape.
Before starting the project, I asked Hans
and Megan to provide me three poems of
their choice that they feel close to. Taking
the poems as precedents and also consid-
ering the site forces and aspects, I tried to
design the landscape in a sequence of
rooms and stages. The rooms are inspired
from the poems and are adorned with
vegetations that go along with the poem
and also the climatic consideration to the
site. The site clearly showed a cross axis
that existed and so I tried to incorporate
the ases in the design and used poem
plates, pergolas, sitting space near the
existing pool and terminated the axis with
a lamp, commemmorating the historic
japanese lamp that was there before.
Inspiration Boards
Elwood House Historic
Garden Photograph
Aluysum Lavender
Day lilies
Candytuft
Clematis
Getrude Jekyll
White pool border
Lavender driveway
canopy
Native flowers
Birds attract
White borders
0’ 30’
Poem taken from client
as Inspiration narrative
Macrostachya
Canopy
driveway
Outdoor
dining
Clematis
canopy
Daylilly
border
Ext.
old
gateway
Forsithya
border
3’
Pool
side
fire-
reading
Ext.
pool
Restored
Lanturn
with
new
design
Jekyll
inspired
garden

Design Process
Planting Design
dense white
flowers
sitting
sitting
mild mound+
dense white
flowers
white wall
- poem
overhead string pergula
+ yellow creepers (dense)
+hanging bird houses
Hidden garden
memory plants-
reference:
Getrude jekyll’s
hidden garden at
Munstead woods
white flower:
1. candy tuft
2. star of bethlehem
3.white carpet phlox
4.salvia nemorosa
Yellow flower:
1. Golden Rod
2. WInter Aconite
3.Coreopsis
4.Golden Spring Alysum
5.Day lily
white creeper:
1. cecile brunner
2. silver lace vine
3.climatis snowdrift
Yellow creeper:
1. Yellow trumpet vine
2. Cats claw creep
3.canary creeper
4. Golden creepy sedum
candy tuft-
short
Lawn
Lawn
candy tuft-
short
non uniform arch-
blue star creeper
Blue star creeper
screen and
dense flower patch
- white, yellow, blie.
non uniform mound.
1. Entry
2 Blue hanging creepers
from string pergola
3 CC Pave, (poem lines)
4. White flower- plants
5. Brick Pave
6. Raised brick platform
7. Circular flower pot(poem)
8. Yellow creepers hanging
9. Fire place+ reading
10. Hidden Garden
11. Lamp + Full Poem
1
2
2
3
4
4
4
4
4
4
B
Y
4
4
8
6
7
9
10
11
Y
B
5
Hidden garden
memory plants-
reference:
Getrude jekyll’s
hidden garden at
Munstead woods
white flower:
1. candy tuft
2. star of bethlehem
3.white carpet phlox
4.salvia nemorosa
Yellow flower:
1. Golden Rod
2. WInter Aconite
3.Coreopsis
4.Golden Spring Alysum
5.Day lily
white creeper:
1. cecile brunner
2. silver lace vine
3.climatis snowdrift
Yellow creeper:
1. Yellow trumpet vine
2. Cats claw creep
3.canary creeper
4. Golden creepy sedum
Blue star creeper
screen and
dense flower patch
- white, yellow, blie.
non uniform mound.
Hand drawn base map and site study Bubble diagram Schematic Design
Spatial Choreography
Planting Plan
Canopy
driveway
Next four lines
day lilly circle
poem engraved
First four lines of
Outdoor dining
Clematis canopy
Daylilly border
Restored
new lanturn
Driveway
Ext. old
gateway
Ext. pool
new fireside
sitting
1.Entry
2.creeper,pergola
3.Poem plaque, CC
4.White ground covers,plants
5.Brick pave
6.Raised brick platform
7.Daylilly basket
8.Yellow creepers; outdoor dining
9.Fire place+reading
10.Hidden garden
11.Restored Lamp+ poem plaque
Jekyll
garden

Lincoln way
Yew
Azaleas Azaleas
Magnolia
Clematis
Hollyhock
Golden
Delphinium
Oriental
Japanese
American
Sweetgum
Azaleas
Iris
Perennial
Hibiscus
privet
Threadleaf
Dwarf Mugo
Glory-fo-the-snow
Chionodoxa forbesii
Dwarf
deutzia
Coreopsis
Forsythia
Weeping
Forsythia
Lily
Blue Mist Mock clematis
Spirea Orange
Dwarf
Yew macrostachya
Hosta
White
Hosta
snow-in
-summer
candytuft
candytuft
candytuft Yellow
Spirea
candytuft
Yellow
Daylilly
Pine
Dwarf Mugo
Pine
Stellata
Golden
Raintree
ȋŽ‡ƒ–‹•–‡”‹ƪ‘”ƒȌ
Begonia
deutzia
White
feather
feather
0’ 20’
0’ 900’
Lake LeVerne ISU
MU
STRATEGY FLOW CHART
RESEARCH
- Site Context
-Client desires
-Hitorical significance
-Present relevance
-Spatial organization clues
from site
- Insiration poems from clients
- Functional preferences
- Historical revival
ORGANIZING FACTORS
CHOREOGRAPH
- Story progresses from
entrance to end.
-Flower color palette
used to represent
poetic relevance.
-Rooms or stages
organized in sequence.
- Utilizing site elements,
natural contexts and
weather status to select
native plant palette.
Details
Fireplace
Canopy
Lanturn with
wind chime
and poem.
Waiting
Bench
Cover
Clematis
Forysthia
White
Rhododendron
White
Spirea
Yellow
Daylilly
Yellow
Daylilly
Clematis Fire pit
Spirea
Spirea Dwarf
Deutza
Dwarf
Deutza
Wisteria Candytuft Dwarf Deutza
Magnolia
Stellata
Smooth
Hydrangea
fireside
sitting
Fire pit Fireside
sitting
Glory of
the snow
Threadleaf
coreopsis
Dwarf Deutzia Ginko Garage
Hidden garden
(Delphinium)
Hidden garden
(Delphinium)
Forysthia

recycled metal
memorial sculpture wind chimes
Memory square
CONCRETE
NICHES FOR URNS
Naitive
Wild flower Prairie
COLUMBARIUM- CHAMBER OF MEMORIES
RIGA FOREST CEMETRY, LATVIA. 2021
Cross section showing niches
on either sides
and having the Daisy trails on
top, connected to the ground.
COMPETITIONS
This competition project was about
making a columbarium that has
around 500 niches for Urns. Instead
of making a covered structure,
curved troughs depicting gusts of
wind and the niches shape the soil
inbetween them as a vase for Daisy
flowers (National flower of Latvia).
Recycled metal sheets with leaf
shaped perforations used as sculp-
ture to honor the World war I
veterans buried in the cemetery.

Intention- view
Manhattan from water
Adjusting position
orientation
Concept: Exiting old
piers New Piers developed
inspired from old piers
Formal space
Informal Movement
Piers Transforming into
tulip - vessels (#132)
Contour map
Levels, stairs, figure ground
Proportion spacing
Circulation
Boundary, edges,
retaining walls
Contour gradient map
Softscape canopy cover
Visual aperture from
connected entrance
HAND DRAWING ANALYSIS
PIER 55, NYC - SPATIAL ANALYSIS WITH DIAGRAMS
0 160’

PAINTINGS
FAILURE (Acrylic on board, 24”x24”)
This painting was shortlisted and exhibited in the Berger Young Artists Competition,2013 cycle.
THE BLISSFUL PIT
BULAND DARWAZA, INDIA AJANTA CAVE, INDIA
SEEKERS
SELECTED PAINTINGS
Failure

RETHINKING RIVER FRONT
AT SOUTH SURMA, SYLHET
The site given was the south bank of the river Surma,
in Sylhet. It was on the outskirts of the main town with
rich activity and vibrancy. We were to propose a
major function for the riverfront development and
develop the project along with other necessary
functions. We proposed for a culture shed –‘Krishti
Chaya’
Sylhet has numerous rich, old heritage involvements
that is needed to be preserved and publicized. The
different traditional practices and goods have no
common place to demonstrate or sharing. Many are
endangered, due to lack of nourishment. A
‘necessity’ for town dwellers for experiencing and
celebrating cultural differences. The culture Shelter –
namely ‘Krishti Chaya’ mainly is a vast open space
for performances done by different cultural
organizations
Krishti chaya
:
A massive shade that will eventually becomea
landmark. Different cultural organizations
will perform here at diferent times. It’s a common
place for performing and sharing.
‘Chitro Mela’:
open painting fair will occur here.
Restaurant:
A seasonal restaurant that will have the local varieties
of seasonal cuisines and also bangla and other food.
Exhibition center:
A permanant exhibition space for exhibiting notable
personals of Sylhet. Their biography, achievements
and info will be exhibited. Another rentable
temporary exhibition space available
Craft Shops
A range of Craft shops that will display local crafts
and products, sarees etc. local men power can be
utilized in this way
Nursery
:
A healthy and resourceful flower Nursery. This will add
a beautiful vibe beside the river. It will help to make
the place an abode of green.
‘Mud Shop’ and Recycle Shops
Boat house The river ‘Surma’ can be used as tourist
water attraction with traditional boats for tourists. It is
also a way to revive the traditional boats and carry
on the tradition.
PROPOSED PROGRAMS FOR
RIVER- FRONT DEVELOPMENT
GROUP PROJECT
MEMBERS: ASIF EMRAN KHAN SHOVON SHAHRIAR
ROLE: LITERATURE STUDY, PLANNING, FUNCTION
ASSIGNING, DESIGN DEVELOPMENT, DETAILING,
PRESENTATION
LEVEL- 4, TERM - 2
RETHINKING RIVERFRONT AT
SOUTH SURMA, SYLHET.
RETHINKING RIVER FRONT
AT SOUTH SURMA, SYLHET
The site given was the south bank of the river Surma,
in Sylhet. It was on the outskirts of the main town with
rich activity and vibrancy. We were to propose a
major function for the riverfront development and
develop the project along with other necessary
functions. We proposed for a culture shed –‘Krishti
Chaya’
Sylhet has numerous rich, old heritage involvements
that is needed to be preserved and publicized. The
different traditional practices and goods have no
common place to demonstrate or sharing. Many are
endangered, due to lack of nourishment. A
‘necessity’ for town dwellers for experiencing and
celebrating cultural differences. The culture Shelter –
namely ‘Krishti Chaya’ mainly is a vast open space
for performances done by different cultural
organizations
Krishti chaya
:
A massive shade that will eventually becomea
landmark. Different cultural organizations
will perform here at diferent times. It’s a common
place for performing and sharing.
‘Chitro Mela’:
open painting fair will occur here.
Restaurant:
A seasonal restaurant that will have the local varieties
of seasonal cuisines and also bangla and other food.
Exhibition center:
A permanant exhibition space for exhibiting notable
personals of Sylhet. Their biography, achievements
and info will be exhibited. Another rentable
temporary exhibition space available
Craft Shops
A range of Craft shops that will display local crafts
and products, sarees etc. local men power can be
utilized in this way
Nursery
:
A healthy and resourceful flower Nursery. This will add
a beautiful vibe beside the river. It will help to make
the place an abode of green.
‘Mud Shop’ and Recycle Shops
Boat house The river ‘Surma’ can be used as tourist
water attraction with traditional boats for tourists. It is
also a way to revive the traditional boats and carry
on the tradition.
PROPOSED PROGRAMS FOR
RIVER- FRONT DEVELOPMENT
GROUP PROJECT
MEMBERS: ASIF EMRAN KHAN SHOVON SHAHRIAR
ROLE: LITERATURE STUDY, PLANNING, FUNCTION
ASSIGNING, DESIGN DEVELOPMENT, DETAILING,
PRESENTATION
LEVEL- 4, TERM - 2
PROJECTS FROM
ARCHITECTURE PORTFOLIO

CRAFTS
MUSEUM
WALK WAY
TREE PARK CRAFT SHOP PERFORMANCE
STAGE
AUDIENCE
SITTING
RESTAURANT
CONSERVED
SHRINE
CONSERVED
TEMPLE
RENOVATED
MOSQUE
LIBRARY
VENDOR
SELLERS
PLANT
NURSERY
KRISHTI CHAYA
CULTURE SHED
CRAFTS SHOPS
AUDIENCE
RESTAURANT
SOFT PAVE
CONSERVED
SHRINE
GHAT
LIBRARY
COMMUNITY
MOSQUE
CONSERVED
TEMPLE
HAWKERS

MUSEUM
RESTAURANT
COMMUNITY
MOSQUE
LIBRARY

MONUMENT FOR THE UNKNOWN
MARTYRS, SYLHET.
Year-2, Semester-2
We were to design a monument for 38 martyrs
of Tarapur tea estate, Sylhet who were brutally
killed by the Pakistani army in 1971. The site was
selected near the place where the genocide
took place. A black cube was used, floating on
hidden strings and posts. the surrounding of the
site was green tea garden. The floating cube
was a visual disturbance in the serene green. It
was concoction, an addition, an obstruction. A
mark of that heinous crime. I wanted to make a
route to the spot. So I used tunneled way to the
monument, creating dramatic light ways inside
the tunnel.
Not until the very end of tunnel, can the visitors
see the monument again, and when they do, it
appears massive with an intimidating scale. The
visitors then return through the roof of the tunnel
with a sense of freedom.
MONUMENT FOR UNKNOWN
MARTYRS, SYLHET

ASIF KHAN-LANDSCAPE-DESIGN PORTFOLIO 2024 f.pdf

ASIF KHAN-LANDSCAPE-DESIGN PORTFOLIO 2024 f.pdf

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