Hierarchy In Stagecoach

Hierarchy In Stagecoach
There is a hierarchy amongst the characters in Stagecoach. Each have a form of speaking that
stylistically changes as a response to the relationships they have with one another. One striking
scene that actually outlines the hierarchy amongst the characters is at the Dry Fork Station where the
travelers are sitting down at a dining table. At first, Ms. Mallory is sitting at one end of the table
when Gatewood sits two chairs down from her right and Ringo offers a chair to Dallas right next to
Ms. Mallory's left. Once after Dallas sits down, however, Ms. Mallory, Hatfield, and Gatewood all
move down towards the other end of the table. Thus, towards the end of the sequence the camera is
located at opposite end of Ms. Mallory, making her appear
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Western Film: Leni Riefenstahl's Triumph Of The Will
Rusan Kumaravadivel
Professor Deirdre Flynn
ENGB70H3
31 October 2014
Propaganda Versus Entertainment In Triumph of the Will, Leni Riefenstahl's use of cinematic
techniques emphasizes the heroism that Adolf Hitler possesses, leading to the inspiration of the
audience to view Hitler as a God due to the propagandistic nature of the film. However, in
Stagecoach, John Ford uses film techniques to express the genre of a Western film. Riefenstahl's
film adheres more closely of purposely using specific types of film techniques to express and
promote Nazi ideology while Ford's Stagecoach uses cinematic techniques for the goal of
entertainment and to progress the diegetic elements. Although Riefenstahl's Triumph of the Will and
Ford's Stagecoach both ... Show more content on Helpwriting.net ...
The use of symphonic music achieves to increase the motives of the citizens to join Adolf Hitler as
Riefenstahl synchronized the music with her rapid cutting techniques. This is shown in the
beginning of the film as the orchestral sound seems to appear to match the movements of the clouds.
The score also appears to awaken Nuremberg due to the accompanying images of the buildings and
clouds. A second type of music is the use of marching music. Marching is often referring to the
control of a certain area and knowing one of Hitler's goals is to take over Germany, he stimulates the
citizens to be under his spell as the combination between peaceful (orchestra) and dramatic
(marching) music makes him have the crowd in his clutches. In comparison, Stagecoach is able to
use score to further enhance the action of the scene and the establishment of being a Western film. A
prime example is when a bugle is played during the Apaches attack on the stagecoach to progress
the storyline. Also, the music changes its rhythm as Hatfield is going to shoot Mrs. Mallory to
develop suspense for the audience. Overall, the score of Triumph of the Will uses music to
encourage the viewers that the Nazi ideology is righteous while Stagecoach uses background music
to affect the emotions of the audience as the music flows very well in a particular scene to
emphasize the Western

Similarities Between Howard Hawk And John Ford
Howard hawks and john ford were both american film directors of the late twentieth century of
classic hollywood era. Howard hawks worked on many film genres from screwball comedy to
western. Howard hawks most notable films each served as an excellent representation of each genre.
Credit can be due to his freedom as an independent producer to make any film in his own manner.
Most of Howard Hawks films centered on the theme on the transitions of friendship, trust, and
growing faith in another human being. John ford was well renowned for the western genre and
adaptations of classic 20th century american novels. John ford gained directorial recognition with
his film creation, "The Informer". To concentrate on the western genre both howard hawks ... Show
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matthew stood up to Dunson authority as he saw he had been drinking too much and being
unreasonable in wanting to kill two stranded men. The tone and music being played during this
alteraction showed the seriousness in matthew to lead his men and the cattle to a new route and stop
this tyrannical reign of dunson. Even dunson long time friend witness what dunson had become and
decides to join Matthew. In the ending scene, dunson has a standoff with matthew looking to kill
him. The both of them exchange blows but it is ended quickly. Dunson finally puts aside his pride
and recognizes his faults and cruelty. He credits matthews on his success by making him co–owner
of the

The Classical Hollywood Western Par Excellence
1A) In Matthew Bernstein's essay, The Classical Hollywood Western Par Excellence, he states that
while Stagecoach (John Ford, 1939) "appears to glorify American history, particularly its expansion
westward at the expense of Native Americans" (299) it also develops an "acute social observation"
of life on the Frontier and it challenges elements of the myth constructed around this history (316).
The film Stagecoach depicts not only the struggles faced by pioneers traveling through Indian
territory, but the belief among people during this time period that anyone can go to the West to get a
"fresh start" and live a completely new life without social prejudice. However, Stagecoach proves
this myth to be false for various reasons. One example of this would be when Mr. Hatfield offers
Mrs. Mallory water from the water canteen on the stagecoach. Once she accepts his offer, Mr.
Hatfield pours it into a silver cup for her and does not offer anyone else in the stage coach water.
Ringo then makes a comment to Mr. Hatfield that he should give the other lady in the stagecoach,
Dallas, water as well. However, Dallas has a reputation of being a prostitute. So, Mr. Hatfield
decides to give her some water but refuses to lend her the silver cup to drink out of, he makes her
drink it out of the canteen instead. This example proves that these people were not getting a "fresh
start" and only the upper class can share such luxuries as a silver cup with only other upper class
people, social

The Rites Of Passage By Arnold Van Gennep
Van Gennep and Turner has introduced to all of us a different perspective in looking at and
analyzing not only pilgrimage, but also how people understand and form ideas surrounding the
change in states and statuses, and give meanings to the different parts of the journey. Through this
transition, we will find that many of the societal roles of those who take on the journey are
suspended. Particularly, Van Gennep discusses the 3 rites of passage using territorial passages to
explain how the journey from one sphere or domain to another is joined by various formalities. The
3 rites of passage are pre–liminal (rites of separation), liminal (rites of transition), and postliminal
(rites of incorporation). Turner furthers Gennep ideas ... Show more content on Helpwriting.net ...
Other examples is how most of them had some sort of weapons for protection and a suitcase or bag
to carry their belongings that they may need for their journey or new destination, such as Doc Boone
who brought his medical bag with him. I also thought that when the gambler Hatfield brought along
his deck of cards for the journey really illustrated a characteristic of rites of separation. Knowing
that Hartfield is a gambler, I'm sure that his deck of cards brought him familiarity and comfort.
Following the rites of separation is the rites of transition, also known as liminal. This stage of the
journey is when the individual will experience a wide range of emotion and transitions. Their
consciousness is further heightened, while their societal roles may be suspended. Turner states that
"during the intervening liminal phase, the state of the ritual subject (the "passenger" or "liminar")
becomes ambiguous, he passes through a realm or dimensions that has few or none of the attributes
of the past or coming state, he is betwixt and between all familiar lines of classification" (turner 2).
In other words, the liminal phase is the between state where the individual (the traveler) is in a state
where they are not fully or properly either of two things. They have just left their current state and
has yet entered or joined the next one. This phase is ambiguous because the individual social
position is often not clear or the same as it was before. The social hierarchies

Stagecoach Film Analysis
Stagecoach: The Father of all Western's Ford's Stagecoach is an epic and revolutionary approach
that displays the desert terrain and western inhabitant's struggles. Stagecoach follows the lives of
seven strangers in their attempt to arrive to Lordsburg, New Mexico. Each of these characters
reflects the various types of people found in the western world. The film is laced with many
American ideals of the time such as xenophobia, chivalry, the conventional standards of women, and
much more. Stagecoach defies the conventional western film because it is no longer just men in a
desert terrain with rifles. These characters possess more depth, such as stories ,and pasts because the
characters ransform. Ford displays that westerns can be a legitimate genre laced with drama. His
ability to suggest topics, rather than blatantly disobey production code makes this film
unconventional and mature. Dallas' character displays how many women have to rely on prostitution
to survive because of the depleting economy and lack of jobs for women. It is not directly stated, but
implied. Dallas is a complex because she does not allow her situation to hinder her from living her
life. Although she escapes the western town because of local disapproval, she attempts to keep her
kindness and grace. In the face of criticism, she is able to aid Miss Mallory in her birth and protect
her child. Dallas' character is able to present she is just more than just a prostitute. Ringo Kid not
only challenges ... Show more content on Helpwriting.net ...
This film highlights the flaws of humanity in a western world. The films ability to touch on topics of
classism, prostitution, and alcoholism makes the content mature and unlike typical western films.
This revolutionary and innovative western created a foundation for many future films. The
sophistication of the content, and lack of adherence to the production code makes this film an
"adult"

The Stagecoach : Non Verbal Communications And Social Classes
The Stagecoach: Non–verbal Communications and Social Classes The Stagecoach, a critically
acclaimed film, which followed the adventures of a group of unlikely and unfortunate passengers
escaping from the brutality of Geronimo's Apache warriors, established the precedent of the classic
Western movie, containing crucial Western archetypical elements such as Ringo the Kid that has not
hardly changed today. Furthermore, Stagecoach espoused social issues of the time by including
passengers of varied social status and standing and emphasizing on such interactions that cross the
rigidly defined and impermeable social divides at the time. The iconic movie was produced during
the transition between silent films and films with spoken dialogue, and the remnants of the former
film style are conspicuous throughout the film. Although explicit and spoken plot was crucial for the
storyline, non–verbal communication offered implicit cues to attentive audience members.
Moreover, the fact that the passengers were representatives of different social standings further
amplified such non–verbal communication and cues. While the film Stagecoach established the
quintessential Western movie, the film also underscored the importance of non–verbal
communication in the genesis of the spoken dialogue era and emphasized the interactions between
rigid social classes in a seemingly disordered environment that is the Western frontier. In
Stagecoach, non–verbal communication complements the spoken dialogue

The Mesmerizer Essay
The essay "The Mesmerizer" by Mark Twain is a story about a young yet mature boy who
encounters an opportunity to get noticed. This all happens when Simmons, the hypnotist, comes to
his town named Hannibal. At first the mesmerizer seems just like your "average" hypnotist,
enchanting and intriguing. But the real question is ," Is this really an act?". When Twain takes the
stage he instantly begins playing along and then realizes that Simmons is a fraud just like himself.
The townspeople have no clue though and still remain fascinated with every stunt, skit, and
performance on the stage. The truth is that they are all just actors in the story and in reality. The
mesmerizer is just doing his job moving from town to town earning his living. ... Show more content
on Helpwriting.net ...
"The age at which a boy is willing to endure all things, suffer all things short of death by fire if
thereby he may be conspicuous and show off before the public". This excerpt provides evidence that
Twain was in it for the thrill of getting a rise out of people. He honestly admits that he acts out
because of his age, meaning that he must be but an actor of course young or old.
The audience also plays a big role when proving that it was all just an act. As it says in the story,
they bought their way into the show and were amazed by everything that was performed on the
stage. "Come forward and test him, ladies and gentlemen, " the men and women both complied
eagerly, and stuck pins into both Hicks and Twain. The audience went along with this all and
thought of it as entertainment, because they came up and actually participated in the acts. This of
course shows that the crowd really didn't know what the heck was going on. The mesmerizer was
actually a hypnotist, bottom line.
The tone is very significant within a novel because it depicts how the author is feeling about the
certain events that arise throughout the story. For example, Twain's attitude in the novel makes us
see that he is a real showoff. It also proves that he is in it for the attention and to receive a sense of
self worth. The pompous attitude only redirects us to the idea that it was all just for self gratitude
and to provide an

Midterm Answer. Chen Xuanhong. Cine 121
Midterm Answer
Chen Xuanhong
CINE 121 – 01 1– Escapist entertainment and social commentary
2 to 2½ pages max. (170 Points)
While Stagecoach (John Ford, 1939) is representative of Classical Hollywood cinema providing its
audience with escapist entertainment, it also develops an "acute social observation" of life during
America's westward expansion and it challenges elements of the myth constructed around this
history (Bernstein 316).
a) What makes Stagecoach an example of Classical Hollywood cinema? Identify and explain the
main characteristics, features, and conventions of this cinema that are present in the film.
b) What makes this film different from other Classical Hollywood westerns?
● Explain Bernstein's main argument in ... Show more content on Helpwriting.net ...
b) "Stagecoach was the most critically acclaimed of several major studios 1939 Westerns that
historians credit with raising the genre into big–budget production from the rut of B–studio, B–
movie status" (Bernstein 300). Unlike the other classical Hollywood cinema, Ford chose western
frontier as the open landscape for shooting. What's more, Ford tried to cut dialogues to the minimum
and focused on actions, showing how actors react to one another. Certainly, as a classical Hollywood
film, Stagecoach reflects Ford's appreciation of America's westward expansion by showing chances
for democratic life on the frontier. With the aim of specification contradictory beliefs, Ford made
fully use of mise–en–scène and cinematography, such as setting and composition.
Setting
The epic, mythicized, and vast landscape of Monument Valley offers the basis for Western's
fundamental conflict. It includes grassland, desert, cactus, buffalo, horses, and the owner of this
land, Indian tribes. In the visual environment, another typical group of "civilization" are brought by
the invasion of towns, rails, churches, posts, etc. So, the setting itself contains conflicts of the
natural environment and modern civilization. The conflict between the backward productivity and
advanced productivity, the conflict between violence and law, the conflict between

Appointment In Samarra Essay
Julian English, the main character in Appointment in Samarra by John O'Hara, was a very heavy
drinker. Drinking is the main reason for Julian's downfall experiences throughout the story. In the
matter of three days, Julian English manages to make enemies with everyone that was once close
with him. Julian English's first fall was giving a reason for Harry Reilly to turn against him, which
was only the start of his downfalls. Eventually, the drinking then led to an end of his marriage with
his wife, Caroline. Not long after, the drinking, unfortunately, was the reason for Julian to commit
suicide.
Julian English was married to his beautiful wife, Caroline English. They lived in the town
Gibbsville and regularly attended the club and parties until Julian throws a drink in Harry's Reilly
face. Harry Reilly was a rich, well–know man that lent Julian money the summer before. Julian
believed that because he owed Harry money, that ... Show more content on Helpwriting.net ...
Julian did many of things that other people wanted to do but were too scared too. Many people did
not want altercation with Harry Reilly, but Julian was the only one to stand up to him. People were
amazed that Julian threw a drink in his face the night of the Christmas party. This was event was
something that people never thought would occur. Also, the incident between Julian and Helen was
another things that others on Gibbsville were amused by. Ed Charney was another top man in
Gibbsville. These two main occurrences could recognize Julian English as a tragic hero.
The novel, Appointment in Samarra, was a series of downfall events Julian English experienced that
were all caused by drinking. Although Julian could be considered a tragic hero, the drinking
consumed his life and thus was the result of his death. Within three days Julian lost his wife, made
allies with two important men in Gibbsville, Harry Reilly and Ed Charney, as well as lost friends
including Froggy and other old

The Film John Ford's Stagecoach
In Pursuit of Liberty: An American Story Political philosopher John Locke theorized, given a state
devoid of human construct, man would be free to order their habits as he deemed fit, governed only
by the law of nature. While the postulations of Locke and his contemporaries were relegated to
conceptualizations made from pen and paper, there existed a period of American history in which
the promise of a life free from the regulations and customs drove countless entrepreneurs and
outlaws westward despite the numerous dangers affiliated with life beyond the boundaries of
civilization. In Stagecoach (1939), Director John Ford portrays both the dangers and promises
associated with life beyond the safety of civilized society by means of a stagecoach ... Show more
content on Helpwriting.net ...
The sublime landscape of the American West allows Western films to explore man as he exists in a
state of nature; that being a life in which the individual is wholly responsible for their own survival
whose actions are judged solely by their own standards of morality. Reoccurring themes such as
self–determination and duty signify an underlying ideology existing within the American Psyche
that yearns for an existence in which the monotony of corporate offices and TV sitcoms are replaced
by a rifle and a quiet homestead. Considering the contextual history during which Stagecoach
appears, America was facing a crippling economic depression after aiding the Allies in the Great
War. The Nation was experiencing rapid growth, as the land which through manifest destiny was
promised as an opportunity to begin life anew, suddenly began being inhabited from one coast to the
next. The blessings of civilization in this light, may be thought of as oppressive forces hindering the
liberties of a society weary of

Analysis Of The Movie Stagecoach
Despite my childhood love for westerns, particularly those starring John Wayne, I had never seen
"Stagecoach" in its entirety. Therefore, I highly anticipated watching this movie in my class. While
not one of my favorite westerns, I enjoyed "Stagecoach" and appreciated it for how it helped define
the genre. This film follows a group of people aboard the titular mode of transportation as they
travel from one town, through Apache territory, to another. The passengers include a prostitute run
out of town (Claire Trevor), the driver (Andy Devine), a gambler who fought for the confederacy
(John Carradine), an alcoholic doctor (Thomas Mitchell), a wife of a solider (Louise Platt), a
Marshal escorting an outlaw (George Bancroft), a whiskey salesman (Donald Meek), a corrupt
banker (Berton Churchill) and an outlaw out for revenge (John Wayne). This ensemble cast worked
perfectly together. Each actor brought believability and depth to their role, while also crafting a
memorable character. With that being said, a few performers stand out. Wayne, in his first major
role, is already incredibly charismatic as Ringo Kid. Trevor excels at making her character more
human and relatable, an essential aspect of the film. Mitchell, who won an Oscar for best supporting
actor, is great. He's funny and brings depth and humanity to his character. Lastly, Bancroft impresses
with his portrayal of a level–headed, though not entirely pure, lawman. Although I very much liked
the acting, my favorite

Written Response: Stagecoach
Written Response: Stagecoach In the world–renowned year of 1939, John Ford released Stagecoach,
a Western picture based on Ernest Haycox's novel, Stage to Lordsburg. The film, which takes place
in Monument Valley, depicts an action–packed adventure starring a handful of questionable
characters fighting war–crazed Apaches. More than 50 years after the film's release, it was added to
the National Film Registry for its cultural, aesthetic, and historical significance. Needless to say,
Stagecoach sparked a new expectation for Western films, one that demanded deeper complexity than
ever before. Westerns are sold on their hyper–masculinity and violence, yet John Ford is able to
capture those traits and much more. To begin, one of the most important

Analysis of Classic Hollywood Cinema: Stagecoach
The characteristics, features and conventions of Stagecoach (John Ford, 1939) allow this film to fit
directly under the title of Classical Hollywood cinema. The film uses a few main characters that the
audience members get to know well and create their own feelings for. In Stagecoach, there are nine
main characters that the audience gets to know well, Dallas, Ringo Kid, Buck, Hatfield, Doc Boone,
Lucy Mallory, Curley, Gatewood and the lieutenant. These characters are consistent throughout the
story and the audience members begin to understand them as the story develops.
The story's development consists of a single goal, the characters' goal to make it to Lawrenceburg.
The characters confront antagonists who allow each character to ... Show more content on
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The features of Classical Hollywood cinema and the uses of those features in Stagecoach, along
with the use of mise–en–scène and cinematography creates a unique Classical Hollywood western
with a social commentary. When Mallory arrives at Tonto, she meets Hatfield, the town's gambler.
Hatfield's social position is made clear by the use of mise–en–scène and cinematography. As
Mallory enters the room, Hatfield leaves the room but he is seen outside through the window. The
camera is placed in such a way that he is framed in the shot by the window frame, the window pane
and he is in between the Mallory and the second upper class woman that she is with. The film shows
a long shot, so the audience sees the room, the window and Hatfield inside the window, so the
audience knows they are inside the room with Mallory and the other woman and it is angled slightly
downward so it seems the audience members are looking down at Hatfield. Hatfield is also lit by the
sun while the audience and the women are inside where it is darker. The audience members, along
with the two women are looking at Hatfield through the glass. This scene suggests that Hatfield is a
lower class citizen. Hatfield is framed by society because he is a lower class

Genre Theory and John Ford's Stagecoach Essay
Genre Theory and John Ford's Stagecoach
The analytic theory posited by Robert Warshow in his essay "The Westerner", itemizes the elements
necessary for a film to belong to the genre of the "western". Most contentiously, he mandates that
the narrative focus upon the individual hero's plight to assert his identity, and diminishes the
importance of secondary characters and issues, or any tendency toward "social drama." (431) He
states that it is subtle variations that make successive instances of a genre film interesting, yet limits
this variety to "minor variations in the characteristics of the actors who play the hero's role." (430)
It is my belief that while exhibiting many of the traits itemized by Warshow, John Ford's ... Show
Other elements expected by the "western" viewer include the importance of the vast landscape in
relation to the men upon it; the figures of the morally ambiguous marshall, the cultured Eastern lady,
the understanding yet fallen prostitute and the "bad guy"; and the conflict between nature and
civilization, usually represented by Apaches and white settlers respectively. Lastly, the most general
and material characteristic of a "western" is its setting on the American western frontier in the late
1900's. Each of these motives is evident in Ford's Stagecoach ; however, there are several
conventions of the "western" which the director intentionally manipulates, which exceed altering the
traits of the actor who plays the lead role.
The first convention varied by Ford is the hero's expected relationships with two different types of
women. The generic first lady is the refined Eastern "schoolmarm" character. She represents the
paradigm of civilized virtue, and as such fails to understand the cowboy's need for revenge, to do
"what he has to do." (457) In contrast, we usually encounter the highly–sexualized saloon girl or
prostitute, whose shares with the hero marginalization by the fledgling "civilization" of the frontier.
This second woman understands the cowboy's code in a way that the cultured woman cannot. In the
conventional "western", the hero often ends up with the "lady", but his choice is excused by the
"convenient" accidental death of the saloon girl, usually due

Stagecoach Book Vs Movie Essay
In the 1939 Western film Stagecoach, directed by John Ford, Mrs. is on her way to meet up with her
husband who is in the Army. She is going with multiple people to Lordsburg, New Mexico and they
have started their journey in Tonto, Arizona. Along the way, they come across many obstacles that
they have to overcome in order to get to where they need to go. However, in the short story "Stage
to Lordsburg", a Western short story written in 1937 by Ernest Haycox. In the short story, one of the
main characters is The Army Girl also known as Miss Robertson but in the film she is known as
Mrs. Lucy Mallory. They are both the same character but portray different characteristics. For
instance, Lucy is a young woman who is married and going to meet up with her husband who is in
the army. In the short story, The Army Girl is going on the journey to meet up with her fiance to get
married. Although they are the same story, there are some major differences among the short story
and ... Show more content on Helpwriting.net ...
They had a long travel so they all got to know each other for the most part. Almost everyone gained
respect for The Army Girl and knew how to act around her. For example, " The Army Girl coughed
gently behind her hand, Whereupon the Gambler tapped the whiskey drummer on the shoulder."Get
rid of that". The drummer appeared startled. He grumbles, "Beg Pardon," and tossed the smoke out
the window."( Haycox 14). The gambler notices that The Army Girl did not like the smell of what he
was smoking and made him get rid of it. He wanted to make sure she felt comfortable for their long
journey. The Army Girl is a very proper character during the short story. She acts in a different
manner compared to the other character like when someone offered her to switch seats with her to
have more room but rejects it because she did not want to sit next to Henriette who is a

Film "Stagecoach" Analysis Essay
Stagecoach: The Revolutionary Western
John Ford built a standard that many future directors would follow with his classic 1939 film
"Stagecoach". Although there were a plethora of western films made before 1939, the film
"Stagecoach" revolutionized the western genre by elevating the genre from a "B" film into a more
serious genre. The film challenged not only western stereotypes but also class divisions in society.
Utilizing specific aspects of mise–en–scène and cinematography, John Ford displays his views of
society. The film consists of many cliché western characters. There is a banker, an outlaw, a
prostitute, a doctor, a gambler, and a pregnant woman. These characters are categorized by social
class. The banker, the pregnant ... Show more content on Helpwriting.net ...
Doc Boone is not taken seriously and considered a fool because he is always drunk. Dallas is always
forgotten and all the attention is given to Mallory. In a scene where the stagecoach is headed
towards Apache Wells in the cold, Hatfield's facial expressions show that he is worried and
concerned whenever he looks at Lucy Mallory. Hatfield, being a gentleman, offers Lucy Mallory
water and serves water to her in a fancy silver cup but does not bother to ask Dallas. However,
Ringo Kid makes sure Dallas also gets a drink of water. This demonstrates that even though Hatfield
is considered a gentleman, he does not show any concern for Dallas because she has a lower social
status. Once the stagecoach arrives in Lordsburg, Lucy Mallory is carried out on a stretcher. At first,
the camera shot is wide–angled and the street is crowded with soldiers and civilians. Then there is a
close–up shot of Mallory on the stretcher as she speaks to Dallas. The shot reveals Mallory's facial
expression of remorse. Mallory looks apologetic and offers any help to Dallas. This is one of the
final scenes in the film and illustrates how Mallory's view of Dallas completely changed by the
resolution of the film. Throughout the film, Mallory felt uncomfortable being around Dallas. Once
Dallas helped take care of Mallory's baby, Mallory realized that her judgment of Dallas was
completely wrong.
John Ford challenges society's views of people

Barlow Sanderson Company
The Journey of Barlow, Sanderson, and Co. A lone yellow stagecoach tracks across the Missouri
sands, pulled by two exhausted, well groomed horses. The sharp crack of a whip is heard, and shouts
of "Giddyup!" echo from the coachman. Inside, a passenger sits patiently, a stack of mail and goods
beside him. A cloud of dust rises up behind the coach, and the constant motion of the wheels kicks
up small rocks that fly like bullets. Before the brisk expansion of railroads in the West in the 1870–
1880s, this was a common sight. Stagecoaches would carry passengers, mail, and freight from town
to town, and one of the most famous stagecoach company was Barlow, Sanderson, and Company–
later known as Southern Overland Mail and Express–which ... Show more content on
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In 1866, Barlow and Sanderson's dreams of expansion began to solidify into reality. The company
expanded westward, moving their headquarters to Junction City, Colorado. By 1867, the two
tycoons had a number of short routes such as Fort Larned, Kansas, to Fort Lyon, Colorado, and
Bent's Fort to Pueblo, Colorado. They also decided to change the name to the Barlow and Sanderson
Company. By 1869, Barlow and Sanderson were focusing their resources on expanding their routes
in Colorado due to the steadily rising mining industry. This was easily accomplished, and in July,
1870, the Company bought the Denver and Santa Fe stage line and renamed it to the Southern
Overland Mail and Express. Later that year, they again moved their headquarters, this time to
Denver. Thus, by the 1870s, this company controlled the mail route between Denver and Santa Fe,
and operated a tangled cobweb of lines that linked the San Luis Valley and the San Juan mountains
to the railroads. This allowed for better communication throughout Colorado, as well as improved
transportation for people and goods. Naturally, this was a great improvement, so it is to no surprise
that soon the company was the largest stage line in the

Essay On The Movie Stagecoach
"Stagecoach" Film Review
I find the film "Stagecoach" to be a top level film of its time and a leading Western to this day,
which came to set a new standard for Western films. "Stagecoach" didn't stick to the norm of the
time, where Western movies were considered low–grade and appealed to young boys, it exceeded
people's expectations. As Film theorist Andre Bazin wrote of "Stagecoach", "it is the ideal example
of the maturity of a style brought to classic perfection." Many things in "Stagecoach" were upgraded
from previous films of its genre, from the level that the story delves into the characters journey in
the stagecoach, to the location that it was filmed at. First of all, the story wasn't simply a good–
guy/bad–guy conflict, it was ... Show more content on Helpwriting.net ...
In the movie you have the three basic camera angles used, which include the low angle or ground
level angle, eye level angle, and the high camera angle. The ground level angle emphasizes the
seriousness and drama of the moment. it is taken from below the character and can make a character
or object look threatening. The eye–level angle is simply shot at the same level as a character is
more of a normal shot which has little effect on the viewer. Lastly, theres the high angle camera shot
which is shot above the subject and looks down upon them. It can build suspense, prevent the
viewer from seeing details, and most commonly in this film it is used to make a subject look small
or weak. Most of the responses viewers have from the different camera angles depend on the
emotional content and action of a given scene. They can be used differently in all films, but the
different camera angles are commonly used for an array of expressive purposes, which include
conveying information about a character's view of the world and accompanying emotions. The
camera angle can also complicate emotional responses by playing against our visual responses that
we have with the

Personal Narrative: Changing The Theme Of Stagecoach
My experience with my group could be considered a bit of a wild ride. At the beigining there was
trouble contacting everyone and getting a messaging group formed. It's understandable that not
everyone could have seen the email right away, being busy college students and everything. As time
went on and the deadline got closer eventually responded and stepped forward to see what they
could help with on the project. Because I was a over worried that no one would respond at first, I
had already done essays on cinematography and changing the theme of "Stagecoach" ahead of time,
so everything was going smoothly. The last night before the project was due I was putting the
finishing touches on my two word docs for the project when disaster struck.

Financial Analysis Of Firstgroup Plc, A Leading Land...
Executive summary
This financial analysis report is carried out for the First Group Plc, a leading land transport
corporation, so as to determine whether or not the client should invest in the company. For this
purpose, some ratios of FirstGroup Plc were reviewed for a 5 year period and compared against its
competitors: Stagecoach Group Plc and the Go–ahead Group Plc. In some relevant places, the ratios
were also compared with the industry benchmark. However, certain data for 2014 are not available
so that up to 2013 statistics were reviewed in that situation. Conclusions are drawn from the above–
mentioned financial analysis and assisted the client to make important decision of investing in First
Group Plc. Moreover, these financial ... Show more content on Helpwriting.net ...
Moreover, it enables to ascertain value at the start–up stage when a new company may not yielding
proceeds in the marketplace. Hence, it appears to be an important financial ratio for the investors in
the business environment. However, while comparing the investment of different companies it is
noticed that stocks with higher ROE indicate greater prospects of proceeds derived from each dollar
of equity. In other words, higher ROE is a positive sign for the financial condition of the company
(Biddle et al., 2009).
First Group Plc's ROE ratio shows drastic decline in the previous year 2014 to 5.30 from 6.02. In
2012, it was recorded 26.76 showing best financial performance in the business environment.
Moreover, it means that in this year there were maximum opportunities to maximize the profits from
investment and lead to high productivity (For example London 2012 games revenues). It means that
previously company was earning higher profits from the investment which declined rapidly
indicating poor financial conditions of First group Plc in the business environment. Thus, First
group Plc needs to improve its ROE ratio through adopting more effective business strategies and
managing other operations efficiently to ensure high profitability.
Return on Capital Employed (ROCE)
ROCE ratio shows how much profit each dollar of

Reel Injun Stereotypes
Reel Injun and Misrepresentation and Native Stereotyping on Screen
Misrepresentation of Natives on screen throughout the 20th century has had an adverse effect on
them. Whether it was positive or negative stereotypes, Natives felt the effect of Hollywood and
began to lose their self–identity, their honour, and their pride. Reel Injun takes a look at how movies
have defined an entire race and also documents the rebirth of the Native identity after decades of
destructive Hollywood movies by interviewing notable Native actors, actresses, and activists. By
doing so, director Neil Diamond hopes to silence Hollywood stereotypes and get Hollywood to
properly represent the Native people.
Hollywood's early depictions of Natives consisted of tribesmen and noble savages who are in tune
with Nature. Films such as The Silent Enemy portray these stereotypes on screen with actors like
Chief Buffalo Child Long Lance being shown as tribesmen who are very noble Natives. Although
these stereotypes are positive, they are still stereotypes nonetheless. These stereotypes have caused
... Show more content on Helpwriting.net ...
Stagecoach – a movie that is widely accepted as the most damaging movie for the Native identity –
helped to illustrate this image to viewers at the time. As a result, many Americans believed Natives
were all uncivilized and violent, leading to nationwide stereotyping and prejudice. The Indian was
the enemy of America as a result. Stagecoach also shows Natives being hunted like animals, which
sends the image of them being non–human and thus they should be treated as such. Stagecoach and
movies like it mispresented Natives for decades and caused a loss–of–identity amongst the Native
community because Natives were dressed the same throughout various films. It was not until the
1970s and 1980s where Natives were properly represented on

The Films Stagecoach, High Noon, And Unforgiven
Alexis Chanthapannha
History 344
December 14, 2015
Final Essay
The films Stagecoach (1939), High Noon (1952) and Unforgiven (1992) lend from popular themes
from frontier myths, however they employ these themes in different ways that are representative of
the social change present during the decades in which they were produced. These themes include
gender roles, villains, and the issue of justice within a community, glamorization of violence and the
genre–typical structure of the Western move. An overall trend in the Western genre is evident in the
way that these movies continuously challenge the "progress" that was representative of the frontier
West. Initially, western films did not have any social connotations attached to them other than the
glamorization of the west, but as the films progressed with time we see this time evolving. ... Show
There is a gunman, played by John Wayne, who seeking revenge and a whore with a heart of gold.
These characters, among the other travelers in the stagecoach are being exiled from the small town
due to their character flaws. The prostitute, Dallas is being kicked out by a group of women who
strictly oppose her type of work and she is reluctant to set out. This "whore" later goes on to prove
that though she does not have an honorable profession, she is charismatic and strong. The town's
doctor in this movie is being ran out due to his drinking problem. These outcasts later in the film
prove that the "honorable" and noble factions of society are not the heroes of this western. These
characters help to debunk the popularized myth of progress and civilization in the

Pearl Hart's Accomplishments
Pearl Hart, one of the baddest of the bad west outlaws in the 1800's. She was originally born as Pearl
Taylor of French descendant in Lindsay, Ontario, Canada. She was known as the "Bandit Queen," as
some would call her, and she was known as one of the only American female stagecoach robbers,
who was very fast and skilled. She was born in the year 1876, and passed away in 1956. Pearl was
one of many children and received an exceptional education due to being in a respectable middle–
class family. At the young age of 17, she fell in love for an attractive gambler, named Frederick
Hart. She soon eloped with Hart, who sometimes worked as a bartender, but more often lost his
money from gambling. Hart was also a heavy drinker and sometimes abusive ... Show more content
on Helpwriting.net ...
To prepare for the crime, Pearl cut off her hair and wore Joe's clothes. On the 30th of May, they
carried out their plan, jumped onto the front of the stagecoach, took $450, which is about $11,000
today, a revolver, and ordered the stagecoach to keep driving. After robbing the stagecoach, they got
lost on their horses and decided to camp out. They hadn't planned out their getaway, but they woke
up to a sheriff and his posse, and they were sent to Globe jail. She successfully escape on October
12th, with another man named Ed Hogan, but unfortunately the Sheriff's posse was on pursuit, and
caught the two. After several breakouts and going to trial, Her worst crime had to be robbing the

Analysis Of Violence In Stagecoach
As watching these movies from different time periods, I noticed one similar theme that stuck the
majority of the movies and that was violence shown in different types of communities. These
communities consist of The Pure Violence of the West depicted in Stagecoach, then the more subtle
violence within a family depicted in American Beauty and finally the hateful depiction of violence
shown in Do the Right Thing. Each of these movies are taken place in what we know as the Home,
the West and the City. The reason my choice of topic was to be Violence within communities was
simple because every movie had a certain level of violence and in these cases they show more and
show a different varieties of violence. So to get this started I would like to discuss each of these
movies and there depiction of violence within the communities before getting started. Starting off
with the Pure and deathly violence occurring in the Wild West in the classic Stagecoach. Stagecoach
is a movie about the wild west where a group of misfits are leaving town to head to a new area, but
on the way to this new promise land they are met with many bloody battles. Next, I would like to
discuss the subtle violence in the movie American Beauty which takes place within a small families
home. The violence in this movie is completely different than Stagecoach for the fact that it is
violence within the structure of a family and how that effects each members lives differently. The
final movie which takes place in

Film Analysis: Stagecoach
Stagecoach is a western movie that has several features to it. People do things for pride and
protection. People can come together at the end and work together. In this film, these two features
are portrayed in various parts of the movie. This film touches upon pride. People are prideful of
what they do or have done. A shotgun person was needed and Curly took the job. He is a prideful
sheriff that decided to take shotgun when no one else wanted to. His role in the film can be
portrayed bigger. He represents what the law stands for. People like Curly have great pride for what
they stand for. This film also shows how someone stays and protects the people in need. Ringo
could have escaped and be free. He noticed that the rest of the group were

Stagecoach Film Analysis
Throughout the films I have watched this semester, American Indians have been constructed and
represented in many different ways. Throughout this semester, different films in different eras have
led to stereotyping American Indians and poorly portraying the construction of Native life. At the
beginning of this semester, films portrayed Indians as savages who couldn't kill a cowboy, but at the
end of the semester, that stereotype changed into American Indians represented as helpless people
who cannot be rescued from the alcoholism and distress found on reservations. The ways the Native
Americans are portrayed in these films create an image that America views Indians in today's
society. In the first films viewed in class, they created the life ... Show more content on
Helpwriting.net ...
Stagecoach represents Native Americans as noble savages, a typical Hollywood Indian in western
movies. A noble savage is a racist term used to describe a character as a wild person who symbolizes
the goodness of humanity. They are an outsider who has not been civilized yet. This representation
of Indians is completely stereotyped and is completely inaccurate but was created for the
entertainment of white audiences who watch western films. The film Stagecoach is a complete
western style film with scenes of cowboys versus Indians, in which the Indians are helpless, and
cowboys seem to come out of the middle of the desert (Ford, 1939). These types of western films
portray the American Indians through basic stereotypes such as riding horses with bows and arrows,
they are always outnumbered, and they are portrayed in a dehumanizing style. These films act as if
Indians are wild animals and not as actual people. The cowboys always are the heroes and the
Indians always are incapable of surviving. Due to western movies, America now has the image of
the Hollywood Indian that some people still believe Indians are in today's society. The
representation of Indians in Stagecoach creates a visual that Indians are impotent and not humane.
American Indians are always seen as the bad guys in western films which allows today's society to
use the image of Indians as costumes for Halloween and allows people to see Indians as an object
and not

True Grit Analysis
The American Western genre is frequently stereotyped as guns, cowboys, and tumbleweed, because
it is not always viewed with the knowledge of its history. By understanding the importance of
manifest destiny in the development and exploration of the American West, readers can in turn
understand the self–entitled attitude of Americans at that time. Those people saw this opportunity as
a "national birth" that "was the beginning of a new history" that "separates [them] from the past and
connects [them] with the future" (O'Sullivan 1). They saw this rebirth as a second chance in this new
land. Throughout this paper, I will show how the ideas of rebirth and second chances are present
throughout True Grit written by Charles Portis and Stage Coach directed ... Show more content on
Helpwriting.net ...
Marshal Cogburn meets a Texas Ranger named LaBoeuf, who has been tracking Tom Chaney for
months, who forces himself upon Rooster's and Mattie's quest. Both Rooster and LaBoeuf start out
disliking Mattie because of her self–centered, know–it–all attitude, however through out their
journey Mattie begins to change her ways. Her turning point is at the end of the story when she is
trapped in the bottom of a pit and cannot escape. Mattie is forced to accept help from Rooster and
LaBoeuf, yelling "Help! ... I need help!" (Portis 211) She allows them to hoist her out of the well
and rescue her from the snakes. However, Mattie is bitten by a venomous snake and symbolically
looses her arm because she was not willing to ask for help earlier. By accepting help from others,
and avenging her father's death by killing Tom Chaney, Mattie is reborn and starts a second life with
a new perspective. We hear from Mattie later in life that she never got married, which shows that
while she did go through a rebirth, she still carries some of her past baggage. Mattie does, however,
try to reconnect with Rooster, showing that she did form a strong connection with him during the
journey, which would have never happened if she did not have the second birth experience. Mattie
opened up through out the story allowing herself to change, but did not lose herself during the

The Lost People Of Civilization Summary
The Lost Peoples of Civilization The topic of the American West has captivated and mystified
people for decades. Tightly interwoven into the American identity and dream, Westward expansion
is often seen with a positive and nearly nostalgic lens. Although we still dream to incorporate the
spirit and values learned from expansion, the civilization the Great West did not serve each
individual equally. While the civilization provides structure necessary for settlement and
community, it also isolates and separates certain peoples. In the West, civilization was accompanied
by ripples that adversely affected both American and Native peoples. Released by the highly–
praised John Ford in 1939, Stagecoach represents the people's dominant perception of the American
West. The movie revolves around a diverse group of characters that have boarded the Overland
stagecoach bound for Lordsburg, New Mexico. But along the way, the group must avoid
reservation–escapee Geronimo and his band of rogue Native Americans. As with the Turnerian
model, there are two forces constantly in competition with each other: civilization (i.e. the
stagecoach and associates) and savagery (i.e. the Native Americans). While the stagecoach
passengers speak in full sentences and have active conversations, the Geronimo gang is never heard
beyond a few primal grunts. Although the men of the stagecoach possess guns, many of the Native
Americans are still using primitive weapons such as clubs, spears, and bows and

The Western Symbols Of The Stagecoach And American...
The land is bare, an empty terrain sparsely populated with grass and shrubs. The sounds of hooves
and galloping fill the air. Soon, cowboys and their horses ride into the scene towards the viewer with
triumphant music permeating the background. A cloud of dust follows their movement through the
desert–like landscape. The sun beating down as the cowboys file in a straight line into a camp, two
by two, resting their guns on their thighs. The screen pans out and we are transported to a small
town where two men discussing the recent Apache attacks. They receive a message on the telegraph,
only containing one word. Cue the suspenseful music and the word is revealed to be "Geronimo."
Although this is the opening of the movie Stagecoach, many popular Western films have followed
similar opening scenes containing the stereotypical desert landscape with cowboys heroically riding
their horses. Western films, such as the Stagecoach, gained national popularity, making over
millions of dollars in sales. Their popularity serves as justification for why these Western ideals
affect the nation's identity and image. Richard Slotkin described this occurrence of Western movies
influencing American characteristics as the "Myth of the Frontier," with myth meaning a body of
tales, fables, and fantasies that help people make sense of their history and capture their attention.
Although the classic symbols of the Myth may be outdated, the ideals of the "Wild West" portrayed
through the mainstream

Movie Stagecoach Research Paper
Every since John Ford's 1939 western Stagecoach, the West has been portrayed in art, entertainment,
and literature as a desolate arid landscape of mountains and deserts. The story or movie backdrop
was usually set in America's colonial era and often included small frontier towns with saloons, the
local jail, and ranches on the outskirts of town. The main characters were ranchers, handsome gun
slinging wayward cowboys donning Stetsons, savage Indians raging havoc against settlers, and
outlaw gangs roaming the prairies holding up banks and railroads. Every story pretty much had a
similar plot; the pursuit of wrongdoers, lawmen and bounty hunters set on catching that elusive bad
guy, guns and gunfights, and the humble settlers protecting his family and land. The heroes that ...
Show more content on Helpwriting.net ...
In Stagecoach the occupants in a stagecoach, traveling through the desolate valley, eventually find
themselves surrounded, threatened, and eventually attacked for no apparent reason by Indians on
horses carrying guns and bows and arrows. A gun fight between the stagecoach passengers and the
Indians ensues and when it is all over, they move on to their destination, less one passenger. These
stories of Indians circling the wagons ready to attack innocent settlers have always played a pivotal
role in promoting the image of the savage untamed

Stagecoach Film Essay
In the film Stagecoach (John Ford, 1939) the Western characteristics of this film are that the
cowboys in the film are resourceful and restricted to no one. They are fully competent of roaming
the frontier on their own without having to rely on the securities of civilization. Yet they also have a
code of honor; although they are ruggedly independent, the cowboys respect the rules of society and
is unwilling to exploit others or to condone the careless disregard for human life exhibited by
outlaws or stereotypically Indians.
Though the passengers begin the film as simple types, their confinement in the small stagecoach
allows layers to be peeled back, revealing more characters. Social prejudice is displayed by more
proper society types like Lucy and the banker against the hard–drinking doctor and the woman of a
bad reputation ... Show more content on Helpwriting.net ...
The film Australia starts like a cheesy slapstick comedy, turns into a romantic daydream, then into
an outback adventure, then into a war movie, and then a genuine drama. This film is all over the
place and really is just too much. This film does however use the Western characteristic and
landscape in that it represents stories of older times. It is a fictional historical costume drama set
before and during World War II. The reason I say that it is a fictional historical film is that it has silly
facts about the Japanese being near Australian soil during World War II when that was actually not
the case. There are the typical horse scenes and Lady Sarah Ashley is the damsel in distress trying to
herd her cattle with the help from her husband's drover. I feel like this film is just a mockery of the
Western genre and it should not be categorized as one. The film only uses cattle ranching as an
excuse to steal iconography from Hollywood Westerns, specifically a 1930s John Ford cowboy
motion picture

Stagecoach Movie Film Analysis
The western movie I pick is John Ford's movie Stagecoach (1939). The movie is about a group of
people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling
together are a diverse group of people. All of them have the specific motivation for going, but they
all share the same goal reaching to Lordsburg. The characters are Dallas who's a prostitute, Mrs.
Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a
banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone
who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a
marshal riding shotgun, and Ringo Kid who is an escaped outlaw.
In the ... Show more content on Helpwriting.net ...
The cinematography is by Bert Glennon. The expectations for this film is that it has to be western
because it's the genre. The movie needs to have action and movement. And have a heroic character.
The expectations are high since a lot of people watch Western genre. I don't see any manipulation of
space and time.
The story formula for Stagecoach structures around characters in the Tonto and introducing the
characters, traveling to Lordsburg, stopping at Dry Fork way station for food and unforgettable
dinner table scene, traveling towards Apache Wells in the snow, Mrs. Mallory's baby born in Apache
Wells, finally getting to Lordsburg but got attacked by the Indians, and ended with Ringo Kid in a
shooting conflict. Stagecoach did a great job in the characters types. There are the protagonists,
prostitute, gambler, schoolmarm. These are the specific character types in Western movies. The
setting of the movie is on point. It's in the American West and takes place in the 1880s. The location
of Monument Valley is a favorite location for John Ford. The presentation of Stagecoach has many
great exterior shots that collocate the characters with the environment they occupy. The stars in
Stagecoach does fit in a Western movie. Like John Wayne, he stars in many Western movies. What
makes Stagecoach a western is the traditional western theme. Like the fight between whites and
Native Americans. There is a good use of the American West's open plains and mountains.

The Performance Between Two Dominated Transport...
Introduction and Background The aim of this report is to discuss the performance between two
dominated transport enterprises, Stagecoach Group & First Group. The financial ratios of these two
companies will be analysed using their annual report published in 2014/13, including profitability,
efficiency, liquidity, solvency, sales growth and combined with the latest economic environment and
major issues, in order to compare the performance between 2013 and 2014. Stagecoach Group and
FirstGroup plc are the leading transport operators in the UK and North America. However, the First
Group's business scale is 3 times as much as the Stagecoach with revenues of more than ￡6.7
million in 2013/14. In recent years, First Group had a recruitment ... Show more content on
Helpwriting.net ...
Return on equity on capital employed ratios measure a company's ability to use its capital, or its
assets to generate additional value. The first thing is to notice is that Stagecoach's profitability ratios
are significantly higher than that of First group across all measures, which can reflect the ability to
generate profit. Since First group is the biggest transport company in the UK, the scale of First
group is much larger than that Stagecoach's, the total revenue of First group in the year 2013/14 is
twice more than Stagecoach's. Meanwhile, the operating profit margin is higher than First group
which reflects Stagecoach have a better profitable sale. As the table shows, both First group and
Stagecoach gross profit margin have increased slightly between 2013 and 2014, cause by they all
change the UK Bus portfolio. Look at the First group, The operating profit is negative, an
unprecedented number of school closures because the abnormal weather conditions across North
America in the second half of the financial year. So the Operating profit margin and Return on
capital employed also negative in 2013. However, in 2014, the operating profit becomes positive.
Although the revenue declined, the operating profit also increased. First group has five operating
divisions, First Student makes the most operational profit and revenue. In 2014, the operating profit
becomes

Mary Fields: Stagecoach
Mary Fields, also known as "Stagecoach," Mary's birth was not in exact detail. She was born into
slavery in the year of 1832 in Hickman, Tennessee. Mary did not know who her parents were so she
was thought to be an orphan because of the mystery of her parents' whereabouts due to the trading
system for slavery. Mary, on the other hand, did receive an education but not from a school. She
received her education with her local judge's daughter who was the same age as Mary so they
learned together until the judge's daughter went to Ohio for higher education. Later, Mary
discovered that the judge's daughter was in the process of becoming a nun and was going by the
name of Sister Amadeus. In 1863 when the Emancipation Proclamation was known to

The Obstacle And Primed Summary
In the story, "The Obstacle" and "Primed" both develop a common theme in both texts about how
they are trying to achieve their dream by working with horses or outdoors, like a man's job. In the
story, "The Obstacle," the character, Sally, used character's dialogue to identify the common theme
towards her trying to follow her dream. The technique of character's dialogue is shown as Sally says,
"Despite this, Sally had always dreamed of horses and stagecoaches. Driving a stagecoach seemed
like the most inspiring job in the world; only the most skilled drivers could survive for long on the
treacherous roads. But Sally knew it was impossible to leave her family ranch. Why was it
inconceivable for girls to get an apprenticeship? Sally knew there was no way any traveler or
business would take on a female." This quote proves that Sally used character's dialogue by wanting
to be a stagecoach but, it's a boys job. This dialogue of Sally when she wanted to be stagecoach ...
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The method of character's actions is proven as Jessie said," Jessie (voice–over): ...It's clear that,
although she is doing a physically difficult task, she is doing well and enjoying the work... I love the
pristine beauty of this land and the feeling I have inside when I'm a part of it... how rewarding it is.
Somehow I have to convince Dad that he can rely on me, not Brendan, to keep our ranch
functioning as it should." This voice over from the character's actions shows that she wants to be
able to keep up the ranch and prove to her dad that she can. Jessie wants her Dad to rely on her and
not Brendan Therefore, the lesson learned in the story is that Jessie knows what is best for her and
she keeping doing the physical work to prove to her dad that she can keep up the

Novelism In The Stagecoach
In Hollywood, there was a fear of communism and far–left political ideas. Novelists of the time
influenced change in political ideas and national purpose along with the conflict between the
common man and capitalist corporations (Sklar 242). Their ideas influenced films like Stagecoach
which exposed corporate greed and corruption and other less–than–obvious forces at work in
American society (Sklar 242). Stagecoach was a Western film that addressed ideas regarding the end
of the American frontier and the end of expansion that reflects in the character of America (Blake
179). It questions the values of big business and the sketchy banks with a corrupt banker, Gatewood,
who steals the bank roll and takes off to the West. The doctor, Peacock, is a raging alcoholic, and the
hero, Ringo Kid, falls in love with the prostitute, Dallas. Additionally, the Stagecoach itself is in
poor repair signifying the daunting condition of the United States at the time. The characters are not
who they appear to be and the end, where Dallas and Ringo go off into the sunset together, differs
from traditional Westerns where the hero cannot fall in love with anyone, let alone a prostitute. The
juxtaposition between the characters and their destiny's is symbolic of the chaos in America in the
late 1930's. The United States pulled out of the Great Depression through WWII. However, when
WWII was over, the United States still faced some of the same social issues that persisted through
the 1920's and

Analysis Of No Country For Old Men And Stagecoach
The question is whether No Country for Old Men and Stagecoach provide adequate examples of the
decline in American moral values. From my perspective of today's world and my interpretation of
No Country for Old Men and Stagecoach, I can see how the argument could be made that they have
declined or haven't changed at all. I see a difference between the relationship of Ringo and Dallas vs
other members of their traveling group compared to Sheriff Bell vs Chigurh. These relationships, in
my opinion, explains a lot about the development of moral values, or lack of, in the western United
States. In this paper, I will describe the moral values that are represented in each movie and I will
also try to describe my understanding of why American moral values may have declined between
No Country for Old Men and Stagecoach. Beginning with Ringo, his entire character is based on the
a morally gray area. He escapes jail for a crime he hasn't committed, in order to get revenge for the
murder of his father and brother. Is this the right thing to do? Should Ringo get revenge by killing
the people that murdered his family? To me this is a attempt to gain equality. To drag the Plummer's
brothers down to his level. From my interpretation, he feels his life or wellbeing is lowered because
his removal from society because he's was in jail and later on the run from the law. And again, from
my interpretation, he views his path to redemption as a way to lessen the lives and wellbeing of the
Plummer

The Expansion Of The Frontier And The Relationship Among...
Unforgiven and Stagecoach
The film Stagecoach incorporated the expansion of the frontier and the relationship among the
Native Americans. The film starts with a wide view of an open valley to show the vast plain and the
open frontier, introducing and getting an idea of the setting. The movie was interesting in the sense
that it had more social commentary than most films. An article was written by Thomas Myers
explaining the film and the unique social commentary of the film Stagecoach by stating, "it depicted
a sub–community of individuals each representing a distinct social status in western history," and
that "this clash of classes and misfit characters provide a perfect set up for social commentary about
diverse societies." The western hero possesses a sense of resilience that allows him to outsmart a
group of outlaws.
In earlier western films, Native Americans were viewed as savages and ethnic groups were viewed
as ignorant due to the lack of political correctness. Like most early western films, violence was
utilized in place of punishment for bad men, and as Thomas Myers said in his article about the
comparison of western films, "was a means for restoring order to the community." African
Americans were not added to the cast of characters in Stagecoach, but during the early expansion of
the western frontier, there were African American cowboys and other settlers that came from many
ethnic groups. Another example of ignorance expressed in minority groups is the portrayal

Hierarchy In Stagecoach

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Hierarchy In Stagecoach